Remembering 1816: Two hundred years since Frankenstein was conceived
February 7, 2015
Remembering those who gathered in 1816 by the shores of Lake Geneva, along with monsters and vampires
We’d all be Byron, if we could;
titled, desired, trangressive.
What wouldn’t we all give
to write Mary’s monster half as good?
Or to pen Ozymandias,
and find ourselves anthologised,
with the glamour of one who died
as young as PB. There’s a bias
towards such as he, or Jimi Hendrix.
Mary Shelley lived a longish life
but many cast her just as the wife
of genius drowned. As if she were thick!
Yes, in our hearts, we opt for glory.
Pity we’re all Polidori.
Polidori was Byron’s doctor, who accompanied the poet to the villa he rented near Lake Geneva, where he hosted his friends Mary and Percy Shelley.* They read ghost stories and composed their own. Mary came up with the idea for Frankenstein, and Byron wrote a fragment of a vampire novel. Polidori wrote the first full length vampire story written in English. When published it was attributed to Byron, who denied authorship. It is still listed as written by Byron in various catalogues. You can see how keen someone was to attribute it to Byron in the image above!
Polidori has had a bad rap; an anthology of vampire stories I am reading prints not a paragraph of that first novel, on the basis that the author was a ‘hack’. I am also beginning to read his book (The Vampyre: A Tale) and it’s true to say that the prose doesn’t sing:
“THE superstition upon which this tale is founded is very general in the East. Among the Arabians it appears to be common: it did not, however, extend itself to the Greeks until after the establishment of Christianity; and it has only assumed its present form since the division of the Latin and Greek churches; at which time, the idea becoming prevalent, that a Latin body could not corrupt if buried in their territory, it gradually increased, and formed the subject of many wonderful stories, still extant, of the dead rising from their graves, and feeding upon the blood of the young and beautiful.”
My poem above is, to some extent, about our tendency to feed upon the ‘young and beautiful’ after they die, at least.
Poor John Polidori died very young himself, like Percy Bysshe Shelley and Byron. He was best known for who he associated with; a groupie, not a musician. There is some evidence that he committed suicide, but this is controversial.
The poem deals with the way that most writers, whether poets or novelists, far fall short of the Shelleys or Byron, and most musicians are not Hendrix. That does not mean that nothing worthwhile can be written by those ‘silver poets’. It just means that some people seem blessed with an additional talent to take what was around and transform it into something instantly recognisable as new. A glamour, perhaps, to use that word in an old way meaning spell or magic. A blessing is another word that could be applied. Some use the word ‘genius’, and surely that reminds us of something magical, that grants wishes?
Next year is the 200th anniversary of that meeting on the shores of Lake Geneva, and I hope to write a lot about Frankenstein and his monster this year. Let’s praise the genius of Mary Shelley who took scientific ideas of her time and created a profoundly moving tale that examines what it is to be human.
By the way, there was another visitor in Byron’s house in 1816, who is not mentioned in the sonnet; Mary’s stepsister, Claire Clairmont, who had a child in 1817. Byron was the father.
(Public domain image from Wiki Commons.)
*They were married in late 1816, after the famous meeting, but I’ll use the name under which Mary became better known here.
Tuesday Poem: (ute-ku)
February 2, 2015
Back of purple ute —
‘Jesus lives here’
holytray or holycab?
P.S. Cottier
I had a vivid image of Jesus balancing on the back of a tray going round a corner, perhaps holding onto a piece of rope, a little like a tethered kelpie. When he faces the back window of the ute, he can read the sticker saying that he lives there, which would become fairly unfunny quite quickly.
For those who would like to write lots of tiny poems, here’s a link to poet SB Wright’s site which has some information about Post-it note poetry. I am proud to say that the ute-ku is my own invention.
For those of you benighted enough not to know what a ‘ute’ is, it is Australian for utility vehicle. The phrase ‘pick-up truck’ is a crude attempt to achieve a similar effect.
Really short poems rarely appear on the blogs of Tuesday Poets. But perhaps there will be another one this week. Press this link and find out.
***
And if you go here you will find another poem, written in old style English 5/7/5 haiku, about the merits (or limitations) of flash fiction. It is part of the 200th edition of AntipodeanSF. There is also the reprint of a story (a suspiciously prose-poemy story) that was published at AntiSF some time ago.:
http://www.antisf.com.au/the-stories/stories-11-22/a-lively-discussion-over-the-merits-of-flash-fiction

The artwork is by “DasWortgewand”, whose real name is Reimund Bertrams. The editor of the journal, Ion Newcombe, just sent this through! Very cool.
Bloggers of Australia, this is for you!
January 28, 2015
A fantastic initiative to encourage quality writing on-line has been announced. The Thiel Grant for On-line Writing will give an Australian blogger $5000 to produce 50 posts in a year on his or her chosen topic.
Here is the link:
https://teacherintherye.wordpress.com/thiel-grant-for-online-writing/
Why not put in an application? It will provide a disciplined framework to develop your on-line writing to a higher standard. I sometimes think that any type of good writing is a result of inherent ability, drawn out by the exigencies of routine. Producing a weekly blog post has helped me to become a better writer, but that is an exercise that never stops.
For some reason I am now thinking of Raphael Nadal. Mind you, that happens from time to time to almost everyone, doesn’t it?
And here is a totally inappropriate image for the type of writing they are looking to fund.

I have had a good look at the application form and it requires an ability to express oneself concisely, rather than provide pages and pages of documents. All very appropriate for a blogger, methinks.
It would be churlish not to share this information. I now consider myself not to be a churl.
I will shortly announce some more upcoming publications I have this year, including one that was just accepted today, and which is a work in prose! Rewriting this work meant no poem for this week, but next week poetry will reappear.
Routine is a friend, even of the art that takes language and shakes it into new forms.
Poems at Australian Poetry
January 22, 2015
Press this link for poems written during the on-line course ‘Write what you can’t know’ in which I tutored last year for Australian Poetry:
http://www.australianpoetry.org/news/our-speculative-poetry-on-line-course/
One by Merryn Juliette, one by Robyn Black and one by the tutor currently known as moi. Mine is about a very nasty poet elf.
This image pleases me; so here it is again.
Tuesday poem: Better than a facelift
January 19, 2015
Better than a facelift
(Inspired by the rejection of a prose work I wrote about poetry for possibly supporting the view that poetry is an ‘adolescent’ activity.)
Damn those adolescents,
with their playful texts
their unruly emotions
and their weird conceits.
The world is as it seems.
Damn them for their quirky fashions
and their belief in signs and dreams.
Settle down, you freaky teens,
and develop a CV.
It is never too early to be half-dead!
There is nothing like
advanced middle age
for teaching what one should see,
and how to take things solemnly
like the sensible me-he
who patrols this moat, and keeps it pure;
ejecting the splashy-squeaky.
Exeunt, stage right, and take
your selfies with you,
and those peculiar devices. Go!
And pick up those rappers!
I like things neat as a plastic lawn,
without a single blush of flamingo,
where no emoji dares to grin
and poetry conjures forth
a proper sense of dread.
P.S. Cottier
‘Nuff said, really. Except that when one is my age, being called potentially adolescent causes an undeniable frisson.
Of course, a view that the ‘adolescent’ is a thing to be avoided reinforces the belief that poetry is a very dated interest. Ironic that, given that some poets of the nineteenth and twentieth centuries tended to act like adolescents are reputed to act. Shelley (PB) for example, would now just about qualify for the modern category of ‘adolescent’; if one is oddly interested in such uneccessary categories.
There is a view, of course, that seriousness equates with solemnity. That is, like totes sad. (Rising inflection, please. For am I not an honorary adolescent?)
It did make me think though, that rejection, and swear that I would continue writing what I want. Which sometimes tends toward the playful and humorous, like this cathartic little slap of a poem. Being light, or stompingly satiric, has its place, in both prose and poetry.
I have some more poetry to write, and must break out the shocking puns and the unlikely meatphors*. I promise not to mention flamingos again for a while, as I realise that they are becoming a trope in my writing. A pink trope, which isn’t only adolescent, but ‘feminine’ as well. Shudder. That’s so flippant it’s an ornithological handbag.
*A genuine typo, but let’s let it stand.
If you would like more poetry, defying all easy categorisation, press this link.



