Palm cockatoo

Heads like a child's drawing of bird heads,
huge beak and feather mane, flopping, 
last extant beat-poet, croaking of things
hep and cool.  Man, you hit bedrock
on that arching drum, selecting the sticks
that give the deepest echo, sound playing
through that tall wooden amplifier,
from dark roots to hazy blowing sky.
You contemplate the waving tops
of tropical trees, plumed angel-head,
stylish in your deep black daytime rhythm.
Inimitable pulsing punctuation,
beaky accent perched above
the forest's bright green flow.
PS Cottier

(Image copyright Birdwatching Tropical Australia)

I have posted this poem before, many years ago, however I just saw Palm Cockatoos in the flesh (or feather) for the first time up in Cape York. The male uses sticks to drum on hollow trees, something possibly unique among non-human creatures. (Although we do tend not to see, or hear, things that other species do.) My left shoulder boasts a tattoo of a Palm cockatoo; over ten years since that was inked I saw one.

The photo is of the one we got a good look at; I also saw a couple in flight. We saw Golden-shouldered parrots on the way up, an equally special bird that nests in termite mounds. It is unfortunately one of Australia’s most endangered birds.

The next bird I really want to see is more common. The budgie (the wild one) has always evaded me. I’d love to see a large flock of them in the wild. Occasionally one is seen in Canberra, but they are escapees from aviaries, given away by size and colour, probably wondering where all the seed went.

Tuesday’s Child is Full

October 20, 2022

This is the front cover of my latest book, a collection of poems first published on this very blog. I am particularly delighted with that cover, which relates to one poem inside the book about the Australian White Ibis, or tip turkey.

I have been writing this blog for thirteen years, frequently posting new poems, usually on Tuesdays, hence the book’s name. Thank you to all readers who have followed/commented/read the blog.

The book can be ordered here, from In Case of Emergency Press, which is the best name ever! It is priced at $20 (AUD). Re-reading thirteen years of this blog and selecting the poems was an interesting process, only occasionally bringing on a cringe. Dealing with Howard Firkin, the publisher, was a pleasure.

I will shortly be arranging a launch here in Canberra. Details to follow.

If you go to this site, you’ll find a new poem I wrote called Amorphous Solid, which is about a person turning into glass. It’s included in an on-line journal called Liquid Imagination, which has been around for quite a long time. Have a browse around. Unfortunately this is the last edition of the journal. The Poetry Editor is John C. Mannone, and the Managing Editor is Sue Babcock.

Tuesday poem: decant

January 29, 2019

decant

sax snaking
between notes,
tonguing air for directions,
poisonously honeyed
ears overflowing
quick thickening

and her voice,
both glacier and moraine
digging cool deep graves of swoon,
lowering us in,
willingly, longingly
noise-swaddled

now punctuated
by exhortations of snare,
the metal finesse
of the cymbal
jaggedly round —
its clanging infraction

PS Cottier

brass depth of field instrument jazz
Photo by Chevanon Photography on Pexels.com

Writing about music is never easy; it always escapes being pinned down by meaning. Hope that you enjoy this attempt to write jazz. I have posted it once before, but I thought a reprise was in order.

Very happy to be back, by the way!

Tuesday poem: Ursa major

August 8, 2017

Ursa major

Some old ones blow up
and some contract into themselves.
Crab nebula or hermit crab
seems to be the question.
Surely it’s better to reach out,
even with pincers, than to ban light’s
customary caress, its kissing blush of face?
I want to be the crabby old bear,
stained with purple,
snatching berries like song.
Bulking up for my Winter’s
last diminuendo.

PS Cottier

whole-herd-1

A middle-aged poem about age, first published in 2011 in The Mozzie, edited by Ron Heard in Queensland.