Poem: Nyx and Neon
January 21, 2024
The darkness and its dreams
have been tossed out like bottle caps,
or plastic wrappers, illuminated
into nothingness. Old goddesses
swapped for this new electricity,
these garish sharp scars flashing.
Neon is the worst, an intoxicating
brightness. He was recently elevated
to a minor god. I curse his vulgar
yellow slaps upon the face
of the sleeping earth, his bold
assertion of light when all
should give themselves to rest.
Newness needs to be won,
rebirthed at dawn, not lost
in this glut of fluorescence,
snarling through the black.
But I am Nyx, and I know —
Neon can never reach
the human’s rest of death.
There nothing disturbs the mud,
except the damp, and the quiet,
thorough recycling of the worms,
palest pink yet avid.
PS Cottier
Nyx personifies night, and was the goddess of the night. Neon was discovered in 1898, and is a ‘noble gas’, although Nyx doesn’t see it that way in my poem.
Poem (via link)
October 30, 2023
Very happy that my poem “Hip gnomes” was just awarded the Australasian Horror Writers Association Shadows Award in the poetry category for 2022. A great trophy! And everyone needs a tombstone arriving just before Halloween.
You can read the poem here, where it was first published at AntipodeanSF late last year. (That’s a link to Trove, which may take a little while to load.) AntipodeanSF is a free online publication that has been around for many years. Thank you to editor Ion Newcombe, and also to Kaaron Warren, who gave a speech on my behalf and picked up the award.
I’ve had two poems about osteoporosis published; this is by far the more fantastical (and dark) of the pair.
Tuesday poem: Rest and silence
June 26, 2023
The last woman looks up, languid, at the three moons hanging in the sky, and thinks of fruit, although she’s not seen an apple for ten years. How strange to be the last woman, she thinks, you’d think I’d be extraordinary, rather than simply the last. She scratches her scalp, realises that the bugs will outlast her, for at least for a week or so. She feels she should record thoughts, have a sudden itch for poetry, erupting like a wordy pimple. But there would be no-one to read it, should she drum out an elegy, despite that superfluity of moons, enough to drive a Wordsworth mad. She decides to nap the species into oblivion. The last woman yawns. PS Cottier
The book of poems made up of those originally published on this blog, called Tuesday’s Child is Full, has received a couple of positive reviews recently; here and here. That’s at Compulsive Reader and The Canberra Times. Both like the humour, which is refreshing.
Poem: This is a poem, not a listicle
February 9, 2023
This is a poem, not a listicle. It tastes like leather. If you listen you will soon note that it speaks bad French. It has never been to France. It bought cheap steroids in Bali. It would like to contain the word 'roseate', but can't. It read itself out loud just last week and was well received. It just watched the film The Brain from Planet Arous. It keeps reciting 'After I'm gone, your earth will be free to live out its miserable span of existence, as one of my satellites, and that's how it's going to be...' It can't translate that into French. This is a poem, not a listicle. PS Cottier
A poem dating back to 2015, published here once before, which shows that I was watching too many old science fiction films! I will be posting newer, even new, work here again soon.
But first I have a launch of the book V8 (written by Sandra Renew and one PS Cottier) at Smiths, Alinga Street Civic on Monday 13th, 7pm. Sarah St Vincent Welch will launch the book, and there will also be an open mic before readings from the book. In case you’re wondering, V8 is about cars and other vehicles, and is a poetry collection published by Ginninderra Press.
Poem: Befitting
December 4, 2022
Twice as long as my palms, my new loves sparkle, shine, make no demands. I do not intend to attract anyone with them. They are certainly not flashy signals or invitations. I stroke the glassy sides, kiss where a tongue would sit — but neither has a tongue. They glide onto my eager feet just when I want, and if I dance, I dance for myself, admiring the play of sun on cupping glass. My feet framed with transparency, I skip, slide, saunter and spin on the open, prince-less green — slippers fitting just so. PS Cottier
And I do note the overwhelming wee-ness of the slippers in that illustration! (Aubrey Beardsley)
PS Cottier 