Poem: No genie, no wish
September 2, 2022
No genie, no wish I thought it was a safe dwelling, this huge shell, bright blue, blooming on sand. Not petty house for me, no scrummaging for dangerous weeks. My belly needs support, is un-calcified, tending to slump. I need other species to form places for me to hide, to live, and from where I scavenge, daily, for minute bites of food. Imagine my joy, at this mansion, the cavity through which I pushed an eager few centimetres of crab. And now I find myself trapped, unable to live in this blue world. When I die, I send out a cry, not in words but scent, telling other hermits that a shell has become vacant, and so, how many others will meet inside this treacherous, plastic tomb? A million such containers cover the beaches’ sheets of sand, a kaleidoscope of pain. Fake promises of security, washing up with very wave. I am a message, trapped inside a blue bottle of disaster, an artificial gift of doom. PS Cottier Hermit crabs are dying inside plastic and glass waste washed up on Australia’s remote islands: https://www.washingtonpost.com/science/2019/12/05/what-happens-when-hermit-crabs-confuse-plastic-trash-shells-an-avalanche-death/

Tuesday poem and reviews
October 28, 2019
A bit of a link-fest this week! Firstly, here’s a link to on-line journal of women’s poetry Not Very Quiet, for a poem called The dusky grasswren, which is what it says on the box. This is not a dusky grass wren.
The links to two recent reviews I have written recently; of Jack Charles’s book Jack Charles: Born Again Blakfella, and of Mike Chunn’s A Sharp Left Turn: Notes on a life in music, from Split Enz to Play It Strange. Both reviews were published in The Canberra Times.
I used to review books a fair bit, and it’s great to be doing this again. Quite a different discipline from poetry; entering into a book with an imaginary potential reader as your companion.
Tuesday poem: Budgerigar
May 9, 2018
Budgerigar
Ten million green commas punctuate blue sky,
quick breaths of swooping wonder, multiplied.
Water-hole is your target; liquid rope pulls you down
and the whole emerald sky is falling, diving,
as miniature bodies scoop into pool.
Your individual markings have taken you
further than native flight; outside the Louvre
I saw you, cold, trying to break in, as pointillist
as Pissarro but acrylic in your finish.
A proud but damp escapee from French balcony,
regretting the lost seed and the found liberty.
So plump and fresh, I have heard you were good eating,
a winging fast food charred to a turn;
as far from stringy battery chook as fingers in the fire.
Most know you singly; whistling in cages,
bowing and bobbing, rattling plastic mirrors.
Driven mad you ring and ring chink-chinky bells
or make love to that hard, hard-to-get reflection.
What joy to see you
just once, as you swoop,
one stitch amongst the tapestry,
a blade of grass in feathered turf carpet, magically landing,
transforming dreary waterside with that fallen sward of Eire.
Swift dragon of twenty million wings,
fluorescing with your simple, beak-filled joys.
P.S.Cottier
After boasting in various places that I post a new poem every week, here’s a repeat one for you! (Which is a damn subtle humblebrag…) That’s Chomp in the picture above, and I have to be careful, or I’ll join the endless stream of people blogging about pets.
Tuesday poem: On nothing, via link
September 5, 2017
I just had a poem called ‘On Nothing’posted at Right Now: Human Rights in Australia, on the subject of climate change, inspired (if that’s the right word) by Peter Dutton, when he was recorded saying ‘Time doesn’t mean anything when you’re about to … have water lapping at your door.’ This was in reference to people living on small Pacific islands, who are already suffering obvious and dangerous effects of climate change. You can read it here.
This gives me an excuse to post one of my favourite images again.