Thiel Grant Shortlist
March 11, 2015
Who is the only shortlisted person to use words in capitals in their application title…THAT WOULD BE ME!
Yes, I am shortlisted for Philip Thiel’s grant for on-line writing. My suggestion is to look forward to the 200th anniversary of Mary Shelley creating the story of Frankenstein, and to blog about the book, the author, her times and the science. Also, I would consider the use of Frankenstein in culture generally, and how the book seems even more vital today. Gender, genius and monsters; literature, film, science and ethics. A big stack of of material there! Eight feet high like the creature himself.
I must say that it is an honour to be shortlisted with such a great list of on-line writers.
The winner will be announced next week, and receives $5000 to blog for a year on the short-listed topic.
A celebratory tipple
UPDATE 18/3/15:
Congratulations to Patrick Lenton who won the grant. I look forward to following his blog.
I think I’ll still be writing about Mary Shelley here, but perhaps a little less intensively than if I had won.
Tuesday poem: A timely monster
March 9, 2015
A timely monster
And if I could drink youth in
through my eyes — a vampire
of glance, lapping it from
perfect blush of skin —
would it be possible not to
drink and rise, leaving years
like a phone lost in cushions?
And yet, and yet…
before my eyes suck, remember
the self-consciousness,
the rash redness of life
before it wrapped itself in time?
To take, and lose a burden,
is to lift another,
cutting into hands or mind,
like an overloaded bag.
So let them pass, and let me yearn
and learn to stop, just here.
I’ll sit, and plait kind memory
through this smoked nostalgia of hair.
P.S. Cottier
Very traditional matter there, about the passing of time, given a sprinkle of Polidori. I like ‘my eyes suck’. Certainly not over-poetic! Monday was a public holiday in Canberra, so I did a little revision of this poem, and decided to post it.
More and more I find myself unable to wait the months that some journals take to say yes or no to a piece. I pity the editors, but I value my own work more! This blog now has many readers (hello to you all, from France to India to the Americas to Binalong) so why not self-publish?
Of course, I am foregoing the huge piles of pelf that poetry usually attracts, and there are some journals and anthologies that I really want to be part of, but I do like the immediacy of this medium. Particularly when I can find such cool pictures for free at Old Book Illustrations!
Other poets enjoy that too, whether they are posting their own poems, or those of others. Read the works of the other Tuesday Poets. They are definitely worth the clicks.
Paths Into Inner Canberra: my next publication
March 6, 2015
I am having an essay published. Yes, in prose, with two bonus poems. This is happening in a wee pocketbook to be called Paths Into Inner Canberra. The publisher is Ginninderra Press, based in South Australia. It is part of a new series they are publishing, called Pocket Places.
In the book, I describe riding a bike through Canberra along the bikepaths, and the wildlife that one can see, such as cockatoos and turtles. It is part memoir, part philosophical reflection (that’s a very little part) and part evocation of aspects of this city that I love.
The lovely photos have been taken by the very clever and cool Geoffrey Dunn. Here is one that the publisher chose not to use, which I quite like.
How do I obtain this wonderful book, I hear you cry? And is it true that it costs only $4?
In answer to your first question, I will post a link when it is available. Or if you see me in Canberra, enquire direct, buy me a coffee (or a beer or wine, if your accountancy skills are delightfully bad) and one will be your own to keep. To quote Willy Loman ‘That is a one million dollar idea.’
In answer to the second: Yes. Plus postage.
I am very happy that this essay is being published, although I should probably call it creative non-fiction, or extended haibun, or something clever. Does anyone write essays anymore?
Tuesday poem: A persistence of jellyfish
March 3, 2015
a persistence of jellyfish
flesh liaisons bloom
sea-flowers have no soul
P.S. Cottier
‘sea-flowers…’is from Jules Verne, 20,000 Leagues Under the Sea
This bluebottle is the sort of lovely Australian creature that delights visitors. The image (PD Wiki Commons) is very fine, but doesn’t show the long tail of the creature, which is the bit that stings.
I have a vivid memory of swimming out of my depth, when one of these wrapped around my arm like a mad doctor’s blood pressure tester. I had to swim to shore, against a slight overtow, with a band of pain tightening around one of my arms. I developed a delightful weal on my arm, resembling a string of rubies given by a particularly sadistic Prince from a fairy tale by Angela Carter.*
At the time, I didn’t know how bad the sting of these creatures was, in terms of how poisonous. Fortunately, they are not too bad for most people, unlike the small invisible jellyfish found further north, which are deadly. (Some people have bad reactions to them though, as with bee-stings. See this article.)
Interestingly, the bluebottle is actually a co-operative of creatures that band together, rather than a single life-form. I believe that these are the sorts of things that we will find on other planets. ‘Other planets’ here means the south coast of NSW.
I believe that Australian wildlife may be touched on in the central Tuesday Poem this week. Press this link and find out.
*UPDATE: I have been flicking through other posts by Tuesday Poets, and just noticed that Helen Lowe is featuring a poem by Tim Jones about Angela Carter. There is an absence of jellyfish in the fine poem, but the coincidence tickled me. Like a bluebottle, but a lot less painful.
Galaxia Fairfaxia: The Journey on the Good Ship Review
March 1, 2015
The Stars Like Sand: Australian Speculative Poetry was just reviewed for the Sydney Morning Herald, Canberra Times and elsewhere. A lovely review by Peter Pierce, which states that the book is a ‘splendid anthology, that entertains from start to finish’. Adjectives such as ‘enterprising, unusual and rewarding’ are used, which is always a good thing, providing retrospective solace to editors on their long trips through the unknown reaches of the poetic universe*.
Seek out the book here, or, if necessary, through those on-line bookstores.
You could even ask a physically constituted bookstore to order it for you, you intrepid little time traveller you.
*’Poetic universe’ is here defined to mean Australia; a small solar system on the outskirts of the English Andromeda.
PS Cottier 