Poetry at The Canberra Times

November 15, 2021

From today until 3rd December, I will be accepting submissions of poems for The Canberra Times, one of the very few newspapers that still publishes poetry. Please read the details below the poetic budgie. Note that at the current time, submissions can only be taken from those living in Australia.

Canberra Times Submission Guidelines November 2021

ALL CORRESPONDENCE REGARDING THE CANBERRA TIMES/PANORAMA POETRY SUBMISSIONS SHOULD BE SENT TO THE CANBERRA TIMES POETRY EMAIL ADDRESS:

poetrycanbt@gmail.com

POETRY SUBMISSION: Do not submit until there is a call-out. The dates will vary depending on the number of accepted poems awaiting publication. The Poetry Editor Penelope Cottier will be making selections.  If you are not sure if there is a current call-out, please send her a query rather than sending poems.

·       • Poems suitable for a general audience in most styles and on most subject matters are welcome.

·       • Please send up to 3 UNpublished (includes blogs etc) poems of up to 24 lines.

     • The 24 line maximum includes quotes/notes/references (but not title and stanza breaks). 

·       • Attach all poems in one Word file — please include your name in the document title. (You are welcome to also attach a PDF if you are concerned that formatting might slip in the Word doc. But do not send only a PDF. Pasting into an email, if you have to, is fine too.)

·       • Please submit poems during submission periods only

     • Poems should not be on offer to other print or online publications

·       • You will be notified by email either way, 6-8 weeks after close of submissions.

·       • If selected, your poem should generally be published in the Panorama arts section during the following several months. 

While everything possible is done to reduce the risk of a selected poem not appearing The Canberra Times cannot guarantee publication. Poets who submit poems should understand there is a chance their poem may not appear, even if selected.

      • Poets selected for publication are asked not to submit during the next submission period.

Hints

•      Send your stand-out poem(s).  Don’t feel you have to send in three!

•      Send a variety.

•      Be strategic — remember that poems are selected months in advance of publication.

•    Sometimes poems are published in a smaller font due to space limitations — if  you have an issue with this you might prefer to submit shorter poems.

•    For the same reason it is better not to send poems with very long lines or elaborate formatting. 

Bio

A biographical note is not necessary but is of interest — just one or two sentences will do. 


PLEASE KEEP READING:

The Canberra Times publishes one poem per week in its Saturday Panorama arts section, pending space availability. Payment is $60 per poem.

The aims are to ensure a diversity of voices, and to publish poems on a wide variety of subjects.

Poets selected for publication are asked to skip the next submission window. 

Please note The Canberra Times receives hundreds of poems and has space for just a fraction of those. Many quality submissions have to be declined each time.

If you can access The Canberra Times where you live, please buy it every Saturday.   Or you can subscribe to the on-line paper, to support fellow poets and a major newspaper that still publishes poetry.

Penelope (PS) Cottier

The Canberra Times Poetry Editor

April was the cruellest month

I miss the pub noise
Society contracts like a fist
Old people dying in dozens
Languishing/anguishing/wishing
Australia pulls up the biggest draw-bridge
Too many whiskies, no balancing gym
Idiotic President’s bleached tips
Only me and the spoilt dog
Novel coronavirus drags

PS Cottier

little-jumping-joan

I just returned from my first meal outside the home in quite a while; some restaurants, cafés and pubs in Canberra have opened for up to ten people. Curry and beer never tasted so good! May has to be better than isolated April.

The title is reworked from TS Eliot, who reworked it from Geoffrey Chaucer. Illustration by Kate Greenaway, courtesy of Old Book Illustrations.

I stole that title from Wordsworth, of course. I was out for exercise yesterday, and noticed how many birds there are in Canberra, particularly sulphur-crested cockatoos and corellas, with lots of young birds begging to be fed.

corellas

The sun was out, and I found myself plainly happy, totally forgetting about coronavirus for a short while. Of course, just for a moment, and soon it was back to skirting around any other walkers and cyclists. I felt almost guilty for feeling so good, thinking about the many older people stuck inside, and the crew of the cruise ship Ruby Princess still confined aboard, and, of course, the people who have died from the virus.

The hundreds of dogs so delighted that their owners are home so much more now have no inkling as to the virus, and I envy them their lack of knowledge.

My mind wagged
my thoughts spaniels
licking the air

We are lucky that we can still get out and stroll around here in Canberra for necessary exercise, and even buy a takeaway coffee, and observe the natural world that reaches right into suburbia. Helps keep one relatively sane.

Maps

Until January I had never heard of a P2 mask. Now three of them sit in my wardrobe just in case. The air outside is the worst in the world, the media keeps telling us, as if this has really put Canberra on the map. If we drew such a map, the only symbol should be that of a lung, shaded pink in areas without thick smoke or smog, and moving through various shades on grey. In the centre, we would draw a huge black lung, pierced by the giant flagpole on Capital Hill, letting out a stream of toxic gas, into the toxic air.

Every year, around this time, we’re down at the coast, swimming, surfing, birdwatching. South Durras is a tiny village, nestled between the lake and the sea. A place where lorikeets eat nectar and kids still ride bikes without helmets. Tiny fibro houses emphasise that nature is more important here than architecture; they are only places to retreat to when the beach is too hot.

But this year, and late last year, we have only seen South Durras on maps. Fires Near Me charts the growth of enormous blazes, bearing down on many villages along the coast, and further inland between Canberra and the sea. I keep the page open, check it every fifteen minutes, although it couldn’t possibly be updated that often, The roads to get there are closed, and what use would I be down there, where there is no connected town water? All I can do is check the maps, and facebook posts by those still in the area. The RFS. The one shop in Durras. Friends of Durras, a conservation group. A live blog run by the Batemans Bay Post. Then back to the maps, as if my gaze can somehow stop the killing fire.

Last time I was in Durras, we went birdwatching, and saw red-browed finches, tiny active balls of fluff, with bright stripes of crimson near their eyes. Like fire, I thought, a thought that now makes me ill, as I wonder how many of these little birds have been lost to the enormous blazes. Small birds can’t outfly a fire. My copy of Birdlife Australia’s magazine arrives, with the black-throated finch on the cover, the one that lives where the Adani mine may be. The red and black finches merge in my mind. I check the maps.

Canberra has been lucky in not burning. In 2003, people lost lives and houses when a fire burnt into southern suburbs. I walk around, trying to breathe the luck, wondering if this is the taste of the future. I won’t take the dog out, as it’s too hot for her, and she’s not young. People are told not to run air conditioning that sucks air from outside, as the air inside would become too dangerous to breathe. Our fans, though, only circulate what is already inside. Another record falls; the hottest day ever recorded in Canberra at 44 degrees Celsius. Too hot to go out and try to breathe. Better to stay inside with Fires Near Me, to see if the dark line on the map has moved.

I am ashamed that I focus on one tiny part of NSW, given that the whole country seems to be burning. Kangaroo Island loses half of its koalas, ones that do not suffer from chlamydia like many on the mainland. People are missing in most states, some presumed dead. Firefighters work to exhaustion. Some have lost everything, and who didn’t applaud the woman in Cobargo criticising the Prime Minister for doing nothing for her community, which has been through a number of crises?

And yet, when I’m alone with the computer, it’s one small part of NSW I check on the maps, where I own a holiday place. If it burns, we’re insured. If it burns, we won’t be homeless. Fires burn everything, but class still comes into it. But it’s not finances I’m thinking of, but black cockatoos and finches, possums and wallabies.

One day, during the acute crisis, I walk outside and know that something is different. It takes a few seconds to register that the difference is the small area of blue, showing between the clouds of smoke. Are we so adaptable that we forget what has been usual until a few weeks ago? Do we reset our internal maps so quickly? Usually Canberra’s skies are blue, even in Winter, when we wake to frost. Is the clear blue to be gradually eplaced with this hazardous air, this grey blanket that stings the eyes and throat? I am conscious of every breath as an effort, and go back inside to hibernate through the Summer.

At the moment, my house still stands down at the coast. I try and write poetry about what’s happening, to bring words to bear on this disaster, to map the losses in small, telling lines. But how to capture the full dread of what is happening now, the Fires Near Me, and the worry that we are setting ourselves up for more such disasters in years to come, the Fires Yet To Be? How to map the future, the future that may be, the longitude of possible loss? I cough and check the maps.

beach

Three first world concerns

The scholastic affliction —
virus transmits an urge
to write a PhD

Paleo or vegan diet?
Debate attracts more comments
than Palestine

American spelling triumphs —
well color me cheeks,
what’s wrong with ‘u’?

PS Cottier

sign

This one is inspired by some of the whingey conversations overheard at my local café. Hats off to the woman who was complaining about how expensive marble is in kitchen renovations, as if it was a human rights issue. The second stanza (or pseudo-haiku) is based on newspaper debates on-line.

I do feel an itch of discomfort about American spelling, so the last part is a go at myself. And the sign has no relation to the poem, I think.