So who is in it?

May 22, 2014

I thought people might be interested to know who is in The Stars Like Sand: Australian Speculative Poetry. So here is the full list:

David Adès, Zoë Anderson, Jude Aquilina, Emilie Zoey Baker, Catherine Bateson, Eric Beach, Judith Beveridge, Jenny Blackford, Peter Boyle, John Le Gay Brereton, Sara Bruxner, joanne burns, Michael Byrne, Caroline Caddy, me, Mike Crowl, Victor J. Daley, Luke Davies, C.J. Dennis, Jake Dennis, Benjamin Dodds, Joe Dolce, Michael Dransfield, Diane Fahey, Mary Hannay Foott, Carolyn Gerrish, Kevin Gillam, Alan Gould, John Grey, Lesbian Harford, Dimitra Harvey, Ron Heard, Eliza-Jane Henry-Jones, Matt Hetherington, Paul Hetherington, Dorothy Hewett, Marilyn Humbert, Lisa Jacobson, John Jenkins, Jill Jones, Raphael Kabo, Melinda Kallasmae, S.K. Kelen, Earl Livings, Chris Lynch, Emily Manger, Catherine Martin, M.F. McAuliffe, Victoria McGrath, Jo Mills, Peter Minter, Lizz Murphy, Les Murray, Jan Napier, John Shaw Neilson, Barry O’Donahue, Jan Owen, Moya Pacey, Andrew Barton Paterson, Simon Petrie, Dorothy Porter, Craig Powell, David P. Reiter, Philip Salom, Janeen Samuel, Miro Sandev, Tim Sinclair, Alex Skovron, Melinda Smith, J. Brunton Stephens, Alan Stewart, John Tranter, John Upton, Rod Usher, Susan Waddell, Rob Walker, Chris Wallace-Crabbe, Samuel Wagan Watson, Mercedes Webb-Pullman, Les Wicks, Sean Williams, SB Wright.

Rapt, I am, to unwrap such a group. Lovely pagefellows to lie between such covers:

a thing

I am really looking forward to the launches now. I’ll post the invitation posters again soon, just in case the list has inspired you to come along and hear some of that group read at either of the launches. (I copied the list by hand and eye, just to refamiliarise myself, so please excuse any typos, which are not in the book!)

The indefatigable Geoff Page (was there ever a better surname for a poet?) has just released his schedule for readings at The Gods this year. Here it is:

Poetry at The Gods 2014

Tues Feb 11 & possibly Wed Feb 12 Les Murray (Bunyah)

Tues Mar 11 Omar Musa (Cbr)
John Stokes (Cbr)
Lizz Murphy (Binalong)

Tues Apr 8 Tricia Dearborn (Syd)
Barbara Fisher (Syd)

Tues May 13 Catherine Bateson (Dandenong Ranges)
Dennis Haskell (Perth)

Tues Jun 10 Moya Pacey (Cbr)
Harry Laing (Braidwood)
Geoff Page (Cbr)

Tues Jul 8 Ron Pretty (Wollongong)
Lynn Hard (Syd)

Tues Jul 22 Dead Poets’ Dinner

Tues Aug 12 David McCooey (Geelong)
Maria Takolander (Geelong)

Tues Sep 9 Alan Gould (Cbr)
Michael Thorley (Queanbeyan)
Penelope Layland (Cbr)

Tues Oct 14 Samuel Wagan Watson (Bris)
Judy Johnson (Newcastle)

Tues Nov 11 Jennifer Harrison (Melbourne)
Jordie Albiston (Melbourne)

Tues Dec 9 Stephen Edgar (Syd)
Judith Beveridge (Syd)

You can see that there is a melange of local and interstate poets, starting with Les Murray. Les always attracts a huge crowd, and there will most likely be two readings.
bigstock-Sad-Theater-Mask--Arts-enter-7956480

The venue (a café and restaurant) gets its name from the fact that it is next to a small theatre on the Australian National University campus. My alma mater, at least for my PhD. I thought I’d put up a theatrical image because of that. And poetry reading is theatre; the darkened room, the sweat on the brow, the audience response. The critics!

In other poetry news, we are hard at work on The Stars Like Sand: Australian Speculative Poetry. The cover is being designed by David Reiter, and I should be able to post it here very soon. All being well, the book will be appearing around the end of April, although no date has been set yet. Very exciting. There is quite a cross-over between that list of poets at The Gods and the anthology, to segue like a mad thing.

A nice reminder

November 18, 2013

…that I am a poet, not just an editing slave-droid.

Judith Beveridge and a madwoman

Judith Beveridge and a madwoman

My collection of poetry, The Cancellation of Clouds (Ginninderra Press) was awarded Second Prize in the Society of Women Writers NSW biennial book awards in Sydney last week. More to the point, one of Australia’s leading poets, Judith Beveridge was the judge. I look forward to reading her thoughtful comments properly, as I was a little too flustered to take in much more than the words ‘quirky’ and ‘muscular’, and there was a lot there that I wanted to consider. Those two words did bring to mind a combined weightlifter and clown with wacky inflatable biceps that squirt people. Multi-skilling, I think they call it. This is really what is wrong with my mind, I suppose; it does go off on trampolines.

I actually read some of my poems at the airport, and I thought, hm, these are not too bad. Then I lifted up another passenger waiting in the bar, while wearing a purple nose. (Red is so yesterday, dahlings.) The book is still available from Ginninderra Press, by the way, if you go here. Scroll to ‘C’ for Cottier. (Or Clown (Multiskilled).)
cancellation cover front only-1

And now, back to the wacky world of editing, which is a bit like juggling diamonds, and a bit like cholera.

The first was on the Poets Train from Canberra.  Four leisurely hours to take in the scenery, to read, to compose a poem (we read out our efforts every hour). Arrival at the beautiful Central Station where we read to ourselves again, and a couple of punters.

The next day we read at The State Library. Here I am doing just that, in a photograph taken by K.A. Rees. (Note the staring into the middle distance):

And that night we read at the Friend in Hand pub in Glebe, where a cockatoo, George, chats to the customers. I chatted to Martin Langford, whose vocabulary is much greater than George’s. (No offence George!)

And in between, I enjoyed all Glebe has to offer. Interesting food, cheaper than in Canberra. The big vegan breakfast at Badde Manors, for example. Lying on a chaise longue that was used as a prop in the film Moulin Rouge, writing a review. Drinking wine. Longing for the ability to stay in that fair city. Sigh. As usual, I found myself looking at real estate agents’ windows, doing very unpoetic calculations.

Then four hours back, dozing and composing on the Sunday.

And today? (That’ll be yesterday by the time I post this.) Up to Sydney again in 23 minutes by plane. Barely up before you’re down; the landscape something to get over rather than through. State Library again, where I was lucky enough to pick up a third prize in the Society of Women Writers poetry competition, judged by Judith Beveridge, for my poem ‘A brief history of fun’. Judith gave a wonderful seminar focussing on sound in poetry, and although her ideas are quite different from mine, I left feeling inspired. There was a haiku/ haibun/tanka reading. There was Mark Tredinnick, although I had to leave his PowerPoint talk early to catch the flight home. A fire siren test provided the ideal moment for slipping out.

Twenty-three minutes
Throwing steel through air
We scorch the sky

Now I’m in pre book-launch mode! Radio interview on Friday on local station ArtSound. But I am haunted by a most beautiful spirit at the moment.

A ghost called Sydney
Lithe warm and lively
Winding me back home

Home that is, to a city I have never lived in. And against whose inducements I must block my ears, and tie myself to the cold mast of common sense.

Also known as Canberra.

I’ll love it again in a few days, but I have to learn to do so again.