Tuesday poem: Sandpit
May 4, 2023
So I wanted toy cars and trains, but was never given them. No matter, the boy over the road had plenty, and we’d construct paradises of zoom in his sandpit, trucks and cars jostling, even train carriages illicitly removed from inside model tracks. I remember once, sick with German measles, spotty as a Dalmatian, that a book about trains was lent to me, and I read the pictures, fever-driven, transplanted them to the sandpit by pure will, where my friend continued to build roads and water-marked tracks, temporary maps to a place where time stood still, and red vehicles bloomed. PS Cottier
Tuesday poem: Two stroke (or more)
April 8, 2019
This one is via link to Not Very Quiet, an on-line journal of women’s poetry. The guest editor for this edition on the topic ‘Performing gender’ was KA Nelson, and the editors who run the whole thing are Moya Pacey and Sandra Renew, with the production being managed by Tikka Wilson.
There’s lots of good stuff to be found there! Here’s a slightly terrifying image to get you in the mood.
FrankenFriday the first
March 20, 2015
As we move towards 2016, and the 200th anniversary of the night when Mary Shelley came up with the story of Frankenstein, I intend to blog from time to time about the author, her circle, and her creation. Friday will be my posting day, as you may gather from the header.
Mary Shelley’s Cookbook
Bind this book
in the skin of man.
Keep your place marked
with fingers,
or tongues to taste
the lineaments.
Take kidneys, lights and liver
and animate the contents
with diseased and wandering imagination.
Forget your sex.
Just write.
‘Diseased and wandering imagination’ is from an early review of Frankenstein in The British Critic. Possibly the first reviewer to realise that the author was female, the writer criticised Shelley for ‘forgetting the gentleness of her sex’. I think, somehow, that ‘The British Critic’ was most often a white man…I stand to be corrected.
Here I am playing with what was seen as a proper interest for middle class women, in at least overseeing a household’s consumption of food, and contrasting it with Shelley’s recipe for creating a novel in which a man was scientifically constructed.
As with cooking, he was made of various ingredients, and heated…at least in some filmic versions of the tale. In the novel itself, lightning is not used as the means to vivify the creature, although the phenomenon does appear in the book, almost as a character in its own right. The Modern Prometheus is the book’s subtitle, and Prometheus was tortured by the Gods for giving people the secret of fire.
A bird ate his liver, again and again.
I promise not to mention the Black Caps…*
January 14, 2013
Scorecard
Genius comes in many forms: scientist
to poet, astrophysicist or scribe,
and from its milky way we imbibe
a celestial drink. We’re often pissed
on the fluffy ducks of cleverness,
garnished cocktails of the everafter.
But if you would engender laughter
and gales of glee quite effortless,
suggest that genius might reside
in knitting, crotchet or a recipe
for jam, or scones, or fricasee.
They’ll call you mad, in accents snide.
Quite different from the game of cricket
where it takes a Shane to take a wicket.
P.S. Cottier
Not another one?
Yes, it’s summer, and a young (or autumnal) woman’s fancy turns to cricket. And in keeping my poetry on its toes, at least as alert as a New Zealand batsman. (*I lied….)
In that spirit of relaxed experimentation, please find above a wee sonnet on a gender and cricket theme.
PS Cottier 