Tuesday poem: Falling through
February 23, 2015
Falling through
Suddenly enough, all the computers yawned, quick gape of electric jaws, and we fell inside their crocodile bytes. Gusting through googles of guts, airy programmatic colons, we were curtly expelled onto other users’ chairs. I am now John le Carré, and he has swapped Cornwall for my Canberra. He pecks up the slim crumbs of poetry, that elegant confetti of wordy Gretels, tracing back the route to nowhere known at all. He likes the sun-dipped cockatoos, the nestling hills, and the pungent gums; their leaves such shy apostrophes, punctuation in all four seasons’ sentences.
You’d think I’d favour it, being famous. Heaving shelves of unborn books with my name on them groan out to a midwife agent, so patient and alert. But anonymity has its charms of liberation, and cover stories (as John would know) can thin and fade, and sometimes even fray. For England, Cornwall almost has a Summer, or at least a Summer’s spritely maiden Aunt, out for a jaunt, recalling dead youth spent in War. I have felt something approaching happiness, writing of Berlin or terror on the cliff edge of this little island, staring out to frown of dark, deep grey sea.
I want to go home now, to space and lancet light, but this white dumb screen stays obdurate; locked square surface, on which so many best-sellers have been keyed. Teases of postcards beckon in front of portal mouth; I tempt it with treats to open up, chew, and spit me back. It likes this latest tray of toffees so tightly wrapped in silver. Now it quivers; a glassy jellyfish on firm dry sand of desk. Now
P.S. Cottier
Prose poem? Flash fiction? Unclassifiable weirdness? You be the judge.
I read somewhere that John le Carré does not write on a computer, but we’ll call that detail poetic licence, hm?
I hear that there has been a dead drop of poems here. Press this link and find out.
Tuesday poems: Four via link
February 10, 2015
If you press this link, you will find four poems I just had posted at Eureka Street. Three quite spiritual and one political and sarcastic, called ‘Lord A of Yarralumla’, which concerns a certain politician who may be somewhat familiar to those interested in such matters.
http://www.eurekastreet.com.au/article.aspx?aeid=42445#.VNlHWkajHfU
I’ll leave you to guess which one is gleaning comments.
Meanwhile, at Tuesday Poem, there are, I believe, many more instances of poetry being committed. Press this link and find out.
Remembering 1816: Two hundred years since Frankenstein was conceived
February 7, 2015
Remembering those who gathered in 1816 by the shores of Lake Geneva, along with monsters and vampires
We’d all be Byron, if we could;
titled, desired, trangressive.
What wouldn’t we all give
to write Mary’s monster half as good?
Or to pen Ozymandias,
and find ourselves anthologised,
with the glamour of one who died
as young as PB. There’s a bias
towards such as he, or Jimi Hendrix.
Mary Shelley lived a longish life
but many cast her just as the wife
of genius drowned. As if she were thick!
Yes, in our hearts, we opt for glory.
Pity we’re all Polidori.
Polidori was Byron’s doctor, who accompanied the poet to the villa he rented near Lake Geneva, where he hosted his friends Mary and Percy Shelley.* They read ghost stories and composed their own. Mary came up with the idea for Frankenstein, and Byron wrote a fragment of a vampire novel. Polidori wrote the first full length vampire story written in English. When published it was attributed to Byron, who denied authorship. It is still listed as written by Byron in various catalogues. You can see how keen someone was to attribute it to Byron in the image above!
Polidori has had a bad rap; an anthology of vampire stories I am reading prints not a paragraph of that first novel, on the basis that the author was a ‘hack’. I am also beginning to read his book (The Vampyre: A Tale) and it’s true to say that the prose doesn’t sing:
“THE superstition upon which this tale is founded is very general in the East. Among the Arabians it appears to be common: it did not, however, extend itself to the Greeks until after the establishment of Christianity; and it has only assumed its present form since the division of the Latin and Greek churches; at which time, the idea becoming prevalent, that a Latin body could not corrupt if buried in their territory, it gradually increased, and formed the subject of many wonderful stories, still extant, of the dead rising from their graves, and feeding upon the blood of the young and beautiful.”
My poem above is, to some extent, about our tendency to feed upon the ‘young and beautiful’ after they die, at least.
Poor John Polidori died very young himself, like Percy Bysshe Shelley and Byron. He was best known for who he associated with; a groupie, not a musician. There is some evidence that he committed suicide, but this is controversial.
The poem deals with the way that most writers, whether poets or novelists, far fall short of the Shelleys or Byron, and most musicians are not Hendrix. That does not mean that nothing worthwhile can be written by those ‘silver poets’. It just means that some people seem blessed with an additional talent to take what was around and transform it into something instantly recognisable as new. A glamour, perhaps, to use that word in an old way meaning spell or magic. A blessing is another word that could be applied. Some use the word ‘genius’, and surely that reminds us of something magical, that grants wishes?
Next year is the 200th anniversary of that meeting on the shores of Lake Geneva, and I hope to write a lot about Frankenstein and his monster this year. Let’s praise the genius of Mary Shelley who took scientific ideas of her time and created a profoundly moving tale that examines what it is to be human.
By the way, there was another visitor in Byron’s house in 1816, who is not mentioned in the sonnet; Mary’s stepsister, Claire Clairmont, who had a child in 1817. Byron was the father.
(Public domain image from Wiki Commons.)
*They were married in late 1816, after the famous meeting, but I’ll use the name under which Mary became better known here.
Tuesday Poem: (ute-ku)
February 2, 2015
Back of purple ute —
‘Jesus lives here’
holytray or holycab?
P.S. Cottier
I had a vivid image of Jesus balancing on the back of a tray going round a corner, perhaps holding onto a piece of rope, a little like a tethered kelpie. When he faces the back window of the ute, he can read the sticker saying that he lives there, which would become fairly unfunny quite quickly.
For those who would like to write lots of tiny poems, here’s a link to poet SB Wright’s site which has some information about Post-it note poetry. I am proud to say that the ute-ku is my own invention.
For those of you benighted enough not to know what a ‘ute’ is, it is Australian for utility vehicle. The phrase ‘pick-up truck’ is a crude attempt to achieve a similar effect.
Really short poems rarely appear on the blogs of Tuesday Poets. But perhaps there will be another one this week. Press this link and find out.
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And if you go here you will find another poem, written in old style English 5/7/5 haiku, about the merits (or limitations) of flash fiction. It is part of the 200th edition of AntipodeanSF. There is also the reprint of a story (a suspiciously prose-poemy story) that was published at AntiSF some time ago.:
http://www.antisf.com.au/the-stories/stories-11-22/a-lively-discussion-over-the-merits-of-flash-fiction

The artwork is by “DasWortgewand”, whose real name is Reimund Bertrams. The editor of the journal, Ion Newcombe, just sent this through! Very cool.





