Tuesday poem: Budgerigar redux
October 26, 2015
Budgerigar
Ten million green commas punctuate blue sky,
quick breaths of swooping wonder, multiplied.
Water-hole is your target; liquid rope pulls you
and the whole emerald sky is diving,
as miniature bodies scoop down to pool.
Your individual markings have taken you
further than native flight; outside the Louvre
I saw you, cold, trying to break in, as pointillist
as Pissarro, but so acrylic in your finish.
Proud but damp escapee from French balcony,
regretting the lost seed and the found liberty.
Plump and fresh, I have heard you were good eating,
a winging fast food charred to a turn;
as far from stringy battery chook as fingers in the fire.
Most know you singly: whistling in cages,
bowing and bobbing, rattling plastic mirrors.
Driven mad you ring and ring chink-chinky bells
or make love to that hard, hard-to-get reflection.
What joy to see you
just once, as you swoop,
one stitch amongst the tapestry,
a blade of grass in feathered turf carpet,
magically landing,
transforming dreary waterside
with that fallen sward of Eire.
Swift dragon of twenty million wings,
fluorescing with your simple, beak-filled joys.
P.S. Cottier
As to the redux, this poem was posted here once before, a couple of years ago. But it deserves a new airing. The photo shows my new budgie, more pastel than the wild bird’s near-emerald. He was bought with the seeds of poetry. I am now spending my life moving his cage around and letting him out in safe places, away from my dogs.
His name is Chomp.
Next week I promise to use words that rest on a thin perch of ideas, as the last twos paras were totally and tragically Facebook. Status: idiotic.
In the meantime, fly your way to New Zealand. (She inserts something witty and slightly patriotic about rugby finals. There is a poem to be written about that, but not here, not this week. Though ‘The Ode of David Pocock’s Calf’ has potential. I’m seeing Victory born from its swelling pregnant muscles.)
Belated Tuesday poem: (haiku)
June 24, 2015
The scant electric tree
sheds a furred question —
let the answer comfort
Poor little guy found under power poles on the way back from my usual café. I think he* was electrocuted, rather than hit by a car, as there is no sign of injury. Some people in Australia hate possums, but I admire them for their ability to live amongst us, running over roofs and reminding us that we aren’t totally divorced from nature.
Off to do a reading soon of nearly all new material. God but I’m prolific! Prolific as a healthy possum with access to unlimited fruit. Which is, I hope, what a possum sees after death.
Other Tuesday poets are more punctual. Read them here.
*I can’t see a pouch, so I assume he.
Tuesday Poem: Global Farms
December 2, 2014
Global farms
Stock cubes
are sent to sea, flavoursome squares
of mutton flesh and bone, seasoning,
woolly sardines.
Between pasture and knife
the blue stretches, and the yellow,
as rivers soak downwards,
contained in time.
No truck of guilt to turn from,
met on sudden road. Squalor
bleats over dollar’s equator,
safely unseen.
P.S. Cottier
That poem (published once before on this blog, in 2011, and written in 2008) about the horrors of the live export trade is a way of working through the feeling of surprise I had recently in re-reading something that I wrote twenty or so years ago.
I stumbled across an article by me that is seemingly in favour of fur coats. I am now tending more towards the vegan with every passing year. (Not there yet, because….cheese.) I wrote the article back in the early 90s to provoke the sort of person who decries self-expression through clothes. To quell any left over Old-Style Communist or inflexibly Green tendencies that renounced fancy endeavours such as hair dye and high heels. I recount some experiences with some fairly ugly types. (The article was published in the Australian Left Review, probably the last organ of the Communist Party of Australia. I used to have a column in it, mostly about food.)
Re-reading the article, I am struck by how far the central tenet seems to far be from what I think now, and, indeed, thought at all earlier times in my life. I first became vegetarian when I was eleven or twelve, although I have lapsed, sometimes just for days, sometimes for much longer. I can remember one of the first stickers I ever displayed was in favour of a ban on ivory.
Here’s the link to where you can go to read the article. The writing is quite good, in a few parts at least. The article seems to have been a little unusual at the time in linking feminism and questions of personal appearance in this way. That has become far more familiar, now that it is fuelled by social media. (In the days I am talking about, we had the occasional etching and miniatures in lockets, which gave a little more time to think. I think.)
But the fur thing? The article reeks of me being sarcastic, and I have never thought that fur was a desirable or ethical choice. Perhaps I should have included a sarcasm alert? Or a reminder, that would have unfolded twenty years in the future? (‘Penelope, you always liked tickling a little too much.’)
On a trip to New Zealand last year, a Maori woman who was a guide at Te Papa (the museum in Wellington) explained that the use of the introduced possum to produce fur products was a positive development, in her opinion. The possum, introduced from Australia, causes damage in New Zealand, just as the fox, rabbit and cane toad do in Australia. She obviously knew more about the environmental issues that I did. (It is also relevant to mention that Indigenous people have been utilising the meat and fur of Australian animals for tens of thousands of years did so in a way that caused no damage to the land.)
But can I see myself wearing a cane toad cape, to return to the feral? No, not really. Although I haven’t totally weaned myself from cow leather, so my position is totally hypocritical. And, if I had to choose a garment made from an invasive species, it seems hard to place a toad on the same level as a fox; the latter being only a leap from a pet dog. Farming animals for fur, is of course, a revolting practice.
So strange not to recognise oneself fully in a piece of one’s own writing. There are a couple of other things in the article that my position differs from now, but I remember the changes in my thinking for those.
Cutting wit has its limitations…I hope I remember that I was being sarcastic about one or two little stanzas that I wrote this year if I last another twenty years! At least one attentive reader will know what I am talking about there.
Just as that person, and indeed other readers, will recognise that poetry knows no borders. Here is a link to the poetic output of other Tuesday Poets.
Tuesday Poem: The changing soundscape of public space
March 17, 2014
The changing soundscape of public space
Once shhh-surrounded
throttled by library snakes
now emboldened chat stretches —
bites the sluggish ears
of those who want purer air
in my day, we mumble
in my day we sat straight
whispering sweet infractions —
wrapped in official silence
muffled with a quieter wool.
P.S. Cottier

That poem was just commended in the Yass Show Poetry Competition (not the bush poetry division) on Sunday. I’m afraid I piked on attending the event, as I was exhausted. I had performed poetically the night before with a delightfully accented Texan, a poet who removed his skirt rather like the female members of Abba in their glittery prime, and a number of strangely assertive, neigh, militant horses.* So I had a good excuse. It was a wonderful night at the Word Co-op.
You could look at some photos here. I am the least cool person.
https://www.facebook.com/media/set/?set=a.628597203875415.1073741903.128244673910673&type=1
*That wordplay is totally Roshelle Fong’s. She performed an hilarious and thoughful piece enacting various questions of animal rights, wearing costume horse-heads. Delightfully accented Texans sometimes perform under the name of Good Ghost Bill, and Ma Ya Ga Ng Re Ne’s soundscape explored the schlongier aspects of gender.
For further poetry, please touch this feather:
By the way, however exhausted I am, the organisers of this festival (called You Are Here) are far more tired. I hope to post a photographic essay illustrating the ageing of some of them. Here, for example, is a photo of one of them that I took last night:
Tuesday poem: Sea
September 24, 2012
Sea
It pulls harder than any roping octopus,
Kali’s deep green army of sinuous terror,
bites deeper than haunting white shark,
bloody ghost that gutted brothers before birth.
It throws off surfers, tinnies, yachts and tankers
like a gnarly horse at rodeo, then clowns with us,
pulling down rescuers, spewing out the sodden child.
At stony beaches it applauds itself with each sigh,
the percussive pebbles played by ten thousand hands.
Sometimes, floating, I feel it stroke my back, teasing,
fingering, like a well-schooled lover. It whispers
not yet, I’m not ready, when I’m ready, you’ll go down.
This poem appeared in my first book, The Glass Violin, which can still be ordered from Ginninderra Press. (Go to the ‘About’ page of this blog.)
I am gradually getting back into my routine of coffee and writing, after too many exciting things happening recently. I am on a panel and reading at the Conflux science fiction convention here in Canberra this weekend, speculative poetry being one of my loves. But as this is at the weekend, I don’t see it as breaking my routine.
At heart I am truly a bore. But sometimes a productive one.
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