Tuesday Poem: Global Farms

December 2, 2014

Global farms

Stock cubes
are sent to sea, flavoursome squares
of mutton flesh and bone, seasoning,
woolly sardines.

Between pasture and knife
the blue stretches, and the yellow,
as rivers soak downwards,
contained in time.

No truck of guilt to turn from,
met on sudden road. Squalor
bleats over dollar’s equator,
safely unseen.

P.S. Cottier

That poem (published once before on this blog, in 2011, and written in 2008) about the horrors of the live export trade is a way of working through the feeling of surprise I had recently in re-reading something that I wrote twenty or so years ago.

I stumbled across an article by me that is seemingly in favour of fur coats. I am now tending more towards the vegan with every passing year.  (Not there yet, because….cheese.)  I wrote the article back in the early 90s to provoke the sort of person who decries self-expression through clothes. To quell any left over Old-Style Communist or inflexibly Green tendencies that renounced fancy endeavours such as hair dye and high heels. I recount some experiences with some fairly ugly types. (The article was published in the Australian Left Review, probably the last organ of the Communist Party of Australia. I used to have a column in it, mostly about food.)

Re-reading the article, I am struck by how far the central tenet seems to far be from what I think now, and, indeed, thought at all earlier times in my life. I first became vegetarian when I was eleven or twelve, although I have lapsed, sometimes just for days, sometimes for much longer. I can remember one of the first stickers I ever displayed was in favour of a ban on ivory.

Here’s the link to where you can go to read the article. The writing is quite good, in a few parts at least.  The article seems to have been a little unusual at the time in linking feminism and questions of personal appearance in this way. That has become far more familiar, now that it is fuelled by social media. (In the days I am talking about, we had the occasional etching and miniatures in lockets, which gave a little more time to think.  I think.)

But the fur thing? The article reeks of me being sarcastic, and I have never thought that fur was a desirable or ethical choice. Perhaps I should have included a sarcasm alert? Or a reminder, that would have unfolded twenty years in the future?  (‘Penelope, you always liked tickling a little too much.’)

On a trip to New Zealand last year, a Maori woman who was a guide at Te Papa (the museum in Wellington) explained that the use of the introduced possum to produce fur products was a positive development, in her opinion. The possum, introduced from Australia, causes damage in New Zealand, just as the fox, rabbit and cane toad do in Australia.  She obviously knew more about the environmental issues that I did. (It is also relevant to mention that Indigenous people have been utilising the meat and fur of Australian animals for tens of thousands of years did so in a way that caused no damage to the land.)

But can I see myself wearing a cane toad cape, to return to the feral? No, not really. Although I haven’t totally weaned myself from cow leather, so my position is totally hypocritical. And, if I had to choose a garment made from an invasive species, it seems hard to place a toad on the same level as a fox; the latter being only a leap from a pet dog. Farming animals for fur, is of course, a revolting practice.

So strange not to recognise oneself fully in a piece of one’s own writing. There are a couple of other things in the article that my position differs from now, but I remember the changes in my thinking for those.

Cutting wit has its limitations…I hope I remember that I was being sarcastic about one or two little stanzas that I wrote this year if I last another twenty years!  At least one attentive reader will know what I am talking about there.

Just as that person, and indeed other readers, will recognise that poetry knows no borders.  Here is a link to the poetic output of other Tuesday Poets.

A nice surprise!

July 21, 2014

I just heard that I have been awarded second prize in the Hector the Lump of Coal Picture Book Competition. I wrote a story in verse called ‘Hector and the Bully’.

Such a pleasure to rhyme and to have a narrative, and a group of characters, I must say. It was a very different type of poetry from that which I usually write, which tends to be free verse.  I tried to make the poem quite easy to read, particularly aloud, while avoiding overly clunky rhymes.  (It is about a lump of coal, though, which is a fairly solid addition to any poem.)

I wanted to raise the issue of bullying without making the work too confronting for a potential audience of young readers (some of whom might have the story read to them by parents, should it be published).

Hector became more like a real presence to me as the piece progressed, as those close to me noticed. What started purely as a bit of fun became a tad more serious. Hector began popping up in the conversation all the time.  I began imagining him in all sorts of scenarios.  As is usual with me, I became a little obsessed.  First time it’s happened with a coal-shaped mascot, though!

To say that I am surprised to win a prize is actually an understatement, given that this was so far from what I usually do.  Although I have secretly been working on a different children’s book, it must be said…Here I am dreaming of publication.

This current award does not necessarily mean publication of the story, by the way. It is a cash prize.

Thank you to the organisers, DBCT Pty Ltd. I only wish I could meet Hector some time.

I had a poem prepared for today, but this most unexpected news intervened.

Cetaceous floater
chewing soft cud of sky krill
blubbered cumulus

P.S. Cottier
skywhale launch

The best thing to happen during Canberra’s Centenary Celebrations (there are a lot of capitals around at the moment in the nations’s capital) took to the air outside the National Gallery on Saturday.

Skywhale, a balloon sculpture designed by Patricia Piccinini, is not exactly your typical whale. She has a bit of the turtle about her, and wings made of breasts. Is she an angel? I don’t know, but her presence is peaceful and wonderful; confusing those who like straight lines and easy classifications.

The money, some people are shouting! The outrageousness of producing a whale that isn’t even a proper whale for the centenary of an inland city! The threat to mental law and order! Read some of the comments here on RiotACT, where the haiku was posted by me as a comment. I didn’t want to argue the case, as Skywhale seemed so strangely perfect in her ambiguity. A poem seemed more appropriate.

There should be more of this sort of perplexing beauty, confounding those who think that art should be confined to easily recognisable portraits and lovely landscapes punctuated with useful sheep:

Moustaches and merinos
made Australia what she is today.
No fleecy clouds of maybe here!
No blubbering queens of perhaps,
with flowing boas of breast to tease
certainty into mere sniffle;
our capital’s castaway.

P.S. Cottier

Through all the controversy, Skywhale maintains her dignity, moving gently through the sky with her wings of breasts, a kindly and whimsical presence, powered by hot air but quite serene. Skywhale is certainly the Queen of the Centenary. She will soon be touring the country, looking down on her subjects with that benign and somewhat Mona Lisa smile.

Mona Lisa with barnacles

Mona Lisa with barnacles

Long may she swish through the skies, delighting those who prefer their art to have a little whimsy, and to pose a few questions, at the same time that it delights and sets us free.

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