Whales at the coast

It’s not the acne of barnacles pock-marking flippers;
a bump-headed sculpture garden on triangular flesh,
that phrenology of brainless mounds, indecipherable,
alien’s braille, hinting at a saga of years and fathoms.
It’s not the blimp size, surfers becoming rubber em dashes
as the Miltonic whale justifies them down, wipes them out.
It was the blast that we heard on the shore, as she lay
on her back, performing a solitary circus for her calf,
each heavy grey sail brought down, as if a tent were falling.
The boom arrived two seconds later. I timed it, trying to bring
her epic capers within a scale I knew, of measured ticks
around my watch. She who has Australia’s rock-mouthed coast
as a west-turned comma, against which her life sometimes bobs,
and over which she sends deep explosive barbs of noise
to pierce our bracketed lives. From below, the bass rumble,
as the Right whale cavorts, ecstatic, off shore near Eden.

PS Cottier

Eden is an old whaling town on the far south coast of NSW. It has always struck me as amusing that such a horrible industry was carried out in a town with the name of Eden. I have never actually been there, but moved my whale sighting poem further south down the coast of NSW so as to capture the historical and biblical associations of the name.

At least whales can travel our coast now without being slaughtered. Head a little further south again though, and the troubles begin.

This poem appeared in my first poetry collection, The Glass Violin.

I am probably one of the last poets to post a Tuesday poem today. It’s the afternoon in New Zealand, by now. Yesterday was a public holiday for the Queen’s birthday in the ACT (how many does she have, I wonder) and I keep forgetting that it’s in fact Tuesday. Or that’s my excuse, anyway. Click this feather to see all the other Tuesday poems, including a memorable one from Keith Westwater about the details of crime. I’ve already commented on that one, which shows just how pathetic my excuse for being late actually is…Must learn how to lie. Or to relax.

Tuesday Poem

The terrace next door

Seven kids and a parrot in a small terrace house.
Where squawking ended and shouting began
I could not say. But one sudden day, they spread wings,
left cage and house empty, my ears ringing on quiet.

Until six stoned students, without a single book,
set up camp. Smiling hammocks in the backyard sun,
contents content. Guitars, flute, piano-accordian,
folding time like an unwritten essay, due last week.

The six sixties clones left, sweet smoke signals blown.
Five rugby boys scrummed in, all frantic barbecues,
discarded runners, toxic socks smelt over fence,
and a screen bigger than the house, to pack in the front line.

Was it the four intense Vietnamese, who came next to next door?
Inexplicably neat, the terrace became clipped hedge suburban.
Or the three goths clothed in darkness who never met my eyes,
papers piling archaeologically on pavement, abandoned?

Better those times than the perfect couple’s renovating din,
as they improve the street out of sight, pave it with expectations.
Each hammer blow smashes the ex-rental like a musty egg,
as they grow golden equity, crack troops of one mortgaged dream.

PS Cottier

Definitely after renovation…

‘The terrace next door’ won third prize in the NSW Writers’ Centre’s ‘Inner City Life’ contest, December 2007. Published on their web-site, January 2008, and read at award night in Sydney. Also published in Eureka Street, Vol 18, No 3, February 2008, and in my first poetry collection, The Glass Violin. Based on terrace houses I remember in Melbourne.

Now I live in a city without any terraces, of course. My house, built in the 1950s, is quite old for Canberra. Tragic, isn’t it?

I can’t guarantee more fine architectural/economic analysis, but I can guarantee more poesie. Click this feather and go to New Zealand, where I assume that there are more terraces than in Canberra, if not as many as in Melbourne or Sydney:
Tuesday Poem

I must try and be more opinionated, as my blog as shrunk back to one poetic entry a week, on Tuesdays. I promise to try and work up a frenzy about some major issue, or think of a whimsical and touching observation on life (sorry, Life,) perhaps illustrated with a picture of a cat smelling flowers. If I do that, could someone arrange for a contract on my life? Thanks, discerning reader.

Take out the cat too.

An Address to Shakespeare

Immortal! William Shakespeare, there’s none can you excel,
You have drawn out your characters remarkably well,
Which is delightful for to see enacted upon the stage
For instance, the love-sick Romeo, or Othello, in a rage;
His writings are a treasure, which the world cannot repay,
He was the greatest poet of the past or of the present day
Also the greatest dramatist, and is worthy of the name,
I’m afraid the world shall never look upon his like again.
His tragedy of Hamlet is moral and sublime,
And for purity of language, nothing can be more fine
For instance, to hear the fair Ophelia making her moan,
At her father’s grave, sad and alone….
In his beautiful play, “As You Like It,” one passage is very fine,
Just for instance in fhe forest of Arden, the language is sublime,
Where Orlando speaks of his Rosilind, most lovely and divine,
And no other poet I am sure has written anything more fine;
His language is spoken in the Church and by the Advocate at the bar,
Here and there and everywhere throughout the world afar;
His writings abound with gospel truths, moral and sublime,
And I’m sure in my opinion they are surpassing fine;
In his beautiful tragedy of Othello, one passage is very fine,
Just for instance where Cassio looses his lieutenancy
… By drinking too much wine;
And in grief he exclaims, “Oh! that men should put an
Enemy in their mouths to steal away their brains.”
In his great tragedy of Richard the III, one passage is very fine
Where the Duchess of York invokes the aid of the Divine
For to protect her innocent babes from the murderer’s uplifted hand,
And smite him powerless, and save her babes, I’m sure ’tis really grand.
Immortal! Bard of Avon, your writings are divine,
And will live in the memories of your admirers until the end of time;
Your plays are read in family circles with wonder and delight,
While seated around the fireside on a cold winter’s night.

Whenever I feel doubt about my poetry, I turn either to a great poet for inspiration, or to William Topaz McGonagall. Schadenfreude soothes as well as Shakespeare, and this work, by the man often described as the world’s worst poet, has a particular bite as the incompetent bard of Dundee struggles to describe that other William.

One of my favourite sites on the web is a tribute site to the great McGonagall. It’s put together by Chris Hunt, and its full title is McGonagall Online — A Tribute to the great Poet and Tragedian of Dundee. Such a well-researched and professional memorial to this man who seems to have continued to believe in his poetry’s worth, despite ridicule wherever he travelled. I often find myself laughing, and I often find myself wincing, as I read both the poetry and biographical entries.

His unsuccessful journey to meet Queen Victoria is recorded in painful detail down to every meal at every farm in one of his autobiographical writings. His hatred of publicans and alcohol (you’ll note how he ‘subtly’ worked it into the Shakespeare tribute) adds another source of mirth, particularly as he often performed his readings in pubs. Was his persistence admirable, or evidence of his lack of ability to read the world, just as he was unable to write anything that scanned or rhymed with less clang than is made by a metal bridge collapsing?

Now, for other poems, all better than those of McGonagall:

Click on this scattered feather
That tells a tale of foul and windy Southern weather,
Such as might cause a sturdy bridge to suddenly fall,
Or an unfortunate boat to founder because of the treacherous squall.

Tuesday Poem

It really is hard to write like that; he had a talent. I’m off to see a Bell Shakespeare production of Macbeth later this week. May this poem not intrude itself into my mind, with its limpingly pedestrian ‘for instances’ and endless ‘fines’, as the witches appear.

 

1.
Aladdin’s café
health foods, humous, saffron
Open Sesame

2.
haiku yakuza
execute punctuation!
killer formalists

3.
If poetry
is the mouth
critics pulling
are needle-mad dentists

4.
Grey ghosts of planes
winding down to Gitmo
cigar smoke blows

5.
Bonsai triffids
cut down to flowerpots
balcony stings

6.
Sun fishing
gravity snags planets
hook bites deep

7.
Manga and cartoon
smooth cheese and wasabi
spreading mayhem

P.S. Cottier

They breed like mice (dwarf, gnome, same difference…)

Now, that’s value for you!

Why not click this feather and see if any other Tuesday poet has been playing Snow White?

Tuesday Poem

Magic from the inside

I am stuck in the conjured darkness,
mere pipe-cleaner, fluffy punch-line.
A thousand sharp screams penetrate;
giggles like flick knives reach inside.
The kids are having a great time.
I wait. Wish for real transformation,
of this black to a field of satin green,
soft as the emerald handkerchief
he converts to clover with an extra ear.
But breathing is a trick in itself, I find,
here in the crushing long tube of night
before sudden birth into searing light.
Then staccato taps of two dozen hands
on a hopping, fat balloon who squeaks.
He pushes me into the cage and says
I tried guinea pigs but they bit.
Hats off, I say, to the pigs with teeth.

P.S. Cottier

This poem was highly commended in the Gold Coast Writers’ Association Adults’ Poetry Competition, 2009, judged by Graham Nunn. (I like to send my poetry to sunny places, where it gets a tan and fake platinum blonde hair and a fluorescent bikini, before coming back to Canberra.) The topic was magic, and I thought of the unfortunate animals that perform at children’s birthday parties.

Now for other poems, most of which are probably not wearing swimmers, even of a practical cut, but rather beanies and ug boots and woollen socks, click this feather:
Tuesday Poem