A nice reminder
November 18, 2013
…that I am a poet, not just an editing slave-droid.
My collection of poetry, The Cancellation of Clouds (Ginninderra Press) was awarded Second Prize in the Society of Women Writers NSW biennial book awards in Sydney last week. More to the point, one of Australia’s leading poets, Judith Beveridge was the judge. I look forward to reading her thoughtful comments properly, as I was a little too flustered to take in much more than the words ‘quirky’ and ‘muscular’, and there was a lot there that I wanted to consider. Those two words did bring to mind a combined weightlifter and clown with wacky inflatable biceps that squirt people. Multi-skilling, I think they call it. This is really what is wrong with my mind, I suppose; it does go off on trampolines.
I actually read some of my poems at the airport, and I thought, hm, these are not too bad. Then I lifted up another passenger waiting in the bar, while wearing a purple nose. (Red is so yesterday, dahlings.) The book is still available from Ginninderra Press, by the way, if you go here. Scroll to ‘C’ for Cottier. (Or Clown (Multiskilled).)

And now, back to the wacky world of editing, which is a bit like juggling diamonds, and a bit like cholera.
Tuesday prose about poetry
September 3, 2013
I just had to write about last Friday, which saw a flurry of poetic activity at The Front, a café/bar/gallery/performance space in Lyneham. The regular poetry slam held there, organised by Josh (JC) Inman and Varisht Gosain also saw the launch of the fourth edition of Canberra journal Burley. Patrick Mullins and Cara Foster edit that journal, although I understand that the editorial team is being enlarged for the next issue. Lots of wonderful poets performed in the slam, which was expertly judged…(Why, yes, I helped with that. Chris was the winner.)
But most interestingly for this little rhymester, there were two guest poets: Jackson from Western Australia, who radiates energy and plays the guitar, and Jennifer Compton. Fellow Tuesday Poet JC. Here we are before the slam started, and you can see Burley-related activity going on in the gallery space behind us:
(Thank you to the pretty young man who took the photo! If you have a name, I have forgotten it, unfortunately.) It is the first time I have met Jennifer, who has been performing right down the east coast; notably at the Queensland Poetry Festival. She was tired, but her poetry was far from tiring: she does a very nice job in wicked and quietly disturbing.
This was a night that showed all that is good about Canberra; even the weather is pulling itself up by its bootstraps. I am, however, referring to the energy of the poetry, in both written and spoken form. All happening within a very short walking distance of my house.
Wonderful stuff, with a real mix of types of poetry and ages of poets. Sometimes I really love Canberra. Not the politicians’ Canberra, but the place where people live.
Click this feather and go to New Zealand for good poets who published actual poetry today:
Tuesday poem: Flat pack
August 12, 2013
Flat pack
Welcome to the world of self assembly!
All the basics are provided. You as a baby,
tools, a diagram of a family with two options:
happy and Tolstoy. Pick up the Allen key.
Turn it towards you so as to see the end.
Notice the six, even-handed sides?
This hex key is useful for casting spells.
Wave it over yourself and gurgle.
Direction is unimportant at this stage.
You are both magician and magic;
worker, hive, queen bee and honey.
Gradually, you will begin to take form.
You may lean a little to left or right.
This is not a fault of manufacture,
but a natural quality of the components.
Wobbling, flopping and total disintegration;
undermining by termites or excess thoughts
are also to be expected. The high gloss finish
may peel a little. Oil it up with achievement
(not included in the kit, but easily obtainable).
When assembled, you should find yourself satisfactory.
If not, please use the supplied rope as you see fit.
This poem is from my collection The Cancellation of Clouds. You can order the book on the ‘About’ page, if you are keen. I think I was trying out a little Dorothy Parker with that last line…
If you wish for more poetry, press this black feather, fly to New Zealand, and present the following invisible docket:(…………………) Poetry will be presented. Free steak knives are also a possibility.
Tuesday poem: Ten minute prose poem
July 22, 2013
My skull peels back like a hairy banana. A hairy banana dusted with a coconut of dandruff, which confettis the floor. Inside I find the familiar lumps: the lobes raised into a fairy ring of concentric bumps. Those brain tits, as Jean calls them.
Pouting against bone
modestly encased in skull
my brain jiggles thought
My fingers locate the zips that hold the sims in place, and slowly — mirror work is always slow — I unzip the first bump nestled like an egg on the top of the brain. I am losing my ability to speak French, you see, and this sim is my language supplement. Rain and tears, dogs and hatred, have been running into each other like a water-colour; or as in the subtle distinctions between air and smoke and sea and ship that we see in Turner’s works.
French bleeding meaning
parapluie of sense
springing unwell holes
Easy then, to replace the chip, rezip, and close. Tomorrow the chemist. Dandruff clouds.
Fin
P.S. Cottier
*
This weird little thing was written at Au Contraire, the New Zealand Science Fiction convention,in the poetry workshop facilitated by Tim Jones and Harvey Molloy. The exercise was to write a poem describing a piece of future technology, and building it or taking it apart for the reader. Loads of fun! As my title implies, we had just ten minutes.
Two points: I don’t have dandruff. And I do wish I spoke French properly. I used a haibun form, which is not really French. But neither is it English. That is, in fact, three points.
My own work has dried up, slightly, as anthologising takes over my life, so it was nice to snatch ten minutes from the unrelenting maw of Other People’s Poems…
Click this feather. It will take you to New Zealand, which has been experiencing more earthquakes. At the time of writing this, though (and based on the news in Australia), there has been no loss of life or even serious injury in Wellington. Best wishes to everyone there at what must be a difficult time.
Sociability and reticence: more thoughts from Conflux
April 27, 2013
I was thinking about the different ways of being in groups as I went to Conflux today; how some people plunge into things like, say, the Australian swimming team at the Olympics, whereas some of us are always at the side, looking on. Are we just frightened of being hurt? Of drowning? Or of attempting the social butterfly, and performing the dog-paddle?
I like a chat, but choke on gossip;
threads of conversation become barbed wire
glutted inside fairy floss.
Sometimes I despise my comparative lack of conviviality, despite my ability to make excellent small talk:
Small talk so fine
that the Higgs Bosun
can’t find a trace
And yet, you can look on things and still feel engaged; exchange truly well-meant pleasantries. Sometimes reticence is no bad thing, but another way of saying that the other person matters. I’m having a great time, but more in my own head than anywhere else.
So, just a quieter time than some. Here’s that picture of the hat again; I think the Victorian expression should be noted. All I need is my embroidery, or its modern equivalent, the smartphone.




