Budgies and shortlisting
October 1, 2024
Budgerigar
Ten million green commas punctuate blue sky,
quick breaths of swooping wonder, multiplied.
Water-hole is your target; liquid rope pulls you down
and the whole emerald sky is falling, diving,
as miniature bodies scoop into pool.
Your individual markings have taken you
further than native flight; outside the Louvre
I saw you, cold, trying to break in, as pointillist
as Pissarro but acrylic in your finish.
A proud but damp escapee from French balcony,
regretting the lost seed and the found liberty.
So plump and fresh, I have heard you were good eating,
a winging fast food charred to a turn;
as far from stringy battery chook as fingers in the fire.
Most know you singly; whistling in cages,
bowing and bobbing, rattling plastic mirrors.
Driven mad you ring and ring chink-chinky bells
or make love to that hard, hard-to-get reflection.
What joy to see you
just once, as you swoop,
one stitch amongst the tapestry,
a blade of grass in feathered turf carpet, magically landing,
transforming dreary waterside with that fallen sward of Eire.
Swift dragon of twenty million wings,
fluorescing with your simple, beak-filled joys.
PS Cottier

I have just returned from Boulia, in Queensland, about 300 km from Mount Isa, where I finally saw budgies in the wild. These have been my main target bird for ages, but they’ve always avoided me. We also saw wild cockatiels, which was wonderful.
***
In less ornithological news, I have two works shortlisted in separate national competitions. Firstly, my book Tuesday’s Child is Full (In Case of Emergency Press) is shortlisted for the Society of Women Writers (NSW) Book Awards for Poetry. This one is announced at a ceremony Sydney in late November.
Secondly, The Thirty-One Legs of Vladimir Putin, a novella manuscript co-written with NG Hartland, has been shortlisted for the 20/40 prize, run by publishers Finlay Lloyd. The main prize for this one is publication, so it will be a very exciting announcement later this month.
Tuesday poem: Après le sable
August 12, 2024

Will the Iron Lady, her ample metal skirt
spreading like the nineteenth century,
miss the glimpse of two-piece sport
when women pushed a ball over a net
planted in a sudden burst of beach?
Will she recall spectators’ stands?
Will she dream of that quick-built strand?
PS Cottier
Image by Maksim Sokolov, licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
I've been glutting on sport lately, both AFL (live) and the Olympics (at ungodly hours). I particularly liked the huge weightlifters (and the wee ones), the wrestlers, and the beach volleyball, in the wonderful stadium on the Champ de Mars. This poem is about that sport.
At least the footy is still going!
Tuesday poem: via link
July 17, 2024

I just had a poem published at Eye to the Telescope, called “Stuffed Koala and Other Cocktails of the Near Future”. The theme of this issue, edited by Gretchen Tessmer, is Strange Mixology, and it’s well worth a tipple. Here’s a link to the issue, scroll down for my poem. This publication is run by the Science Fiction and Fantasy Poetry Association, based in the US.
Poem: All praise the cut-off gloves
June 29, 2024
In cut-off gloves I can cup
my phone; the oblong light,
and message and swipe
just as I would with only
pale thin gloves of skin.
The poetry anthology,
just arrived from Adelaide,
can be flicked in cut-off gloves.
The flat white slowly sipped,
the essential bling displayed
on cool growths of fingers.
Those crops of pink asparagus,
embedded in the cut-off gloves
sprout towards the glowing words,
etiolated, and punctuated
by the warming medium
in which I plant them.
This very poem can be written
in what it seeks to praise —
woollen, orange, cut-off gloves.
And stuff these Canberra days.
PS Cottier

I know that the image doesn’t really fit the poem, but I like it so much that I had to use it. This is an old poem, from 2016, first published at Project 365 + 1 (Project 366), where I wrote a poem a day for 30 days.
I think fingerless gloves are also called Fagins, after Dickens’s character, but the illustrations I found of Fagin did not sport gloves. Here are the gloves to which the poem is addressed:

Poem: Nyx and Neon
January 21, 2024
The darkness and its dreams
have been tossed out like bottle caps,
or plastic wrappers, illuminated
into nothingness. Old goddesses
swapped for this new electricity,
these garish sharp scars flashing.
Neon is the worst, an intoxicating
brightness. He was recently elevated
to a minor god. I curse his vulgar
yellow slaps upon the face
of the sleeping earth, his bold
assertion of light when all
should give themselves to rest.
Newness needs to be won,
rebirthed at dawn, not lost
in this glut of fluorescence,
snarling through the black.
But I am Nyx, and I know —
Neon can never reach
the human’s rest of death.
There nothing disturbs the mud,
except the damp, and the quiet,
thorough recycling of the worms,
palest pink yet avid.
PS Cottier

Nyx personifies night, and was the goddess of the night. Neon was discovered in 1898, and is a ‘noble gas’, although Nyx doesn’t see it that way in my poem.