In cut-off gloves I can cup
my phone; the oblong light,
and message and swipe
just as I would with only
pale thin gloves of skin.
The poetry anthology,
just arrived from Adelaide,
can be flicked in cut-off gloves.
The flat white slowly sipped,
the essential bling displayed
on cool growths of fingers.
Those crops of pink asparagus,
embedded in the cut-off gloves
sprout towards the glowing words,
etiolated, and punctuated
by the warming medium
in which I plant them.
This very poem can be written
in what it seeks to praise —
woollen, orange, cut-off gloves.
And stuff these Canberra days.

PS Cottier

I know that the image doesn’t really fit the poem, but I like it so much that I had to use it. This is an old poem, from 2016, first published at Project 365 + 1 (Project 366), where I wrote a poem a day for 30 days.

I think fingerless gloves are also called Fagins, after Dickens’s character, but the illustrations I found of Fagin did not sport gloves. Here are the gloves to which the poem is addressed:

User comments

Poem: Nyx and Neon

January 21, 2024

The darkness and its dreams
have been tossed out like bottle caps,
or plastic wrappers, illuminated
into nothingness. Old goddesses
swapped for this new electricity,
these garish sharp scars flashing.
Neon is the worst, an intoxicating
brightness. He was recently elevated
to a minor god. I curse his vulgar
yellow slaps upon the face
of the sleeping earth, his bold
assertion of light when all
should give themselves to rest.
Newness needs to be won,
rebirthed at dawn, not lost
in this glut of fluorescence,
snarling through the black.

But I am Nyx, and I know —
Neon can never reach
the human’s rest of death.
There nothing disturbs the mud,
except the damp, and the quiet,
thorough recycling of the worms,
palest pink yet avid.

PS Cottier

Nyx personifies night, and was the goddess of the night. Neon was discovered in 1898, and is a ‘noble gas’, although Nyx doesn’t see it that way in my poem.

Orange-bellied parrots, 2123 
Neophema chrysogaster

They are bigger than budgerigars,
but have never been as numerous. 
A scant handful survived in 2023, 
and smart orange bellies seemed
to be flashing a caution, a more-than-amber
pause, about to fall into a red stop, forever.

How many birds must there be 
for an official murmuration?
We don’t know, but just yesterday,
we counted one hundred or more, 
here, at Warn Marin/Western Port.
The shrubs whistled as if brave cicadas,
had flown over Bass Strait, not these
brilliant, blue-browed, blue-winged birds.
Their song was almost lost to the air’s ear.
Now we can vouch for its weirdness.

The heath has not felt beaks
tearing off so much fruit for years.
Tree hollows must be back way down South,
(or a thousand hand-crafted boxes)
just enough for breeding, enough for
a murmur, if not a murmuration.
They don’t move en masse, though, it must be noted,
but improvise, jazzy, in ones and threes.

They light up the bushes like Christmas lights,
the bellies seen, then hidden in green-grey leaves,
switched on and off by foraging.
We hear that some have been seen
as far North as Sydney. That may be a rumour,
a hopeful mistake, and yet, we saw one hundred.

How many make a murmuration?

PS Cottier

Parrots don’t form murmurations, like starlings, for example. (Perhaps budgies do? I have never seen them in the wild.) I was lucky enough to see a murmuration of native metallic starlings in Far North Queensland recently. But I like the idea of seeing enough of such a rare bird as the Orange-bellied parrot to even think of the word ‘murmuration’ in regard to them. Will they still be around in 100 years? I hope so, and that is what this unusually optimistic poem (for me) envisages.

And as we move towards Christmas, there’s a passing reference to that season here.

Sinking into grass
four inch spiky heels
she’s two bottles down;
her fascinator breaking
snaps like horses’ legs

PS Cottier

Tanka ‘Four-inch spiky heels’ first published in Poems to Wear: From Japan and Australia, ed. Amelia Fielden, Ginninderra Press, 2016

An apt poem for Melbourne Cup day.

Poem (via link)

October 30, 2023

Very happy that my poem “Hip gnomes” was just awarded the Australasian Horror Writers Association Shadows Award in the poetry category for 2022. A great trophy! And everyone needs a tombstone arriving just before Halloween.

You can read the poem here, where it was first published at AntipodeanSF late last year. (That’s a link to Trove, which may take a little while to load.) AntipodeanSF is a free online publication that has been around for many years. Thank you to editor Ion Newcombe, and also to Kaaron Warren, who gave a speech on my behalf and picked up the award.

I’ve had two poems about osteoporosis published; this is by far the more fantastical (and dark) of the pair.