Cicadas and tortoises. And poetry?
October 21, 2011
This is the cover of my third book, with a somewhat pensive sheep under a very blank sky. (It’s a poetry collection.)
Hal Judge launched The Cancellation of Clouds at 6pm, Thursday 20th October 2011 at Smiths Alternative Bookstore, Alinga Street, Civic. (Civic is another name for Canberra’s ‘city’ centre – a non-existent thing, really – and the name is intended to contrast with political, governmental, national Canberra.) Hal gave a very thoughtful speech, and I read a few poems, and drank a poetic amount of wine. Senator Nick Xenophon, an independent Senator from South Australia, also read a poem, after he launched the bookstore’s new bar.
Senator Xenophon takes a gamble
(Thanks Lily Mulholland for this photo.)
If you would like to order the book, please go to this page, within the Ginninderra Press site. The first review of the book, by Professor Peter Pierce in The Canberra Times, describes it as ‘droll, intelligent and varied’, which was a very positive thing to read. And totally right, too! Another reviewer, Michael Byrne, states that ‘It is…love for (and embracing of) the different that seems to define Cottier as a poet.’
And in the book’s first international recognition, New Zealand poet and man of letters Tim Jones describes The Cancellation of Clouds as an ‘Australian poetry collection with a distinctively wry yet dark tone and very effective use of long stanzas and densely packed lines.’. All very gratifying, especially hearing I’m more dark wry than white bread…
***
Now I return you to the real piece that bears the title given above. I originally wrote what follows below back on January 22, 2009, and it still seems a good introduction to my blog, although I notice a recent trend to write a little more often here than I did originally. Blogging really is addictive, it seems. But its very accessibility and transience make it less lovely, to me, than that strange little thing made from dead trees.
Cicadas and tortoises. And poetry?
In my case, cicadas and tortoises seem apt metaphors for the process of writing. My first book, The Glass Violin, a poetry collection, has just been published by Ginninderra Press. Some of the works in the collection go back twenty years, so the easy option of comparing myself with a tortoise comes to mind. There’s nothing like a good old shell of cliché in which to hide an idea.
Yet I actually write quite quickly. I’ve just been a shocker about trying to have my work published. About a year ago I decided to put an emphasis on seeking publication, and I have been quite fortunate in finding places that liked my work.
Cicadas spend most of their life underground, only emerging after years and years to produce an ear-splitting cacophony. They only live a short while after emergence. As a practising poet, I feel a lot like one of these insects, pushing through editorial mud, but hopefully the process of publication has just begun. I wrote this poem about the vocabulary used for referring to poets as emerging, developing and established:
Emerging poets
White, shovel-shaped finger-nails,
rotten smell, the world’s worst bulbs.
Like durian fruit mushrooming,
zombie poets emerge, pushing
through editorial soil, groaning,
after a decade’s slushy stew.
Perhaps some emerge politely,
quaint chicks toothing oval eggs.
Others make neat papier mâché
cocoons from rejections, wait,
then one day, poof! Harlequin
wings, trembly antennae. Most
are born bogongs, banging on
bright lit windows. Any more sir?
(I like to think that my poetry is a little more melodic than the noise of a cicada, although this example is admittedly a little less than elegiac. Incidentally, all poems on this site are by me, unless otherwise indicated.)
This will be a very occasional blog, as this cicada prefers to work on her poetry. It’s always a temptation to bury yourself away, once the soil has been so very comfortable for so long…
I was very happy to read this review. And this one, too.
And since then, a second book, this time a short collection of short stories:
Both can be ordered from Ginninderra Press, under poetry and fiction respectively.
Tuesday poem: Watching Les Murray
February 21, 2012
That's Les Murray's beer
Watching Les Murray
(I am not making this up)
I went to hear a certain poet
the best known one,
the big one we own.
I wished I could draw
his gentle circles,
his particular infinity.
But I can’t draw.
Though there were pencils.
Giant ones. Three metres tall. Red.
I am not making this up.
So I sat and watched Les,
dwarfed by these giant pencils.
And if you don’t believe that,
you won’t believe this;
the place where he read
was called The Gods.
So I sat, a poet from Lilliput,
leaning on a giant pencil,
listening to God, or at least,
his Southern emissary.
I laid wistful eggs on the pencils.
In time, something may emerge,
and help me make something up.
P.S. Cottier
I went to see Les Murray read at the Gods, a café/restaurant on the Australian National University campus on Wednesday, 15th February. Organised, as always, by the indefatigable Geoff Page. There are giant pencils attached to the walls of the café, as you can see in this appalling photo:
Les Murray is so very good as a reader, and I was impressed by how many humorous poems he read last week. I wrote the poem above about four years ago, when I was just starting to make contact with my fellow poets (but before my licence was issued, in the form of my first book). It recalls a much shyer Penelope, sitting in the corner, watching Les read.
Another poet at Les’s reading was Mark Tredinnick, who, as you may know, recently won the Montreal Poetry Prize for his poem, ‘Walking Underwater’. Mark is of course endlessly teased now by cruel people (who shall remain nameless) about how he is spending the prize money, but he takes it very well.
A rather surprised Mark Tredinnick
All in all, this was a wonderful night and it reminded me of just how good poetry can be. As Les Murray said, poetry is strong stuff, and it doesn’t need the crutch of prose to justify itself.
Easy for you to say, Les!
Give it back? Why would I give it back?
If you click on this quill you will be transported to a hub based in New Zealand, and will find Treasure in the form of poetry:
On a totally unrelated issue, my review of ‘A Tingling Catch’ : A Century of New Zealand Cricket Poems 1864-2009, ed. Mark Pirie, Wellington: HeadworX, 2010 has just been published at Cordite. Those who were worried that I was going to write a post without mentioning sport can now breathe more easily. Although watching poets read (and listening to them, too) has aspects of a sport about it.
How to wrestle an angel
February 17, 2012
I just had a poem on this very useful topic published at Eureka Street. So if you would like a quick education on wrestling holds (including the Frankensteiner, a personal favourite of mine since the nineteenth century) why not have a look? Click here to have ring-side seats. There is also a lovely poem by Melbourne’s Barry Gittins.
Go for his wings! His wings!
This rock poems!
February 15, 2012
For all those occasionally frustrated by the financial aspects of poetry (that is, working your guts out for love alone, just hoping that your poem may reach another person, somewhere) please check out the poetic contribution from mining magnate Gina Rinehart, ‘Australia’s richest woman’, and be consoled that money and art do not walk hand in hand. She donated the rock that the poem is attached to. The rock is a little less shiny than the poem. And a little less clunky. This link is to an often wonderful (and sometimes scurrilous) site called The Worst of Perth, where you can read the poem ‘Our Future’ in all its iron awe, as it appears in situ. Go ahead and enjoy!
But it rhymes, so it must be real poetry…The fact that this was put up in a public place confirms to me that Western Australia and the Australian Capital Territory are Very Different Places. But as Ms Rinehart points out in her poem:
‘Our nation needs special economic zones and wiser government before it is too late.’
Stirring stuff.
prospecting for pentameter
Tuesday poem: Modern Jesus watches Roger Federer
February 13, 2012
Modern Jesus watches Roger Federer
[The LORD] taketh not pleasure in the legs of a man.
Psalm 147
Now that’s perfection. He never emits
a single groan, moves just enough,
seems to have a sixth sense about
those lines. That’s a subject worthy
of worship. His legs are thin, I see,
a little like mine. After match speeches
all listened to with bated breath.
Catches minds like fish. Mild and fair.
I wish Someone would sent lightning,
make that thick black hair echidna itself.
Just a bit. I was crucified, never got half
this much adulation. He looks a lot
better in shorts though, that’s true.
Though not like that other Rafael.
Everyone delights in his angel-legs.
Oh well, who cares?
Pass the strawberries.
P.S. Cottier
Part of a series in which a character called Modern Jesus is just as world-weary and cynical as the rest of us. Started out from that weird line in Psalm 147 about God not delighting in legs. Ended in fruit.
Some may be serious, some playful. However, if you click on this quill, I can guarantee you a blog experience with added Poesie:
Tuesday poem: Happy birthday Charles!
February 7, 2012
200 today...
Happy birthday Charles!
Always, somewhere, a Scrooge
is saying something sour,
and a Spirit is coming, to slap
him into rebirth; over chimney tops
or skyscrapers, foul rookeries
or slums, and so he finds himself,
like Marley’s door-face, stirring,
and startling, and breaking
his self-forged solid chains.
***
Charles John Huffam Dickens
February 7th, 1812 – June 9th, 1870
I wonder if there’ll be any further birthday tributes to Dickens apart from my little poem at the Tuesday Poem site today? Click this quill to see!
