Tuesday poem: decant
January 29, 2019
decant
sax snaking
between notes,
tonguing air for directions,
poisonously honeyed
ears overflowing
quick thickening
and her voice,
both glacier and moraine
digging cool deep graves of swoon,
lowering us in,
willingly, longingly
noise-swaddled
now punctuated
by exhortations of snare,
the metal finesse
of the cymbal
jaggedly round —
its clanging infraction
PS Cottier
Writing about music is never easy; it always escapes being pinned down by meaning. Hope that you enjoy this attempt to write jazz. I have posted it once before, but I thought a reprise was in order.
Very happy to be back, by the way!
Two anthologies for spring
October 20, 2018
Very happy to have a poem in Best Australian Science Writing 2018, edited by John Pickrell (NewSouth Books), and another one in Poetry Bridges: Canberra/Nara Commemorative Anthology, edited by Saeko Ogi, Amelia Fielden and Noriko Tanaka (Ginninderra Press).
I just attended the launch of this second one, and it was a delight to hear the poems, including mine, translated into Japanese. There is a Nara launch next month, where the Japanese poems will no doubt also be read in English. Nara and Canberra are sister cities, and have been for 25 years. BASW is being launched in Sydney in November.
I am on two panels at Quantum Words in a couple of weeks; this is a day long festival looking at science and writing in Sydney. One is specifically about poetry and science, the other has the unassuming title ‘Writing the Universe’ which sounds vaguely biblical to my ears! To finish off, here is a very Japanese crane, at home in Hokkaido. We were lucky enough to see them in the wild, as well as at the sanctuary.
Tuesday poem: How I hate you
September 10, 2018
How I hate you
Reality TV, bastard child of documentary and soap opera,
I hate you more than competitors hate the dishes served
up by the other teams; their yucks and carefully edited
smirks are nothing to the pure flame of hate I direct at you.
I will buy one of those little devices to make crème brûlée.
Nay, I shall buy twelve of them, and hang them from
a bandolier, all Sergio Leone, only French.
And I shall discover the producers and brûlée them, irrevocably.
Custard hearted slop buckets are those who reduce
something like food to these fiendish competitions,
and pit like infamous olives the spitting couples.
Let there be an end to these spectacles!
I open a can of baked beans.
I heat bread.
PS Cottier
After lengthy delay, here’s a very slow-cooked poem. Enjoy!
Tuesday poem: Vista
July 20, 2018
Vista
Icarus was detected, soaring over
our skies, a blush of pink cloud,
without string or anchor, sans permit.
We deployed the net squad, caged him
in a convenient place up north.
He pined, seedy as a sick canary,
pleading and rattling and moulting.
Eventually, his heart broke like a promise.
Then we let him in,
just before it fluttered its last.
The man-flamingo had a lot to tell us,
and science has legitimate needs.
PS Cottier
This poem was originally written as an entry for an ekphrastic poetry competition (not the image I include above) but I forgot to enter. As I was going to Japan, I forgive this errant dickheadedness, and the poem stands on its own, I think.
***
I am not one to pretend to know Japan because they spent 11 days there. But one thing I did learn is that Japanese mascots are far cooler than ours. Melon Kuma from Hokkaido is, as the name suggests, half melon, half bear, and given to biting the heads off other mascots (at least). I’ll leave you to google him, if you dare…Or here’s his Facebook page.
French police cut soles off migrant children’s shoes
And some would say
the illegality would be to the property,
the abused ownership of the shoes,
not the feet, blistered by hope,
the minds, yearning; the law’s barriers
are clear, clear as any fence.
Dubbed illegal, shoes truncated,
the children are sent back on trains.
Sole-less shoes are the new sans culottes,
as the French police cut the fashion.
And we, smug, tut-tut, and lock
the lame and the pregnant off-shore.
We cut the map, turn the sea into walls.
We are surgeons of souls, and watch,
as young men take the final step
and launch themselves, shoeless,
into another world, with hidden knife,
or rope, knot, and quick-flipped chair.
PS Cottier
The poem’s title derives from a headline in The Guardian, 15-6-18, https://www.theguardian.com/world/2018/jun/14/french-border-police-accused-of-cutting-soles-off-migrant-childrens-shoes
Normally I’d be posting a football poem at the moment, however this piece in The Guardian engendered a poem admittedly about feet, but most definitely not about the beautiful game.
