Tuesday poem and story
March 31, 2020
Both via link this time. One is to the Microflix festival, where my story ‘Makeover’ is one of the selected texts that someone may decide to make a film from: http://microflixfestival.com.au/2020/03/11/makeover-by-ps-cottier/ .
The other is to Not Very Quiet, where my poem ‘…scribbles, comments, glosses (annotations), critiques, doodles, or illuminations’ can be read. This one is about people standing (or sitting) at the side of history. https://not-very-quiet.com/2020/03/30/scribbles/ A recording of it may be posted too. Recordings are there in lieu of a launch, which was originally scheduled for last night, pre-virus.
Tuesday poem: Monstrous poetry
May 5, 2019
If you click this link, you’ll find my snappily named poem ‘The creature runs through the Arctic ice, pursued by Doctor Frankenstein’, just published at Cordite. The issue has the name ‘Monster’ and was edited by Nathan Curnow. I’ve been sitting on that monster of a poem for ages, so it’s nice to see it out and about.
There are some wondrous monstrous things lurking there, so do have a read. If you dare. (I always wanted to write that sentence.)
Tuesday poems: via links
September 21, 2017
A new online women’s poetry journal, based in Canberra and edited by Sandra Renew and Moya Pacey, has been launched called Not Very Quiet and I have three poems in it, covering such topics as homelessness — and the middle class desire to avoid the homeless — depression, and the way that depressed people are patronised, and annoying editors, and what should be done with them. That links to the last mentioned poem, which is the funniest one. Writing humorous poetry that also has more than laughs to it is quite an art, I think, and one type of work that I like to write. Have a look around at the journal, which contains a lot of interesting poetry.
Another newish journal is Mnemosyne: South Coast Women’s Journal which is edited by a group of women from, or living on, the south coast of NSW. I wrote a poem called ‘Going to the Coast’, which was published as part of their ‘Flash Fiction Friday’ initiative. A very lovely journal with a lot of ideas behind it.
If anyone is wondering how the name is pronounced; it’s a bit like Penelope. Which does not rhyme with antelope.
Tuesday poem: On editing
September 11, 2017
Irma Gold has written a thoughtful piece about writing her story ‘The Line’ that appears in this year’s Award Winning Australian Writing.
My poem in this book, which covers both prose and poetry, is three lines in length, although I did not write it as a ‘real’ haiku. It won a contest for a poem in 50 characters or less, which means that the emphasis was on what was not spoken as much as the words that appeared. Editing and writing become virtually inseparable when the poem is so short.
I took the ‘How Tweet It Is’ title of the Fellowship of Australian Writers’ contest literally and wrote a poem called ‘The Cat’s New Beard’ which is not in the least bird-friendly. It’s about a cat eating a bird. I won’t post it here, as the book just came out, and I can’t really post an extract of a tiny poem. But here’s another short poem about the process of editing a wee poem about a bird.
Plucking words
too many feathers —
bantam or robin?
Now a bantam is bigger than a robin, just as Batman is bigger than the Boy Wonder, so robin is probably the better option.
I am enjoying reading the book, which contains everything from evocative stories (Irma) to dead canaries (me). Why not purchase one? The editor is Pia Gaardboe.
Tuesday poem and poetry news: Boots and handbags
August 1, 2017
So you like football (the round ball one)? So you like poetry? Well here’s a publication you might find appealling. Boots is an anthology of poems about football, edited by Mark Pirie of New Zealand. I have a couple of football related poems in it, called ‘Passing beauty’ and ‘Side netting’. The first book was published to coincide with the (men’s) World Cup in 2014, and is out in lots of time for the next one in Russia, in an extended form.
I am entering something of a publication frenzy, having several pieces in that mysterious machine known as ‘the works’, which I’ll link to as they appear.
To celebrate this flurry of forthcoming publications, here’s a new poem about handbags, appearing under a photo of my favourite bag, which was made in Russia. (A soft Dalek is no Dalek at all. Discuss.) There is a football reference in the poem, but to a football of a different shape.
After that appalling segue-ing, I hope you enjoy the poem. I read somewhere that each blog post should contain one idea; I’ve certainly stuffed that up today, like a bag that has mistaken itself for a wardrobe.
Twenty ways to keep your essentials to hand
Lucite pillbox flaunting small pearls
Shell shape clutch for pocket Venus
Curious net of cunning gold mesh
Eyebending sequins intricately sewn
Art deco black silk organically clasped
Ten thousand beaded fine French paisley
Quaint cigar box rolls lipsticks and tampons
Roomy Mexican holdall hammock wide
Oval pigskin (and it’s not made by Sherrin)
Faux leopard snarls and real pony kicks
Kawaii Japanese anthromorphic bear
Modest exquisite goldchained calf
Ironic grannysquared seventies repro
Tikis barkclothed for quick souvenirs
Crocodiles taught Parisian accents
Poodle pregnant with pompom coinpurse
Felt dubiously coloured and Etsyfied
Blue papoose flaunts fat fleshy handles
Concertina traincase bakelites makeup
Poet’s tote with slant Dickinson quote
PS Cottier
PS Cottier 