In cut-off gloves I can cup
my phone; the oblong light,
and message and swipe
just as I would with only
pale thin gloves of skin.
The poetry anthology,
just arrived from Adelaide,
can be flicked in cut-off gloves.
The flat white slowly sipped,
the essential bling displayed
on cool growths of fingers.
Those crops of pink asparagus,
embedded in the cut-off gloves
sprout towards the glowing words,
etiolated, and punctuated
by the warming medium
in which I plant them.
This very poem can be written
in what it seeks to praise —
woollen, orange, cut-off gloves.
And stuff these Canberra days.

PS Cottier

I know that the image doesn’t really fit the poem, but I like it so much that I had to use it. This is an old poem, from 2016, first published at Project 365 + 1 (Project 366), where I wrote a poem a day for 30 days.

I think fingerless gloves are also called Fagins, after Dickens’s character, but the illustrations I found of Fagin did not sport gloves. Here are the gloves to which the poem is addressed:

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Poem: Eggshell garden

November 10, 2022

Half an egg, hidden in a drawer,
a tiny half-skull among the socks.
She gathers dirt, careful not to leave
a tell-tale trail, fills her tiny cup,
waits until dandelions are blown
into wishes, wraps a seed in tissue.
She puts her garden on the windowsill,
a promise behind the curtains,
which are printed with pink roses
and stringy effusions of lavender.
Sprouting towards the light,
a tiny green finger pokes into being,
and the eventual flower is more
dandekitten than anything fierce. 
It purrs in her mind, her flower
wattle-like yellow, punctuating
her bedroom with a freedom of glee.

PS Cottier

Somewhere there’s a photo of me as a child holding a plant which is growing inside an eggshell. That memory inspired this poem.

I woke from uneasy sleep, as feathers tickled
my suddenly sneezy nose. That has not stopped,
and I need to bless myself twelve times a day.
I carry tissues tucked between the feathers.
If you are hit by sodden snow, it is probably
a cloud-like tissue, slipping from inexpert wings.
I would call the wings adequate, though,
as I do not miss the morning commute.
Please do not mistake me for an angel.
I often swear, up here amongst the fluff,
and my fingers pluck no cunning harp.
Mittens cradle my blue-cold hands,
and a beanie holds my head like an egg.
Why this happened to me, I can't really say.
Who has not dreamt of flight? Yet so few
wake to feather doonas sprouting
from shoulders like quotation marks.
'Anything becomes usual, given you have 
enough time to get used to it,' as I said to the press.
I ride updrafts, and predict the patterns of sneeze.
It is quietly wonderful, to share a life with pigeons,
and to perch, a woolly gargoyle, for a quick cup of tea.

PS Cottier

A fun poem, more than the illustration by Hans Tegner, which is excellent but a bit grim. And everyone should recognise the origin of that first phrase!

The backcomber

Her hair is coiffured once a month.
Though she goes to bed unkempt,
glamour descends like a dream.
A scissored were-poodle inflicts revenge
for ridiculous, hedgy trims,
those uncouth bubbles of fur he wore,
imposed without his will.
She awakes to a memory of spray
and a beehive, tall as any tower.
Next month’s moon may well mean quiff.
Next month’s moon may just mean mullet.

PS Cottier

headpiece-scene-3-1

If I didn’t think that my next dog must be a rescue dog, I’d be buying a poodle. One of the large ones. But I don’t think I’d clip it into weird shapes like a hedge. One of the more intelligent dogs has to put up with a lot; do they envy the border collie?

One another note, I have a kind of short story, of a vaguely horrible sort, published at AntipodeanSF, called The Blood Parrot. Enjoy!

Not the full Fiat

Pushing up, lying back,
I imagine a Fiat 500
clamped to the end of my toes,
flying into space.
500cc, 500 kilos,
give or take,
that darling wee Italian.
I am at 450kg, so not
the full Fiat, not yet,
but it’s like birthing a bambina.
Or bambino, for weight
doesn’t discriminate.
My knees swell like tyres.

PS Cottier

1968-1972_Fiat_500L

Yes, possibly the boastiest poem ever. I am managing, sometimes, to load 400kg on the leg press and to push it up and back, even if not far enough down to be beautiful.  (The machine itself weighs about 50kgs, without added plates.)

The statement ‘weight doesn’t discriminate’ is a bit iffy, as obviously, most men can move more weight at the gym. Upper body particularly. But the leg press is a bit of an equaliser, I think.  Or could be, as I have to say that most women are less likely to push themselves to the point of vomiting than the current writer, who is just discovering strength at a comparatively advanced age.

I have no idea if this particular 500 is 500 kilos or not, but it looks great, and allows me to include the word Spotto!  Which has to be a good thing.

(Image by TTTNIS Creative Commons CC0 1.0 Universal Public Domain Dedication.)