Palm cockatoo

Heads like a child's drawing of bird heads,
huge beak and feather mane, flopping, 
last extant beat-poet, croaking of things
hep and cool.  Man, you hit bedrock
on that arching drum, selecting the sticks
that give the deepest echo, sound playing
through that tall wooden amplifier,
from dark roots to hazy blowing sky.
You contemplate the waving tops
of tropical trees, plumed angel-head,
stylish in your deep black daytime rhythm.
Inimitable pulsing punctuation,
beaky accent perched above
the forest's bright green flow.
PS Cottier

(Image copyright Birdwatching Tropical Australia)

I have posted this poem before, many years ago, however I just saw Palm Cockatoos in the flesh (or feather) for the first time up in Cape York. The male uses sticks to drum on hollow trees, something possibly unique among non-human creatures. (Although we do tend not to see, or hear, things that other species do.) My left shoulder boasts a tattoo of a Palm cockatoo; over ten years since that was inked I saw one.

The photo is of the one we got a good look at; I also saw a couple in flight. We saw Golden-shouldered parrots on the way up, an equally special bird that nests in termite mounds. It is unfortunately one of Australia’s most endangered birds.

The next bird I really want to see is more common. The budgie (the wild one) has always evaded me. I’d love to see a large flock of them in the wild. Occasionally one is seen in Canberra, but they are escapees from aviaries, given away by size and colour, probably wondering where all the seed went.

Tuesday poem: decant

January 29, 2019

decant

sax snaking
between notes,
tonguing air for directions,
poisonously honeyed
ears overflowing
quick thickening

and her voice,
both glacier and moraine
digging cool deep graves of swoon,
lowering us in,
willingly, longingly
noise-swaddled

now punctuated
by exhortations of snare,
the metal finesse
of the cymbal
jaggedly round —
its clanging infraction

PS Cottier

brass depth of field instrument jazz
Photo by Chevanon Photography on Pexels.com

Writing about music is never easy; it always escapes being pinned down by meaning. Hope that you enjoy this attempt to write jazz. I have posted it once before, but I thought a reprise was in order.

Very happy to be back, by the way!

Jazz

Sax snaking
between notes,
tonguing air for directions,
poisonously honeyed
ears overflowing
quick thickening

and her voice,
both glacier and moraine
digging cool deep
graves of swoon,
lowering us in,
willingly, longingly
noise-swaddled

now punctuated by
exhortations of snare,
the metal finesse
of the cymbal
so jaggedly round
sweet clanging infraction

their fingers, her larynx
lynx swift yet subtle,
pouncing syncopation
delivers gasp-slaps
on listeners’ lobes —
we clap pauseless poise

PS Cottier

Szaxofoncsalad_001

It’s so very hard to write about music, but I continue to try!

In other news, my poem ‘Lycium Barbarum’ which first appeared in the journal Umbel & Panicle is now published in the Rhysling anthology, which contains poems nominated for the Rhysling Award, a yearly award for poems of a speculative nature. The awards are organised by the Science Fiction & Fantasy Poetry Association, based in the US. Speculative poetry includes science fiction, horror (mine is a humorous horror poem featuring werewolves), fantasy and sundry weirdnesses. Lovely to see it there.

(Image By User:Villanueva at hu.wikipedia [Public domain], from Wikimedia Commons)

 

God I love this singer and this song:

 

I trust he’ll be singing in heaven (or, to put it in a slightly different way, to hear this is to be in heaven).  In the mean time, here’s a wee poem I wrote about seeing Johnny Cash live, which was first published on Project 365 + 1.

Glastonbury, 1994

When they invent time travel,
whether DeLorean or phone box
I won’t go forward, but back.
There’ll probably be strict laws
about interference
and the paradox
as explored in science fiction
forever, and yet, a visit
to Glastonbury in ’94
surely wouldn’t be a threat,
or trigger Bradbury’s
butterfly effect?
(Unless someone already did,
and that explains the Trump.)
I’d blend into the heaving crowd,
a very happy, sunburnt piggy.

I want to see Johnny Cash live.
I want to watch the Man in Black
and hear him walk the line.
’69 at San Quentin
is out of the question,
but ’94 will do fine.

A simple time machine and off she went,
pausing momentarily to buy a tent.

P.S. Cottier

Notes: The ‘butterfly effect’ mentioned here refers to the short story ‘A Sound of Thunder’ by Ray Bradbury, in which the accidental killing of a butterfly in the distant past results in a very different future world, not least in political terms.

Apparently it was hot at Glastonbury in 1994, which I find hard to believe.

(King James Version, by the way.)

 

Best launch ever?

July 22, 2016

The delayed launch of Suddenly Curving Space Time was held at Smiths late last night, and it was a memorable one.  Gerald Kearney was there, and performers included a band called Shoe or Shoo! (or possibly Choux? says the Francophile), a shakuhachi performance by Barbara, and of course poetry.  UPDATE:  I see from Bandcamp that the correct spelling is S.H.U.!  How’s a person supposed to guess that?

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I didn’t get everyone’s full name, but here are some photos of performers, including Brian,  who has a really great voice.  And Gerald, one of the editors of the book (above and below) also gave a memorable performance.

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me at launch suddenly

In honour of the weather that delayed the launch I read a few poems with a climate change and/or weather focus.  Despite a few people being unable to make the rescheduled launch (notably the co-editor Hal Judge, though Gerald read one of his poems),  it was an event that left me feeling inspired and intoxicated, in a good way.

Consider buying the book.