I recently competed in an interesting competition run by a Canadian journal, Contemporary Verse 2.  They give a list of ten words, and punters (who must have pre-registered) have two days to create a poem which contains every word.  I sometimes like doing this type of thing as it stops me from falling in a rut, and if the result is less than wonderful, it doesn’t really matter.

I was very pleased to receive an honourable mention, particularly as I found myself writing about cockatoos; hardly something that the average Canadian would see stripping the bark from maple trees on a daily basis, or resting on the antlers of moose.  Actually I know that Canada, like Australia, is overwhelmingly urban, so please excuse my tired and narrow stereotypes. (Is there such a thing as a vibrant and broad stereotype?) Here in Canberra cockatoos are as common as sparrows.  If not commoner, which is remarkable given how many foreign birds have been released in this country over the past 200 years.

I won’t put the poem up here, as I can’t remember if I granted exclusive e-rights for a time to CV2 (probably not) but here is a link to the poem about cockatoos, imaginatively entitled ‘Cockatoos‘.

Muse with beak

Reading the other poems is fascinating; they are so good that I forgot that they had to contain the magic ten words.  And the other poems were mostly urban.

Really urban, not Canberra urban.

Ghosts in slip

June 7, 2011

Further to my last post (now that sounds lawyerly!) here is another poem about cricket which was highly commended in the Adult Poetry section of the Kernewek Lowender Writers Event 2011.  That’s an event celebrating Cornish culture in South Australia.  I’m not Cornish, and I don’t know if cricket is popular in Cornwall, but here’s the poem, which actually rhymes.  It was a pleasure to try something different in form (and tone) from my usual palette (aka bag of tricks).  I wanted to try to write something almost like a ballad, and although it’s not perhaps my best work, there are images in it that I like.

Above the river-flats

That night I fell asleep after my customary ‘one or two’,

(which somehow numbered three, or four, or more than just a few)

and I awoke at half-past-nothing to the thump of ball on bat,

so I rolled over to watch the cricket ground, above the river-flats.

Cricketers wear whites, it’s true, but these glowed like a full moon,

and no-one had to run, for the players floated like balloons.

Above the grass they hovered like angels, or at least anaemic owls,

and something had muted their grunts and usual sporting growls.

‘Howzat?’ was quietly asked and somehow that old appeal,

sounded like Hamlet’s queries when he ponders if he’ll

be or end it all with a sudden bodkin that is bare,

and I wished I hadn’t laid my swag down, just exactly there.

The ghostly game played itself out, as all games must do,

and I lay and watched the players fade, and felt the showery dew.

Then I raised myself, and shook myself, like a dog come from a dam,

but knew that this attempt to forget was a feeble, wishful sham.

At the pub, later that day (and who wouldn’t need a beer

having watched ethereal cricketers for what seemed like a year?)

I raised the topic of the sports-ground, and what teams use that green,

all casual and circumspect with no mention of the scene.

‘There’s no teams play there no more’, my informant said.

‘All the young blokes have moved away, and the old ones are dead.

I was the greenkeeper, and I still keep it all mowed flat and nice,

but no-one uses it, ‘cept wombats.  And the bloody mice.’

The truth tingled on the edges of my beer-loosened tongue,

to tell that immortal cricketers still sent the ball down, and swung

an elegant bat in a strange, beautiful moon-lit ritual,

but such a tale would mark me as a liar quite habitual;

So I shut my mouth, then opened it, and swallowed down my tale,

with the comforting blanket of my pension-purchased ale.

But each night now, as the visions toss and smash and frolic,

they are applauded with enthusiasm not entirely alcoholic.

For a man remembers many things, though he may forget more,

and I recall my own lost days, as I keep the spirits’ score,

before I left my home and love, when I played a different game.

And the exercise of the ghost-team now warms my tired cold frame.

P.S. Cottier

Bat and ball and pen

May 31, 2011

There’s currently a great poetry competition on called the Cricket Poetry Award . For members of full member registered ICC countries only, of course, and if you don’t know what that means, you’re probably not going to be that interested in cricket.  There’s a list of the countries on the site.  For my American friends, cricket is a kind of baseball with rules.  Lots of them.

I was short-listed for the prize a couple of years back with my poem ‘DIY’, about the way we act as famous sports-people when we play cricket, (or basket-ball, or football; Lionel Messi is a fallen angel, isn’t he?  One who looks like an accountant after the Christmas party).  The entry fee is $20, which may be a little steep for some cricket fanatics in developing countries such as India, Pakistan, Bangladesh or Sri Lanka.  But the first (and only monetary) prize is $2000.  That’s Australian dollars, which are currently worth more than the greenback.  And short-listed poems are usually published in some form, although this is not in the rules (that word again).

The poetry can be about social cricket, and there is some information at the site about types of poetry.  I enjoyed the opportunity to write about a sport that dominates Australia’s summers, particularly when we are playing England (who seem to have a team made up mostly of South Africans).

Here’s my poem from 2009.

D.I.Y.

In the backyard I was always David Gower.

I opted for an easy nonchalance,

the sweep you could weep for, the air cut

with a wooden knife of sudden elegance,

(when it could be bothered to dance the dance).

Truth is, I couldn’t bat at all, but that

is merely a fact. In the suburb of dreams,

I was graceful and quick and David Gower.

Why would anyone opt to be Dennis Lillee?

Grunt-powered, facial hair fallen to chest

where it grew into rain-forest, sweat-sprinkled.

There was nothing of the lily about him;

nothing quiet or lovely or sweet-scented

(although he always bowled as if he meant it).

Yet everyone else chose this dubious flower,

right-handed terror to my imaginary Gower.

P.S. Cottier

Death and the missus

May 19, 2011

mass grave

Death and the missus

Death is a doughnut; we lick his sprinkles every day.

We feel their shadows on our lips after they have buried

into our own grave of stomach. Burps are their ghosts,

rattling sonic chains.  Perhaps we are the doughnuts,

dunked in Death’s ever morning coffee, as he chats

with Mrs Death.  Mrs Death is a knitter, has been working

on the same cardigan these twice two million years,

needles clicking like clocks before there ever were clocks.

It’s a domestic thing, after all.  One minute you’re watching

The Bill (you poor sad sod) and the next, you’re gardening

from below, totally rooted, rooted as.  And Death sighs,

and has a little break at Donuts R Us, hands trembling

as he cups that endless drink. He gloves himself in sugar.

And then he gets back to it; the icing and the holes.

P.S. Cottier

First published in The Mozzie, Queensland.

Here’s my suggestion for a new power source.  I’ll be registering a patent soon.

must speak to my accountant...

Beating OPEC

Harnessing the energy of horror fans at cinemas

as dread zombies excavate warm bodies for dinners,

or vampires provide certain proof

that red and black fit neck in tooth;

this was my brilliant idea for a new power source.

Tingling fear explodes as the thick crimson sauce

splatters, or green mutant rats emerge from sewers.

Darker than oil, those cries of shivering viewers,

tinged with the delicious free energy of fear.

The true beauty was that they had no idea

that they generated watts with loud gusts of ‘No!’

and their howling winds of scream. I watched them grow,

my bank accounts, fed on those quivering masses

whose renewable angst was cheaper than gases.

Alas! Times changed, and romantic comedy smirks

where once deep slash movies bled. It certainly irks

to see the dark side fade out and my cash-flow cease,

and our total reliance on imported dear grease.

P.S. Cottier