On mistakes

March 31, 2016

So you’ve laboured over a poem, and it’s as near to finished as it will ever be.  So you upload it and pay the fee for a comp, and sit back and have a cup of tea (or coffee, or wine, depending on the time).

So you realise that you sent a draft, and that draft was over the line limit.  So you refill the form with the proper poem uploaded, and ask if it can be substituted.  So you kick your computer and yourself.  So you don’t know if the poem will be disqualified.  So you may never know!

So you have a glass of wine, and stuff the time.  Wine is the only cure for idiocy.

cheers

So you are not as celebratory as the woman in the picture.

UPDATE:  So on the way down to your favoured wine place, you remember that you are picking up your daughter from school later on, and therefore, that you can’t drink.  Let middle class sulking erupt like an erupty thing!  (You maintain you are working class, but people tend to laugh when you say that.)  So you vent on your blog like a whingey Vesuvius.

UPDATIER: The lovely administrators have accepted the second submitted version of my poem.  Drinking in celebration is so much nicer!  (Please read with slightly slurred eyes.)

Two thousand years (or so)

And so, before this, in Europe,
there were eggs, and celebrations
and the lovely call of Spring?
So what, my dear, so what?
Give me the man
with the steel pierced hands
and the rock rolled back.
Give me blood, and the wine and bread,
the kiss on the cheek
the love of the leper,
and the woman loving too much
he dismissed with equal love.

This is the man;
and always the women
listening and learning (and even teaching),
and mourning, until he came to whisper;
I am faithful and I am here;
always alive and always here.
My Easter, so very old.
My Easter, so very new.

P.S. Cottier

Jesus_Resurrection_1778Jesus_Resurrection_1778

I really don’t know how I managed to post two ginger Jesuses, but I suppose I can pretend that’s one for each thousand years or so.

The poem is based on the type of comment one often reads that points out that Christianity ‘stole’ Easter, and that somehow proves that it has nothing genuine to it.  That’s how all human institutions work, through influence and parasitism.  Look at the English language, for example!  Doesn’t prove or disprove anything about the existence of god, really, the fact that people previously celebrated the arrival of Spring.

I started watching the film The Passion of the Christ recently and found it beyond terrible.  I have yet to see a good film about Jesus; perhaps because the words and ideas are the important thing.  But a poet would think that, I suppose.

I had a nice time at the coast over Easter, swimming and enjoying the last warmth. Soon Canberra will demand gloves and coats. Which is cool, in terms of being able to flaunt accessories, but miserable in that you actually need them to avoid freezing.  The moment where cool meets cold is an unwanted slap of reality.

So there you have it; religion and fashion.  Next week: what’s with the outbreak of ugly camel coats and will they squeeze through the eye of a needle?

 

Glassy eyed

She wraps herself in air, mere
scent and breeze and rumour,
and perches on the nearest branch
to hear the evening’s chat.
Invisible, except when the youngest child,
not quite doomed to prose,
holds a kaleidoscope to open window,
bored with the inexplicable gush
that parents call a conversation —
a strange animal dressed in beige
that sometimes flares to angry orange.
And amongst the leaves of glassy,
clipped punctuation, caught in a cylinder
of found poetry, the girl sees a pellucid
curve, bending towards the house,
and knows it to be outside the scope
of parental chat or cunning toy.
A shimmering crescent perched
between the eucalyptus leaves,
the eager figure bends towards the hum,
a stingless bee, muted hint of dragonfly.
Shaking her toy and her mousy hair,
the girl turns away, back to the easy
world of solids, and lumpy certainty.
Outside, a quiet sigh augments the wind,
and gossamer wings unfurl to flight.

P.S. Cottier

floats-gracefully

You can’t have too many fairy poems, in my opinion.  Well you probably can, but I quite like this; and it’s nice not to always be writing angry poems about politics or climate change or mass extinctions.

Are fairies an endangered species?   Discuss in two thousand words or fewer.

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The photo above by Adam Thomas  shows me being interviewed by JC Inman. Monday at Smith’s, (aka TODAY!) I’ll be interviewing JC Inman. So that photo is doubly relevant.

Come and see Josh talk about his poetry, writing, life, eggs that also talk, and a few other things. 7pm at Smiths Alternative, Alinga Street, Civic ($10).  He will then read and/or perform some poems. There is also an open mic, and a bar where you can purchase good stuff.

Photo: Adam Thomas CC 2.0

UPDATE:  And a good, and even interesting, time was had by all.

Nothing continued to happen
until Nothing yawned
and wrapped himself
in a thick blank shawl
of mere nothingness.
An Emperor of Nothing,
the Prince of Nomark,
he went on simply not being
Nothing very much at all.

P.S. Cottier

bigstock_ripped_jeans_with_blank_space_10905971

As my energy levels are low (although not quite down to nothing) at the moment I thought I might post this wee poem about nothing very much at all.  You know it makes nonsense.

Some more sensible poets are still posting substantial things.  Why not have a look?