Tuesday poem: (haiku)

July 16, 2014

sick at the beach
lungs sandblasted
holidays towelled
beach

Continuing the slightly whingey tone that my usually vibrant and witty blog has exhibited lately, I had a week at the beach and I was too sick to swim! I am still sick and on actual medicine! I have not been able to go to the gym for ages! You can’t keep good Aussie germs down, it seems. They are positively marsupial in their popping up when least expected.

I dragged my benighted carcass into town on Sunday, and ran into photographer and person about town Geoffrey Dunn, who asked me to open an exhibition he is having at The Front Gallery here in Canberra. Intriguingly entitled ‘Two Tens and a Tomato’, it includes work by Geoffrey and visual artist and poet Marina Talevski. They have mixed poetry, photography, sculpture and installation into works exploring the written word and visualisations of poetic elements.

I am popping down to the Gallery tonight to check it out, so that I can hopefully say something coherent tomorrow at 7pm.

Hanging out in town with a sign saying ‘Will launch for drink’ has finally paid off…

Here is a photograph of me taken by Mr Dunn. Unfortunately my magic parasol did not keep the germs at bay. Must ask for a refund. From the makers of parasols, not from the photographer.

parasol

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A game of two halves

The leaf seemed to be symmetrical,
a neat seam running between halves,
opening into two jagged edged wings.
But look closely. DNA scissors slipped,
so one side is wider than the other.
If it flew, it would flap lop-sided, lurching
like film hunchbacks in mad scientists’ labs.
Nature’s dropped stitches, strict patterns misread
knit perfection. White Staffies’ black eye patches,
piratical, the thrown ink blot puddles sloshing
on magpies, the pale amber stripe that glints,
floats in calm sea blue eyes of my daughter.
She looks unwinking at misshapen leaves,
falling elliptically, ways gone widdershins.

That child is watching, with her opal eyes,
envying my air-stroke. Poor thing, to be always
so rooted to ground, a fleshy turnip, although soon
I too will form one bump, just one, in thick brown
rotting carpet. But I will have tasted wavy air,
felt its shoulders spin me into curved flight.
Bowler has sent me down as googly, circuitously
aimed towards tree stumps. Flocking downwards,
kinked arrows of flight, our debut is denouement,
yet we knot a rug of mulch to warm tall parent.
We never die, you see, for we conjure up spring,
sleeping under us. Or so we will, if that girl,
wound into kicking action, would leave us in stolid peace.
Instead, we leap, and fly again; in jerky errant judders.

P.S. Cottier

leaves and cicada

A rather confusing title; who didn’t think of The World Cup when they read the soccerific headline? Certainly, I have been losing as much sleep to the round ball as I usually do to Stephen King when he has a new novel out. The sporting metaphors used are mostly cricket-related though. Hence the cicada you may just pick out amongst the leaves in the photo.

That is an unpublished and old poem, from my ‘running on a bit’ period, but I quite like it.

There are many wonderful poems published this week at Tuesday Poem. Hop over and check them out:

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Last Thursday the second launch of The Stars Like Sand occurred in Canberra. Novelist Kaaron Warren, pictured here, did the honours, and spoke of her love of poetry, despite not writing it herself. She compared it to those without the skill watching someone crochet or knit, and distributed woollen bookmarks. Another ten poets read, and they read beautifully.

kaaron at launch

This is a photograph of Philip Salom, who launched the book in Melbourne. He spoke of play and ‘pataphysics, that is,”the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments.”(Jarry)*
philip_salom

Alternative pedigrees. Different ways of being. Garments we put on. The sinuous muscles of poetry. Lines of knitting. Each launcher took a different direction to describing a book that tries on different worlds.

I am in a state of mild grief now as the book that was once a near endless possibility, is now a thing; a physical object that has its own place in the world. It is what it is (subject to interpretation) and it is no longer mine. What once existed into multifarious complexity is now rendered actual. That’s always a bit of a bummer, even if it’s also a delight. It’s a bit like the difference between hearing a joke told for the first time, and hearing the same joke again. Something is lost, isn’t it. Something that leaps in the mind and the body at exactly the same moment.

But what a misery guts I am being; mulling over mental gruel rather than Pantagruelling! I should be revelling in the joy and enjoying myself! It is, I think, in many ways, a wonderful book. But it seems that some of us are more attuned to loss than achievement…even if we like funny poems.

I certainly enjoyed meeting my co-editor Tim Jones for the second time, as opposed through working through the aerial guts of Skype, with its weekly digital farts. Here is a photograph of Tim listening. He is much better at that than I am. He is listening to the wonderful Joe Dolce read his poem at the Melbourne launch. Tim has a new post about the Canberra launch too, at his blog.
joe_and_tim

We have forwarded the list of poets’ addresses to the publisher, so all contributors should receive their copy soon. Thank you to all the poets who contributed, and also to our two wonderful launchers.

And because I am vain, here is a photograph of me; on a high, reading my poem from the book at the Melbourne launch. My hair was much better at the Canberra one, though…
penelope-2

Now I am going to revel in The World Cup for a month. In another universe, Australia will be winning.

*Spellcheck kept trying to render ‘pataphysics as pasta physics, by the way. Love those alimentary lineaments.

No poem as such today. I am going down to Melbourne soon for the launch of The Stars Like Sand and am finding it hard to write at the mo.

However I recently had a hat trick of poems up at Eureka Street.

And, to continue the sporting metaphors, I scored a goal with a poem being included in the special World Cup edition of the New Zealand publication broadsheet. The poem, ‘Passing beauty’ was originally published at Eureka Street, and then in my second-prize-winning book The Cancellation of Clouds, which can be purchased from Ginninderra Press. Australia’s draw in the World Cup is (cough) perhaps (cough) somewhat difficult (hysterical laughter). We face Spain, The Netherlands and Chile. (Giggle.)

And, having linked more times than a golfer, she puts away clubs, balls big and balls small, and retires to the gym for a bit of metal.
bigstock-Barbells-781666

Here are the launch posters, for the last time.
Poster_SLS_MelbWeb
Poster_SLS_CanbW

Now, some Tuesday poets will have original poems, and some will have old ones. Check them out. Put down those barbells, meat-head, and click this feather:

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Tuesday poem: Pod, cast

April 29, 2014

Pod, cast

Cradled in my pod, my body shut up like a bedside book, with a bookmark of drugs inserted to continue me some day, I had a nightmare. It was an old fear for the fourth millennium, that of being buried alive. And it came to whisper panic in my ear; you are forgotten. They have entombed you in speed. No-one will be there, at journey’s end, to dig you out, little podded pea. Fool, to accept this alien life, to dream in airless space, a ghost not dead, a man suspended beyond hope. Hanging in time, rope of frayed expectations slipped around your neck, tightening. And still you fly stupefied, dumb, trusting those not yet born to release you. Listen to your heart beat the retreat, a jerking jazz rhythm of fear.

The living dead, that shady cast of zombie, of vampire, flickered like ancient film shadows through my mind, a hazy cloud of horror where no cloud ever forms, out here between one star and the next. Feeble belief of resurrection somewhere, beyond the years.

Sleep left me. Gulping, choking, drowning in doubt, my eyes scanned the dark inside of the pod, looking for escape, for any feature to tell me that I was, in fact, awake. That I was, in fact, alive. But the pod was like a closed eye, and I was trapped inside its blindness. How could I know? Was this lulling pod a grave? I fought to feel the walls of the capsule, read their enclosing story in Braille, but my arms were pinioned, would not shift. I was wrapped in spider’s silk, a stupefied unbreakable embrace. My disquiet lead me further inside myself, with no twine of reason to bring me out. Knotted in a strait-jacket, tangled in progress, I sped on into darkness.

Machines detected, read the chemicals, adjusted. Put me back to sleep, rocked a thousand years. But now I dream only of death, and the heavy years and the speed of light smother me. I staked my life on stability, that there will be no upheaval in which I will be swept away, an insect unmourned, amongst the crumbs of swarming stars. I am the unborn, dreaming in the womb, this metal womb, quickening towards my second birth, but bracketed in iron ifs and buts. Icarus with untried wings of steel. Hiatus, hubris and hell here, inside me, inside the pod, cast away.

P.S. Cottier
bigstock_snowflakes_and_stars_descendin_15991001

I wrote that piece of prose/prose poem for a competition in the United States way back in 2008. I was lucky enough to win, and actually went to the convention which had organised the competition in Wisconsin. (The Odyssey Convention.) This was a turning point in my writing, and although I had been exploring the speculative in my work, it certainly helped to strengthen that element.

Since then, ‘Pod, cast’ was republished in the Indigo Book of Australian Prose Poems, edited by Michael Byrne.

Currently, I have a poem up at Eye to the Telescope, the online journal of the Science Fiction Poetry Association based in the United States. This one is edited by Robert Dutcher, and is one the interesting topic of ‘mundane’ science fiction, that is, the idea that we are basically stuck in our solar system with no aliens and no journeys to other galaxies, as undertaken by a million travellers in a million science fiction novels and films. And by my nameless traveller in the prose poem above.

Speaking of speculative poetry, here are the launch details for The Stars Like Sand: Australian Speculative Poetry, which I have been editing with Tim Jones for several light years:

Melbourne, 6pm for a 6.30pm start, Friday 6th June, Collected Works Bookshop, 1/37 Swanston St, Melbourne. To be launched by renowned poet Philip Salom. This is to be a joint launch with Gemma White’s new collection, which is also being published by IP.

Canberra 6.30 for a 7pm start on Thursday 12th June at Manning Clark House, 11 Tasmania Circle, Forrest, ACT 2603. To be launched by the multi-award winning novelist Kaaron Warren.

There has been a wonderful response from poets to our request that they read poems from the anthology at the launches. I am looking forward to the two launches so much. Anyone reading this is most welcome to attend.

I’ll post the proper invitations here, and of course, sent them out (by email) to lotsa persons.

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