She would surely
free the refugees —
but mostly those
with nice table manners.

P.S. Cottier

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Based on overhearing a conversation at a café about how ‘we’ could take in more refugees if only they would ‘assimilate into mainstream society’.  I said nothing, but write this in true esprit de l’escalier.   It’s almost an aphorism, rather than a poem, isn’t it?

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The photo above by Adam Thomas  shows me being interviewed by JC Inman. Monday at Smith’s, (aka TODAY!) I’ll be interviewing JC Inman. So that photo is doubly relevant.

Come and see Josh talk about his poetry, writing, life, eggs that also talk, and a few other things. 7pm at Smiths Alternative, Alinga Street, Civic ($10).  He will then read and/or perform some poems. There is also an open mic, and a bar where you can purchase good stuff.

Photo: Adam Thomas CC 2.0

UPDATE:  And a good, and even interesting, time was had by all.

So as the year drags its poxy old carcass towards December, waiting to be reborn, I thought I’d have a bit of a think on what I’ve done this year in terms of writing. If that is likely to bore the intellectual beeves from your brain’s corral, please scroll down to the end, where there be a poem.

Firstly, the list is not all settled as the anthology edited by Tim Jones and myself has been nominated for the poetry category in the ACT Publishing Awards, run by the ACT Writers Centre.

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The awards are to be given out in the lovely old building that is now the Gorman Arts Centre, on the 17th, as people sip wine and nibble on cheese.  Or, in some people’s cases, spurn cheese and guzzle wine.  I’ll update on those results.

Here’s some other stuff I did this year. Some future publications (accepted but not announced) do not appear:

P.S. Cottier’s stuff in 2015

Poem ‘Canberra’ accepted for Capitals anthology, edited Abhay K. To be published in 2015.  Now 2016.

Poems ‘Lord A of Yarralumla’, ‘Bike ride at night’, ‘A good end’ and ‘The smell of heaven’ published in Eureka Street, Volume 25 No 2, 9th February 2015. ‘A good end’ also published in Global Pulse, ‘edited in Rome, produced in Thailand’.

Poem ‘A lively discussion over the merits of flash fiction’ published Antipodean SF, issue 200, February 2015, along with reprint of ‘Prickly Green’. Recording of latter on radio show, March 2015.

Shortlisted Thiel Grant for online writing, March 2015 for proposal to write weekly piece on Frankenstein and Mary Shelley.

Report on Banjo Paterson Festival for Australian Poetry website, March 2015. (I performed a poem at the competition in Orange in February.)

Reading, Folk Dance Association of ACT, March 2015.

Poems ‘Cockatoos’ ‘All the blond Jesuses’ ‘The chicken in Autumn’ ‘A gecko in Canberra’ published in The House is Not Quiet and The World is Not Calm: Poetry from Canberra, edited Geoff Page and Kit Kelen, China, 2015.

Poem ‘After hours in the op shop’ republished in Rhysling Anthology, 2015, USA

Pocket book Paths into Inner Canberra published by Ginninderra Press, March 2015 in ‘Pocket Places’ series.

Adelaide Plains Poets Inc Poetry Competition 2014/15 ‘CLIMATE’ theme, awarded second prize for ‘Circular’. Judge Shelley Hansen.

‘Miles and beyond’ published Eye to the Telescope, Issue 16, on ‘Music’ theme, edited Diane Severson Mori, April 2015. (USA)

Tanka ‘without you’ published All You Need is Love, ed Amelia Fielden, April 2015.

‘Fire haiku’ published in Flood, Fire and Drought, ed Hazel Hall et al May 2015

Poem ‘The fruit of her hands’ published Midnight Echo, no 11, edited Kaaron Warren, April 2015. Also column on poetry, called ‘Writing with the Left Hand: P.S. Cottier discusses the sinister side of poetry’.

Article; ‘Crafty poet seeks words’ in ACTWrite, May 2015 (How I write)

Article ‘Literary competitions: Better than the pokies?’ (retitled ‘An accountant of dreams’) Overland Blog, May 2015

MS ‘ “Impressed upon me even more deeply”; Reflections of the monster’ judged to be ‘outstanding’ by Amy Hilhorst, work & tumble’s letter press chapbook competition, June 2015

Reading, Manning Clark House, June 2015 (30 minutes)

Highly commended inaugural Interstellar poetry award, June 2015 for ‘We are all working our way up, towards the birds’

Poem ‘Carrying an injury’ Verity La, June 2015

Poem ‘Route 9’ awarded third prize Australian Catholic University Poetry Prize 2015 on theme Peace Tolerance and Understanding, judged Kevin Hart and published in book of theme name, August 2015.

‘Shellac’ republished in Dwarf Stars Anthology, USA, 2015, edited John Amen.

Book Review Timelord Dreaming by David P Reiter published SMH 1-7 (on-line) Canberra Times 1-8 (print)

‘Soft-sacks for total relaxation’ (story) published Antipodean SF, August 2015. Also recorded for radio show. Broadcast November 7.

Book Review Growing Older Without Feeling Old: On Vitality and Ageing by Rudi Westendorp published The CT, August 8 2015

Two poems ‘The rules of cricket rewritten for the fairy world’ and ‘All the ships of the world’ published Eureka Street, Volume 25 No 15, 10 August 2015

‘At the Lifeline Bookfair’ Canberra Times, 19 September 2015

First Place Thunderbolt Prize for Crime Writing, New England Writers Centre, 2015, published Armidale Express and the NEWC website. Judge Les Murray.

Highly Commended FAWQ Poetry Competition, November 2015 ‘The sounds of dying’

‘Secondary ghosts’ published Australian Poetry Journal, Volume 5 Issue 2, November 2015, edited Michael Sharkey.

‘A hard poem to market’ published Cordite ‘Toil’ edition (52) edited Carol Jenkins, 1 November 2015

‘Remembering Laika’ published in A Quiet Shelter There: An Anthology to Benefit Homeless Animals, ed Gerri Lean, Hadley Rille Books (US)

Solo reading/discussion Smith’s Alternative, November 2, 2015. That Poetry Thing That Is On At Smith’s Every Other Monday.

Poem ‘Three ways to look at crochet’ accepted for The Canberra Times, September 2016 (!)

***

I feel I’ve been quite busy this year, and I am particularly pleased with the wee book Paths Into Inner Canberra, which combines prose and poetry.  On the other hand, I should be sending out full length manuscripts here and there, but just want to write more individual poems at the moment.

I’ve been doing a few readings, and did my first solo one at Smith’s in November.  I particularly enjoyed being interviewed by Norm de Plume (Josh Inman) who is back in Canberra after defecting to Sydney.

Sydernee and Melbourne are both easier places to be a poet, it seems to me, (cos bigger and nearer to more publishers) and harder, in that it is easier to slip into anonymity there (cos bigger and more poets).  But definitely, those of us in the provinces need to be a little noisier to be noticed and acknowledged, I think.  Hard for the shy and retiring!  Or those who find Facebook and Twitter unbearable, anyway, such as your constant blogger.

Here’s a wee poem after all this egregious seeveeing.  (Which is like emceeing but even more ego driven.)  About climate change and monsters, which are frequent companions in my work this year:

Full stomp

It’s coming —
stomp! stomp! stomp!
down the roads of your town
or city or village or Tokyo style
megalopolis. Or isle now all swamp —
splash splash splash splash!
Roaring and slapping buildings
like the cheeks
of a thousand hysterical women
in chap rich 50s Westerns.
Stomp stomp stomp stomp stomp!
It is silver as a can,
silver as the idea of an automobile
before we (forget Tokyo)
realised that petrol had a price. Or gas,
as the Americans say —
fart fart stomp fart fart.
Godzilla on steroids
(for we shall use Japan when it suits us)
it turns its awful face towards us!
The face seems so familiar!
It breathes out the thick air
of a million hangovers!
Its cheeks have warts like silver hubcaps,
flung onto the highways of its cheeks!
I am the Anthroposaurus, it says.
Look upon me and weep!
Its voice is as subtle as its step,
subtle as this poem’s drear
stompification.
(Full stomp.)

P.S. Cottier

struth-winkelried

oral hygiene and the dragon

In many ways, this blog is my favourite creation, and thanks to all my readers for being part of it.

Other Tuesday Poems can be found here.

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Smith’s Alternative used to be a bookshop and is now a venue. I was lucky enough to be asked to be the first poet to read as part of ‘That Poetry Thing That Is On At Smith’s Every Other Monday’ aka An Evening with P.S. Cottier, by MC Norm de Plume.

I really enjoyed chatting to Norm (aka Josh) about writing and reading my poetry. In between there was a really lovely set by musician Gabriela Falzon. I wanted to listen more closely to the lyrics, but I had to compose a poem from words given to me by the audience at this time. God damn them. The words were:

aardvark
relic
lumps
flaccid
flying.

Here’s what I wrote in ten minutes or so, between the interview (why, how, where) and the reading (what):

So I googled aardvark, and it took me
to South America, where the plants
are lumps of pain, needling the air,
the air thin as capillaries.
I want to be a gaucho,
chasing beef and capybara
through the blank page plains.
I wear chaps like parchment,
tattoed with macho glamour.

So I fell asleep, my pen flaccid
as a pancake’s Sunday hammock.
I am no gaucho, my purple bolas
do not spin. There is no flying
revelation, no roasted meal
in front of tossing, avid fire.
All I have is knowledge,
received knowledge, that the aardvark
seeks ants amongst ruins, as I seek
relics of greater words.
The cactus blooms, and no-one sees.

P.S. Cottier

Rough as a superannuated gaucho’s knees, but I enjoyed the process. (That is unedited, except for the spelling of aardvark, which is a word specifically invented for spelling comps.)

Smith’s has been a significant place for me. My first book launch was held there back in 2009. I wore the same dress tonight that I did then. My second poetry book was also launched there, and I remember independent MP Nick Xenophon read a poem from the book, the night the bar was opened. (Hal Judge launched that book, and Geoff Page launched the first one.)

Senator Xenophon takes a gamble

Senator Xenophon takes a gamble

Now Nigel is the proprietor, and I hope that the space works as a venue for years to come. Thanks to everyone who came along.

I suppose this can act as a Tuesday poem after all!

Read the works of the other Tuesday Poets by pressing here.

Fernando Pessoa shaves

— and needless to say, the mirror
has three leaves. So at least
twelve chins require scraping
(for they all go beardless,
or at least, sometimes so)
and one, or four, can’t always
leave, to visit the barber.

Eight hands, a lively polvo,
attempt to shave straight,
but, let’s face it (ha!)
straight is not really
in their repertoire.
It is disconcerting when a man
metamorphoses from Fernando
into Alberto between nose and chin

as one uses a blade as blunt
as omniscience. Little rivers
open up, and flow into each other.
In one mirror-wing, Álvaro bleeds
and in the other, Ricardo winces.
The eight hands become twice twelve
in the trinity of glass.

In the corner of one wing,
see that crack? One, or four,
become a jigsaw, no, a galaxy
of Fernando and his others.
This is the image which one might
or could, possibly call true.
The eye of one bends into
chin of the other; a quiet, crazed
Picasso, but with a line less sure.

He had never belonged
to a crowd
. Except to himselves.

P.S. Cottier

Poet’s note: Fernando Pessoa’s main heteronyms included Alberto Caeiro, Álvaro de Campos and Ricardo Reis. He also wrote as Fernando Pessoa. ‘He had never belonged to a crowd’ is from the Preface to The Book of Disquiet, by Pessoa (or Bernando Soares) tr. R. Zenith.

who left the drawbridge down?

who left the drawbridge down?

I’ve been thinking about heteronyms and pseudonyms and all the nyms lately. What is authenticity? Are anonymous comments any less valuable than attributed ones? Is pronouncing the death of the author pretty damned silly, given that multiplicity has replaced a singular notion of the self?

Also, where do seriousness and play merge? In this poem, they merge in a mirror. They also merge in sandpits, if you’ve ever watched children play, or can remember being a child.

Do head over to the Tuesday Poem site, for a further dose of poetic goodness, blended to perfection. Read the works of the other Tuesday Poets around the world by pressing here.