A ‘brilliant young man’ from Sydney
Unfortunately ruptured a kidney —
For his black jeans won’t zip
Round the tenure of hip,
Which perplexed our ‘young’ man from Sydney.

man-reading-mail

I am the last person in the world to suggest that people should dress in an ‘age-appropriate’ way, which for women seems to mean a sudden desire for demure suits and mousy blonde bobs past the age of forty.  Neither am I inclined to judge people by their size.

But when you see a fellow who is sailing into late middle age rigged out in a grungy something that would challenge a very fit twenty-two year old, well it’s not good, my dear.  It’s not good approaching, and it’s infinitely worse from behind.  Mental vanity can sometimes be expressed in inability to see the body, let alone to mark its changes.  Play and pastiche in clothes are one thing, but black skinny jeans are quite another.

Next week I promise a return to my normal politically astute observations of the world.  Either that or more dodgy style tips from one who tends to favour Rorscharch blotches in neon colours.

This series is proving great fun and shows no sign of ever ending.  This poem was actually the fourth one I have written, but as the first one was also about a woman, I wanted a man to feature as well!  And the third is so toxic (and identifiable) that I may keep that for my own amusement.

You can see which other poets are posting on Tuesday by checking out the sidebar here.

The poet contemplates the inescapable nature of the class system

A Richter moment of tectonic rock came
when I heard the voice of smug middle class
speaking through me. A mythic, conceited Volvo
blonde used me as her blank-eyed dummy,
stuck lovely manicure up me and made me say
‘The guinea pigs don’t like asparagus!’.
My ears could not believe my mouth’s betrayal,
the change marked by that simple recipe.
The seesaw tipped, sudden rodeo bucking,
swung away from student furniture of bricks,
stray cushions and ideas, towards clogging
superannuation of risotto and good red.
Class catches us like butterflies, or half-frozen slugs,
which we pick, so carefully, from our organic greens.

P.S. Cottier

No telling who that poet might be, but I used to have guinea pigs…And how’s that for a catchy title, by the way?

Muffet cc licence 2.0 (Wiki Commons)

Two thousand years (or so)

And so, before this, in Europe,
there were eggs, and celebrations
and the lovely call of Spring?
So what, my dear, so what?
Give me the man
with the steel pierced hands
and the rock rolled back.
Give me blood, and the wine and bread,
the kiss on the cheek
the love of the leper,
and the woman loving too much
he dismissed with equal love.

This is the man;
and always the women
listening and learning (and even teaching),
and mourning, until he came to whisper;
I am faithful and I am here;
always alive and always here.
My Easter, so very old.
My Easter, so very new.

P.S. Cottier

Jesus_Resurrection_1778Jesus_Resurrection_1778

I really don’t know how I managed to post two ginger Jesuses, but I suppose I can pretend that’s one for each thousand years or so.

The poem is based on the type of comment one often reads that points out that Christianity ‘stole’ Easter, and that somehow proves that it has nothing genuine to it.  That’s how all human institutions work, through influence and parasitism.  Look at the English language, for example!  Doesn’t prove or disprove anything about the existence of god, really, the fact that people previously celebrated the arrival of Spring.

I started watching the film The Passion of the Christ recently and found it beyond terrible.  I have yet to see a good film about Jesus; perhaps because the words and ideas are the important thing.  But a poet would think that, I suppose.

I had a nice time at the coast over Easter, swimming and enjoying the last warmth. Soon Canberra will demand gloves and coats. Which is cool, in terms of being able to flaunt accessories, but miserable in that you actually need them to avoid freezing.  The moment where cool meets cold is an unwanted slap of reality.

So there you have it; religion and fashion.  Next week: what’s with the outbreak of ugly camel coats and will they squeeze through the eye of a needle?

 

Glassy eyed

She wraps herself in air, mere
scent and breeze and rumour,
and perches on the nearest branch
to hear the evening’s chat.
Invisible, except when the youngest child,
not quite doomed to prose,
holds a kaleidoscope to open window,
bored with the inexplicable gush
that parents call a conversation —
a strange animal dressed in beige
that sometimes flares to angry orange.
And amongst the leaves of glassy,
clipped punctuation, caught in a cylinder
of found poetry, the girl sees a pellucid
curve, bending towards the house,
and knows it to be outside the scope
of parental chat or cunning toy.
A shimmering crescent perched
between the eucalyptus leaves,
the eager figure bends towards the hum,
a stingless bee, muted hint of dragonfly.
Shaking her toy and her mousy hair,
the girl turns away, back to the easy
world of solids, and lumpy certainty.
Outside, a quiet sigh augments the wind,
and gossamer wings unfurl to flight.

P.S. Cottier

floats-gracefully

You can’t have too many fairy poems, in my opinion.  Well you probably can, but I quite like this; and it’s nice not to always be writing angry poems about politics or climate change or mass extinctions.

Are fairies an endangered species?   Discuss in two thousand words or fewer.

Nothing continued to happen
until Nothing yawned
and wrapped himself
in a thick blank shawl
of mere nothingness.
An Emperor of Nothing,
the Prince of Nomark,
he went on simply not being
Nothing very much at all.

P.S. Cottier

bigstock_ripped_jeans_with_blank_space_10905971

As my energy levels are low (although not quite down to nothing) at the moment I thought I might post this wee poem about nothing very much at all.  You know it makes nonsense.

Some more sensible poets are still posting substantial things.  Why not have a look?