Tuesday poem: The Ashes, 3150 A.D, and Les Murray
April 29, 2019
This one is via link to Eye To The Telescope, an online journal of speculative poetry run by the Science Fiction and Fantasy Poetry Association, based in the United States. The issue on ‘Sports and Games’ was edited by Lisa Timpf, who I believe is Canadian, so I’m extra pleased to have a poem about cricket published there. My poem is second in the issue, but have a look at all the poetry!
I have just heard that the poet Les Murray has died, and I am rereading some of his best work, such as The Cows on Killing Day. I remember talking to him about this poem, and whether he had thought of becoming vegetarian, and he said that that would mean a lot fewer cows in existence!
In person I found him to be an affable and funny man, and on the day of his death that is a good way to remember him. There will be a lot of proper obituaries appearing tomorrow.
Cheers, Les.
Poem for Easter: All the blond Jesuses
March 29, 2018
All the blond Jesuses
You see them wriggle free of windows,
lithe as silver fish, but golden-haired.
These Jesuses, blond sons of blond Marys,
head out the door to play cricket,
with leather and willow in sudden whites.
St Dorothy joins in, and its all fruit
and flowers and UK May, as Jesuses
bloom like jonquils on the soft field.
Sometimes a Jesus will stop for a while,
and an almost-frown appear. He recalls
another day, when he was darker skinned,
darker haired, and his reaching hands
caught iron, not the ball flicked to slip
like an idea. Oranges smile like cut suns.
The stumped Jesus reconciles himself
to this easier gig, amongst teammates
all as blond and as quick as wit itself.
He scampers between wickets, wood kinder
than when he cried, and slumped and died,
before the dark cave, and its inconstant rock.
PS Cottier
This poem has appeared in Verity La and in my short collection Selection Criteria for Death in Triptych Poets Issue 3 (Blemish Books).
It’s an interesting thing that some put more emphasis on the crucifixion than the resurrection; dwelling on pain rather than the triumph of good over evil, or hope, if you prefer. Those two are running through my poem, and I’ll avoid roping in any yellow tape. You can rough up a metaphor too thoroughly.
He is risen indeed!
Tuesday poem: Passing Beauty from Boots
August 22, 2017
Passing beauty
It’s moving, just ahead
of the player’s most clever feet.
Every four years, we fill a cup,
then pour it out, a month of dreams.
Was it just last week that Bergkamp
flicked with orange elegance,
side-footing space and time?
No, he is long gone now,
off fielding fifty years.
Others follow. Messy time
melts beauty, remoulds it,
casts it always anew.
It never ages, constantly fired,
as we fade, we watchers,
yesterday’s players, passing.
Twenty sips at the cup
will fill a lifetime;
held safe in keeper’s hands.
PS Cottier
This poem was just republished in Boots:A Selections of Football Poetry 1890-2017, edited by Mark Pirie of New Zealand. As Mark has it up as an sample from the book, I thought I would also republish it here. It was first published in Eureka Street here in Australia.
The book contains poems from New Zealand, England, France and the Netherlands, with New Zealand being the home of most. It is well worth reading for the diversity of approaches: biographical, political, elegiac (mine, for once!) humorous and historical. A lovely present for anyone interested in football.
It can be ordered through Lulu through the publisher’s website (HeadworX Publishers). Boots is an expanded edition of a previous collection first published in 2014.
Tuesday poem and poetry news: Boots and handbags
August 1, 2017
So you like football (the round ball one)? So you like poetry? Well here’s a publication you might find appealling. Boots is an anthology of poems about football, edited by Mark Pirie of New Zealand. I have a couple of football related poems in it, called ‘Passing beauty’ and ‘Side netting’. The first book was published to coincide with the (men’s) World Cup in 2014, and is out in lots of time for the next one in Russia, in an extended form.
I am entering something of a publication frenzy, having several pieces in that mysterious machine known as ‘the works’, which I’ll link to as they appear.
To celebrate this flurry of forthcoming publications, here’s a new poem about handbags, appearing under a photo of my favourite bag, which was made in Russia. (A soft Dalek is no Dalek at all. Discuss.) There is a football reference in the poem, but to a football of a different shape.
After that appalling segue-ing, I hope you enjoy the poem. I read somewhere that each blog post should contain one idea; I’ve certainly stuffed that up today, like a bag that has mistaken itself for a wardrobe.
Twenty ways to keep your essentials to hand
Lucite pillbox flaunting small pearls
Shell shape clutch for pocket Venus
Curious net of cunning gold mesh
Eyebending sequins intricately sewn
Art deco black silk organically clasped
Ten thousand beaded fine French paisley
Quaint cigar box rolls lipsticks and tampons
Roomy Mexican holdall hammock wide
Oval pigskin (and it’s not made by Sherrin)
Faux leopard snarls and real pony kicks
Kawaii Japanese anthromorphic bear
Modest exquisite goldchained calf
Ironic grannysquared seventies repro
Tikis barkclothed for quick souvenirs
Crocodiles taught Parisian accents
Poodle pregnant with pompom coinpurse
Felt dubiously coloured and Etsyfied
Blue papoose flaunts fat fleshy handles
Concertina traincase bakelites makeup
Poet’s tote with slant Dickinson quote
PS Cottier
Tuesday poem: Not the full Fiat
July 24, 2017
Not the full Fiat
Pushing up, lying back,
I imagine a Fiat 500
clamped to the end of my toes,
flying into space.
500cc, 500 kilos,
give or take,
that darling wee Italian.
I am at 450kg, so not
the full Fiat, not yet,
but it’s like birthing a bambina.
Or bambino, for weight
doesn’t discriminate.
My knees swell like tyres.
PS Cottier
Yes, possibly the boastiest poem ever. I am managing, sometimes, to load 400kg on the leg press and to push it up and back, even if not far enough down to be beautiful. (The machine itself weighs about 50kgs, without added plates.)
The statement ‘weight doesn’t discriminate’ is a bit iffy, as obviously, most men can move more weight at the gym. Upper body particularly. But the leg press is a bit of an equaliser, I think. Or could be, as I have to say that most women are less likely to push themselves to the point of vomiting than the current writer, who is just discovering strength at a comparatively advanced age.
I have no idea if this particular 500 is 500 kilos or not, but it looks great, and allows me to include the word Spotto! Which has to be a good thing.
(Image by TTTNIS Creative Commons CC0 1.0 Universal Public Domain Dedication.)
PS Cottier 