Tuesday poem: Fingernails
October 15, 2024
Fingernails
They never stop questing outwards, these epiphytic plants,
soilless roots tonguing the air. Mostly, we cut them into stubs,
mere bulbs awaiting final burial, asserting a sharp superiority.
Some men do allow them to snake their ways around and around,
until the hand becomes mere support for their rollercoaster ways.
Gone beyond decoration, the curling roundabout growths all indicate
each life's road and certain end. Some glue fake covers on each finger,
minute bright coffins jewelled with stones like Egyptian scarabs,
that once adorned the dead. But nails need never die. After host stops
they still grow, scraping coffins with cartilage, tusks of ivory feeling
for dirt long denied. Some are fed finally on fire, and burn with sticks
and hair and skin, external teeth closing on the jerking meal of flame.
A few succeed, reach dark earth, and plant themselves, and grow to men,
who carry new nails on clever, thumb-opposed fleshy tools,
deaf to the breathless emergent growth that tips each handy finger.
It crawls out, from the fecund pinkness, unstoppable; the quick tipped
living pointer, small flat shelled snail, that whispers of unseen bones,
and death that never dies, but clasps us tight as skull holds mind.
PS Cottier
Last weekend I was part of a poetry roundtable as Conflux, a science fiction convention here in Canberra, and read this freaky poem which has obvious horror tropes. Delighted to find this illustration by JA Knapp at the wonderful Old Book Illustrations to go with it! I particularly like the mushrooms growing in the distance. I wouldn’t be eating them any time soon…
‘Fingernails’ first published in Chiaroscuro: Treatments of Light and Shade in Words (ChiZine), Canada, Volume 47, Week 2, April-June 2011.
Tuesday poem: via link
July 17, 2024
I just had a poem published at Eye to the Telescope, called “Stuffed Koala and Other Cocktails of the Near Future”. The theme of this issue, edited by Gretchen Tessmer, is Strange Mixology, and it’s well worth a tipple. Here’s a link to the issue, scroll down for my poem. This publication is run by the Science Fiction and Fantasy Poetry Association, based in the US.
Poem: Nyx and Neon
January 21, 2024
The darkness and its dreams
have been tossed out like bottle caps,
or plastic wrappers, illuminated
into nothingness. Old goddesses
swapped for this new electricity,
these garish sharp scars flashing.
Neon is the worst, an intoxicating
brightness. He was recently elevated
to a minor god. I curse his vulgar
yellow slaps upon the face
of the sleeping earth, his bold
assertion of light when all
should give themselves to rest.
Newness needs to be won,
rebirthed at dawn, not lost
in this glut of fluorescence,
snarling through the black.
But I am Nyx, and I know —
Neon can never reach
the human’s rest of death.
There nothing disturbs the mud,
except the damp, and the quiet,
thorough recycling of the worms,
palest pink yet avid.
PS Cottier
Nyx personifies night, and was the goddess of the night. Neon was discovered in 1898, and is a ‘noble gas’, although Nyx doesn’t see it that way in my poem.
Poem (via link)
October 30, 2023
Very happy that my poem “Hip gnomes” was just awarded the Australasian Horror Writers Association Shadows Award in the poetry category for 2022. A great trophy! And everyone needs a tombstone arriving just before Halloween.
You can read the poem here, where it was first published at AntipodeanSF late last year. (That’s a link to Trove, which may take a little while to load.) AntipodeanSF is a free online publication that has been around for many years. Thank you to editor Ion Newcombe, and also to Kaaron Warren, who gave a speech on my behalf and picked up the award.
I’ve had two poems about osteoporosis published; this is by far the more fantastical (and dark) of the pair.
Tuesday poem: Rest and silence
June 26, 2023
The last woman looks up, languid, at the three moons hanging in the sky, and thinks of fruit, although she’s not seen an apple for ten years. How strange to be the last woman, she thinks, you’d think I’d be extraordinary, rather than simply the last. She scratches her scalp, realises that the bugs will outlast her, for at least for a week or so. She feels she should record thoughts, have a sudden itch for poetry, erupting like a wordy pimple. But there would be no-one to read it, should she drum out an elegy, despite that superfluity of moons, enough to drive a Wordsworth mad. She decides to nap the species into oblivion. The last woman yawns. PS Cottier
The book of poems made up of those originally published on this blog, called Tuesday’s Child is Full, has received a couple of positive reviews recently; here and here. That’s at Compulsive Reader and The Canberra Times. Both like the humour, which is refreshing.
PS Cottier 