Tuesday poem: The ones wearing suits
August 17, 2015
The ones wearing suits
are the only ones with polished shoes catching wedged glimpses of the blue eye sky. Their ties are well knotted and the women’s hair constrained like ostrich eggs on their heads. We slouch by, wearing jeans, wearing ironic slogans like brands. We are comfortable enough to slob; comfortable enough to break traffic laws. We sip our coffees and flick through sullen mags; our thumbs fidget only on phones. We complain if we wait too long, and swear at meters mouthing our change like madeleines.
The ones wearing suits wait for the piece of paper from the ones behind that other counter (yes, those other ones sometimes wear suits, but beige and grudgingly). Ah that I could unknot those papers! I say nobly to myself, as I sip my expresso, and watch those queuing, watch those forming a border around the Department of Immigration and Border Protection. Framing my coffee with their neat ties of anxiety, their perfect, uneasily bunched hair.
P.S. Cottier
That prose poem was first published in Awkword Paper Cut (US) last year as part of an essay I wrote about writing, the Australian flag, nationalism and immigration, called ‘Mild flapping’.
I remembered it yesterday, as I was flipping through a Real Paper Paper, and came across an advertisement for a senior position at the Department of Immigration and Border Protection. It is obviously in the HR area, but the title given to the position is ‘Head of People Division’. I read that as the person responsible for drawing a line between those of us lucky enough to be in Australia, and those trying to make it here. People Division with the Border as the vinculum. Call me silly!
The poem above describes Lonsdale Street in Braddon, Canberra, where people on visas of various sorts in Australia go to a branch of the Department, often, it seems, trying to have their stay extended or made permanent. A couple of doors up is one of my favourite cafés, where those of us with citizenship sip our drinks and write poems.
And of course, there are the people we can’t see, locked up elsewhere.
***
I used to do a bit of book reviewing in The Canberra Times. Indeed, I once won $200 of wine in the ACT Writers Centre Awards for a book review, which was damned useful. My reviewing seems to be taking off again. Here is a link to a review of a book about ageing by Rudi Westendorp which was published recently. (Sydney Morning Herald site.)
Read the works of the other Tuesday Poets around the world by pressing here.
Tuesday poem: Better than a facelift
January 19, 2015
Better than a facelift
(Inspired by the rejection of a prose work I wrote about poetry for possibly supporting the view that poetry is an ‘adolescent’ activity.)
Damn those adolescents,
with their playful texts
their unruly emotions
and their weird conceits.
The world is as it seems.
Damn them for their quirky fashions
and their belief in signs and dreams.
Settle down, you freaky teens,
and develop a CV.
It is never too early to be half-dead!
There is nothing like
advanced middle age
for teaching what one should see,
and how to take things solemnly
like the sensible me-he
who patrols this moat, and keeps it pure;
ejecting the splashy-squeaky.
Exeunt, stage right, and take
your selfies with you,
and those peculiar devices. Go!
And pick up those rappers!
I like things neat as a plastic lawn,
without a single blush of flamingo,
where no emoji dares to grin
and poetry conjures forth
a proper sense of dread.
P.S. Cottier
World’s Oldest Adolescent
‘Nuff said, really. Except that when one is my age, being called potentially adolescent causes an undeniable frisson.
Of course, a view that the ‘adolescent’ is a thing to be avoided reinforces the belief that poetry is a very dated interest. Ironic that, given that some poets of the nineteenth and twentieth centuries tended to act like adolescents are reputed to act. Shelley (PB) for example, would now just about qualify for the modern category of ‘adolescent’; if one is oddly interested in such uneccessary categories.
There is a view, of course, that seriousness equates with solemnity. That is, like totes sad. (Rising inflection, please. For am I not an honorary adolescent?)
It did make me think though, that rejection, and swear that I would continue writing what I want. Which sometimes tends toward the playful and humorous, like this cathartic little slap of a poem. Being light, or stompingly satiric, has its place, in both prose and poetry.
I have some more poetry to write, and must break out the shocking puns and the unlikely meatphors*. I promise not to mention flamingos again for a while, as I realise that they are becoming a trope in my writing. A pink trope, which isn’t only adolescent, but ‘feminine’ as well. Shudder. That’s so flippant it’s an ornithological handbag.
*A genuine typo, but let’s let it stand.
If you would like more poetry, defying all easy categorisation, press this link.
Tuesday Poem: Global Farms
December 2, 2014
Global farms
Stock cubes
are sent to sea, flavoursome squares
of mutton flesh and bone, seasoning,
woolly sardines.
Between pasture and knife
the blue stretches, and the yellow,
as rivers soak downwards,
contained in time.
No truck of guilt to turn from,
met on sudden road. Squalor
bleats over dollar’s equator,
safely unseen.
P.S. Cottier
That poem (published once before on this blog, in 2011, and written in 2008) about the horrors of the live export trade is a way of working through the feeling of surprise I had recently in re-reading something that I wrote twenty or so years ago.
I stumbled across an article by me that is seemingly in favour of fur coats. I am now tending more towards the vegan with every passing year. (Not there yet, because….cheese.) I wrote the article back in the early 90s to provoke the sort of person who decries self-expression through clothes. To quell any left over Old-Style Communist or inflexibly Green tendencies that renounced fancy endeavours such as hair dye and high heels. I recount some experiences with some fairly ugly types. (The article was published in the Australian Left Review, probably the last organ of the Communist Party of Australia. I used to have a column in it, mostly about food.)
Re-reading the article, I am struck by how far the central tenet seems to far be from what I think now, and, indeed, thought at all earlier times in my life. I first became vegetarian when I was eleven or twelve, although I have lapsed, sometimes just for days, sometimes for much longer. I can remember one of the first stickers I ever displayed was in favour of a ban on ivory.
Here’s the link to where you can go to read the article. The writing is quite good, in a few parts at least. The article seems to have been a little unusual at the time in linking feminism and questions of personal appearance in this way. That has become far more familiar, now that it is fuelled by social media. (In the days I am talking about, we had the occasional etching and miniatures in lockets, which gave a little more time to think. I think.)
But the fur thing? The article reeks of me being sarcastic, and I have never thought that fur was a desirable or ethical choice. Perhaps I should have included a sarcasm alert? Or a reminder, that would have unfolded twenty years in the future? (‘Penelope, you always liked tickling a little too much.’)
On a trip to New Zealand last year, a Maori woman who was a guide at Te Papa (the museum in Wellington) explained that the use of the introduced possum to produce fur products was a positive development, in her opinion. The possum, introduced from Australia, causes damage in New Zealand, just as the fox, rabbit and cane toad do in Australia. She obviously knew more about the environmental issues that I did. (It is also relevant to mention that Indigenous people have been utilising the meat and fur of Australian animals for tens of thousands of years did so in a way that caused no damage to the land.)
But can I see myself wearing a cane toad cape, to return to the feral? No, not really. Although I haven’t totally weaned myself from cow leather, so my position is totally hypocritical. And, if I had to choose a garment made from an invasive species, it seems hard to place a toad on the same level as a fox; the latter being only a leap from a pet dog. Farming animals for fur, is of course, a revolting practice.
So strange not to recognise oneself fully in a piece of one’s own writing. There are a couple of other things in the article that my position differs from now, but I remember the changes in my thinking for those.
Cutting wit has its limitations…I hope I remember that I was being sarcastic about one or two little stanzas that I wrote this year if I last another twenty years! At least one attentive reader will know what I am talking about there.
Just as that person, and indeed other readers, will recognise that poetry knows no borders. Here is a link to the poetic output of other Tuesday Poets.
Seabirds and Labradors
November 25, 2014
Sometimes you lose sight of why you are doing something. Sometimes you get so caught up in the minute details of doing, that the beauty of doing evades you. You focus on a poem that was rejected, or a deadline that was missed, rather than remembering something that seemed to work well on the page, or an image, or a person you met through writing.
And then, suddenly, almost miraculously, you shake off that sludge. Or someone removes it from you, you miserable little seabird of gloom.
Three good things happened recently.
Firstly, I have been tutoring an on-line course in speculative poetry, that is drawing to an end. I have found the process of focusing on others’ work almost like trying something new at the gym; the muscles (or brain) scream, but new connections are made. Thank you to all the participants in the course, who have been my personal trainers.
Secondly, I undertook a one day course in writing and producing picture books, run by the expert and enthusiastic Tania McCartney, who is the author of many illustrated children’s books. Again, the brain felt its underdeveloped triceps straining, as someone who approaches writing for different people, and in a different way, took me through a (pleasurable) boot camp. Here is a photo of Tania, who is, as she said, obsessed with picture books:
Roaming around the Gorman Arts Centre at lunch time, I met a bevy of poets and other writers and performers, which reminded me how many people do interesting and creative and challenging things in Canberra. Undoubtedly many of these people has had a time when they felt seabird-in-oil sick, and each of them has found his or her way through.
A woman at the course (I won’t mention her name, as I don’t know how she’d feel about that) asked me if I would be interested in judging a poetry slam, and passed on my details to the organisers.
And that brings up Good Thing Number Three, where I’ll be judging a poetry slam for women, which is a special part of A Night of Art and Inspiration with Anthony Anaxagorou. I have seen some of this wonderful poet’s performances on YouTube. Search them out. You really should, you know. Kaveh the Unlikely Poet will also be featured at the event, which begins at 7pm, Sunday 7th December at the Transit Bar in Canberra. (Get there earlier for cheap pizza, if your stomach so desires. It’s in Akuna Street, near, but infinitely better than, the casino.)
So this is how unexpected connections can work, at times, at least for those who live in as lucky a place as Canberra. At least for those of us who also have access to literacy and educational opportunities. At least for those who are not to be denied citizenship because they are mentally ill, as if being locked up for being a refugee wouldn’t quite often make you mentally ill. Perhaps that’s the idea.
Sometimes you are buoyed up by luck and unexpected connections. I am fortunate to be able to find ways to shake off my depression like a Labrador shakes off water after a swim.
That’s my fat black dog out there, always chasing ugly ducks. He’ll come back to shore shortly.
***
Forgive this tl/dr rave; there will be poems again soon. Hopefully with metaphors a little less mixed than a fluffy duck.
Not so egregiously slack
October 30, 2014
I really have been absent from my blog for about two weeks now, which is virtually unprecedented. ‘Virtually unprecedented’ is a pretentious way of saying I am usually not lazy like that. But I have been busy, judging other people’s poetry. 
That image is very dignified, whereas the process is somewhat more fraught. ‘Fraught’ is a slightly pretentious way of saying difficult. The whole issue of judging poetry throws one back to basics: Why me? What makes a poem good? It is easy to spot the bad poems in a Big Pile. They may use obvious rhyme to the extent that a rhyme seems to be the only point of each line. (A bit like that sentence, but even rhymier.) They may dwell too obviously on the poet him or herself (all the poems to be judged are anonymous, of course, so one does not know the gender of the entrant). I actually like some poems in which the process of writing itself is dealt with, if they are amusing or surprising; not if they are turgid or caught up in an unreflective notion of genius. A good poem should surprise and take risks. It should not use the occasional ‘poetic’ word as seasoning for a balefully plain meal. Somewhere between pinch, stroke and slap we find the Good Poem, strutting herself like a green flamingo, all swerve and flap and tingle. 
There you have it; a Good Poem describes an unusually feathered tall bird that tastes like sherbet. Having cleared that up, and finished judging a contest in which there were just too many lovely flamingos, I can move on to something different.
***
A very interesting anthology is currently being prepared for publication in 2015. Here are the details: http://www.abhayk.com/p/global-poetry-project.html Abhay K., Indian poet and diplomat, is editing a collection of poems on capital cities. One for each capital city, I think. I just found out that my poem has been accepted for Canberra. This will be the most international publication that I have been lucky enough to be part of, with poets from Tehran to Jakarta to Paris to Lima included, with 196 or so more. Very exciting indeed!
***
I am struggling to find the time to work on assembling a new manuscript of poems. So please, dear reader, forgive the absence of an actual poem here this time. I will remedy that in the near future. Which is a pretentious way of saying keep reading.
PS Cottier 