My life in crime, or a Thunderbolt from the New (England)
October 12, 2015
I had some exciting news recently. My poem ‘Criminals who are no longer criminals’ was awarded first place in the Thunderbolt Prize for Crime Writing, run by the New England Writers Centre. The poetry judge, Les Murray, liked the clarity of the poem’s descriptions, which is particularly cool given that the poem deals with a group of ghosts. These are the ghosts of people convicted of crimes now repealed, including homosexuality and witchcraft, and I wrote of them meeting outside courts.
Chair of the New England Writers Centre, Sophie Masson, interviewed me and the interview can be read at her blog. I talk about the inspiration for the poem, which was the way we (meaning Australia) deal with asylum seekers. Also about what sort of poetry I like, and further details of my life of poetic crime. There is a link to the actual poem, at the Armidale Express.
As usual, Old Book Illustrations provided the perfect image, seemingly dealing with the process of composition.
I am now off to buy a budgie with the winnings. No Tuesday Poem from me. Unless you chase the link above, that is.
UPDATE:
The poem can now be read here.
Cartree
September 18, 2015
Door swings
invisible driver
burn out
This photo of one of Australia’s rarer floral symbols was taken at O’Connor Ridge. I also saw a cat trying to eat a rabbit. There were parrots, but the cartree sticks in my mind. Perhaps a whole new car will regenerate?
I have to link to a great poem by SK Kelen about O’Connor Ridge, which seems to attract poets like car parts and other ferals.
Belated Tuesday Poem: Missing Melbourne
September 2, 2015
Missing Melbourne
Alleys don’t exist here. Canberra has no use
for backways streets, for furtive lanes.
Lies are a different matter, but those
architectural commas, those cobbled
night-cart ways have no place amongst
paradise refined into
quintessence of tedium.
I love my new home’s cockatoos,
their hats of lairy scorn, their satire;
sound-beakers of heavy metal
poured into pure blue air.
But I dip my memory’s lid
to the Brunswick park
with forty tail-flagged dogs,
smaller than some Canberra backyards.
So much oomph, so much poo,
and bocce, like a kiss thrown
against the deeper green,
speaking of a bigger world
of coincidence and trust.
P.S. Cottier
Not Canberra
I have changed. I no longer miss Melbourne in the way I did when I wrote that poem, about 10 years ago. When I visit Melbourne now, it does not feel like a return home, but a trip to ‘somewhere else’. Even the maps in my mind of how to find things are fading.
When I first came to Canberra I searched for a centre in vain. Now I am enamoured of the space and sky here; a change just beginning in the poem, I think. If I had stayed in Melbourne, I don’t think I would be writing so much poetry, as I had more Things to Do; more distractions. Of course, I have now become more involved in Canberra’s cultural life, but I think the move from Melbourne drove me into my own head a little more than staying would have.
Please don’t misunderstand me. Poetry can be written in a truly urban environment as much as in Canberra’s semi-whateverness. I get truly sick of the fervent rural trend in much contemporary poetry, what I call the Misty Cow School. And last week I felt a retrospective sense of pride to see how many Melburnians ralled against the Border Force* stopping random people to ‘check their papers’. (If they were carrying The Australian, presumably they’d be acceptable…)
But Canberra is my home now, and I feel glad to get off the plane or bus or train here. Zireaux was kind enough to feature a series of my Canberra poems here, with his commentary.
And for further poetry, get on the Poetry Tram. Read the works of the other Tuesday Poets around the world by pressing here.
*Who designed the black uniforms? Or did they just visit a museum of WWII and copy the Nazi uniforms?
Tuesday poems: Via link
August 10, 2015
http://www.eurekastreet.com.au/article.aspx?aeid=45121#.VcgdN2thiK0
No, there is not a poem called ‘Via link’ at that link, but there is one called ‘The laws of cricket rewritten for the fairy world’ and one called ‘All the ships of the world’. I am obviously overwhelmingly worldly. The publication is Eureka Street.
I am very happy with the cricket poem, as it combines a couple of interests, namely, weird imaginary creatures and sport.
It was written a couple of months back, and is therefore not a feeble attempt to escape the true hideousness of the Ashes* by an escape into fantasy. But please, if you wish to read it that way, be my guest. Leave a comment at Eureka Street, if you feel that way inclined.
Magic!
The ships of the world poem is far angrier and political, although it does contain several puns. You have been warned.
Other Tuesday Poets may or may not be celebrating England’s victory in the Ashes. Some may not even follow cricket. Read the works of the other Tuesday Poets around the world by pressing here.
I’m going to watch some netball.
*That means the Ashes series for men in this post.
Tuesday poem: Crying over spilt light
August 3, 2015
Crying over spilt light
About one-fifth of the world’s population can no longer detect the Milky Way with the naked eye due to light pollution. (Reported in Cosmos magazine, August/September 2009.)
Obesity of light blankets black,
clogs the arteries of recognition.
Blindness comes from the stroke
of too easy ignition; the fatty candle
of conjoined cities chokes imagination.
No matter; search the lost skies
by screen’s unblinking gaze,
and rediscover what Neanderthals
once mind-wandered quite for free.
Erasure of night by carrion globe,
pecking out eyes of speculation.
P.S. Cottier
I wrote this one back in 2009, and it was published in The Specusphere. I thought I would republish it as this year is the International Year of Light.
It struck me as ironic that the light we use to free ourselves from darkness in fact blinds us to the stars.
Have other poets have been writing about light?
Read the works of the other Tuesday Poets around the world by pressing here.
PS Cottier 