Here’s the second poem that I wrote which has been nominated for the Rhysling Awards, run by the Science Fiction and Fantasy Poetry Association based in the US. This one was nominated in the Long category, and is from my book Monstrous.

Photo by Mike on Pexels.com

The King of Eyes

His crown has fifty-two spikes,
and each boasts an eye
gouged from conquered realms,
or scooped like a four-minute egg
from every defeated pretender.
The eyes look out at courtiers,
at advisers, open and shameless
as any necessary lie.
Crowns parade around heads,
each decoration a soldier,
so there is always an eye,
or a platoon of eyes
upon you, heavy as an official chain.

We lucky, or unlucky, few
often in His Majesty’s presence
have noted that he arranges
the eyes to a distinct pattern,
blue following modest brown,
and every tenth eye is green.
Opalescent eyes, beflecked,
break the pattern near each ear,
as if to drop colourful rumour
direct into the regal brain.
Some say that it is possible
for each crown-eye to wink,
and that such a wink is deadly
as any guillotine, for the flicker
is only bestowed on those
whose own eyes will soon adorn
the King’s most puissant head.
I can not say if this is true,
as I have yet to see an eye
that still sports a gown of lash.
We walk quietly around
the regal panopticon,
just in case the eyes still see,
and the King might catch the
slightest flicker of disloyalty.

Yesterday I noticed an eye
of a near emerald green
that clearly broke the pattern —
and I recognised the glance
of the King’s courtesan,
who was strangely absent
from her stool near the window,
where she often sat, weaving.
I have clutched her in love,
these six months past,
and could not strangle a shudder
to see such beauty displaced.
If the eyes see, they saw me blanch,
at the elevation of her eye
from our shared soft pillow
to mere metallic display.

I am called to a meeting at eight.
My eye, such an average brown,
may yet be raised to the crown.

PS Cottier

Just had a new poem published at Not Very Quiet, an online journal of women’s poetry. The theme was ‘mask’, which immediately made me think of how useless a mask would be against ghosts. I hope you enjoy the poem, and do look at the rest of the issue, which was edited by Moya Pacey and Sandra Renew.

Monstrous shortlisting

September 25, 2020

Very happy that Monstrous has been shortlisted for the Society of Women Writers NSW Book Awards, in the Poetry Category.  Here is the full shortlist:

POETRY – JUDGED BY MARGARET BRADSTOCK

P.S. Cottier Monstrous
Tricia Dearborn Autobiochemistry
Pip Griffin Margaret Caro
Colleen Keating Desert Patterns
Colleen Keating Hildegard of Bingen

The gnome is murderously happy…

 

 

 

 

Utterly arrival

July 2, 2020

utterlyarrival

Very happy to see my book Utterly in the flesh, straight from Ginninderra Press. Utterly has many poems about the environment and climate change, as well as more personal concerns. It can be ordered here (dispatching from the 13th July). Or through Amazon, etc.

My second book during the virus lockdown, although things are gradually getting back to normal in Canberra. I will be holding a physical launch for Utterly later in the year, probably alongside Monstrous (see last post). It’s hard to plan anything at the moment, although we are having a much easier time here in Canberra than parts of Melbourne (not to mention various other countries).

Regardless of the launch situation, it’s a wonderful thing to hold one’s own book!

April was the cruellest month

I miss the pub noise
Society contracts like a fist
Old people dying in dozens
Languishing/anguishing/wishing
Australia pulls up the biggest draw-bridge
Too many whiskies, no balancing gym
Idiotic President’s bleached tips
Only me and the spoilt dog
Novel coronavirus drags

PS Cottier

little-jumping-joan

I just returned from my first meal outside the home in quite a while; some restaurants, cafés and pubs in Canberra have opened for up to ten people. Curry and beer never tasted so good! May has to be better than isolated April.

The title is reworked from TS Eliot, who reworked it from Geoffrey Chaucer. Illustration by Kate Greenaway, courtesy of Old Book Illustrations.