Poem: The Angel of the North is pissed off
August 4, 2025
Stretching those flat brown wings
it regards the wattle, sings
its songs from Tyne and Wear
wonders how things are up there
and how it came to Canberra
in the wrong hemisphere, a
flight of seventeen thousand k.m.
and whether it’ll wing home again?
away from pesky cockatoos
and a sky too often unmarked blue
with insufficient sludge and rain,
and heat to fry a maquette’s brain.
It spits copper spit from unseen mouth.
Poor Angel! To be transported South.
PS Cottier
A bit of silliness for this week.
A maquette of the Angel of the North stands in the sculpture garden of the National Gallery of Australia, Canberra. The poem is unseasonal, as it’s very cold in Canberra at the moment, much colder than where the big angel spreads its wings.
Photo by Picnicin. Creative Commons Zero, Public Domain Dedication
Poem: Before the Mustang
June 30, 2025
Before the Mustang
It was reliable, comfy as ug boots,
and just about that chic.
Grey, four cylinder, economical,
totally unAmerican.
Not a hint of speed or sprawl.
It was even easy to park,
and slid out of view
before anyone noticed it.
If you wanted to be a spy,
or a private eye, this car
would be the one for you.
You could dwell outside a house
for weeks, before anyone
thought that there was something to see,
something resembling a car.
I loved it, my first new car.
I hated it for its bland compliance
with a view of what should be.
It broke down exactly once,
and the police were hugely surprised.
It had a cavernous boot for shopping,
and no-one raced it from the lights,
making sport from nothing.
It is gone now, but I’m sure
someone is driving it, somewhere,
that grey slab of suburban metal,
that practical lump of sleep.
PS Cottier
Yes, I know that's not a Mustang! But I had to share a photo of this beautiful object spotted at my local shops.
The poem above appeared in the volume V8, written by myself and Sandra Renew, published in 2022 by Ginninderra Press.
Tuesday poem: Snip (contains a very violent kangaroo)
June 10, 2025
Snip
Red earth drumbeat —
crimson kangaroo.
She cuts fingers,
her claws scimitar sharp.
Her pouch is packed tight
with pointy digits,
a pencil case dripping
more red on red ground.
Snip knows what’s up,
and how to remove it.
Put down that gum-leaf.
Turn around. Run.
Or better still,
sever your own finger
(left pinkie will do).
Hold it to your lips,
as if to blow. Blow.
The sound is audible
to Snippy alone.
She will come, avid.
Good girl Snip!
Present your offering.
She’ll slip it in that
bulging, fetid pouch —
mock pregnancy of phalanges.
You are now her friend.
She’ll leave you
with the other nine fingers
which is way better than none.
I just pray
that you’re not wearing thongs.
PS Cottier
Note: ‘thongs’ refers to the footwear that many non-Australians call flip-flops.
‘Snip’ published Midnight Echo 16, ed Tim Hawken, November 2021.
Prose poem: The compleat cake
March 12, 2025
The compleat cake
1. Acland Street, Victoria, 1980s
Licking the windows, the cake-shop windows, with their peppermint swirls of galaxies, their new-born stars of strawberry creme; their slices of half-forgotten history lingering on the mind’s tongue. See that poppy seed twist, curled like a strand of DNA? Is it a memory of a 1960s dance, sister of the hula-hoop, or does the warming bite of the seeds take us back past wars to an older Europe, wrapped snug in coats against a so-long winter coming in? My mouth’s history stretched to pink-jammy-rolls and vanilla slices, sunny and seemingly vacant, or simply stuffed with more white. Here I first tasted a sweet warmed with a spicy aftertaste, and sensed that sadness and joy often walk hand in hand, supporting each other like an elderly couple, out for a weekend stroll. My tram-caught Newfoundland, my Acland Street, where abundance somehow whispered of loss to my thought-shy ears. Past the strawberry tarts, open and brazen, calling for business; past the rum baba that tingled like a taste-bell for the dead; past the endless tales of one thousand and one cakes; I rumbled, ate, and paused.
PS Cottier
This is the first section of a three part prose poem first published in a wee collection called “Selection criteria for death”. This was part of Issue Three of Triptych Poets, published by Blemish Books, who sadly, are no longer in business. The other sections of this poem are 2. Politician’s birthday cake, Florida, 1965 and 3. Royal Easter Show, Sydney 2011. I may post them over the next little while. I think I chose the archaic ‘compleat’ as I’d just seen a copy of The Compleat Angler, by Izaak Walton, but I really can’t remember back thirteen years or so! (That’s when I wrote the poem, which refers back to the 1980s.) Acland Street is in St Kilda, Melbourne, for those who have never visited.
The other poets in the collection were J.C. Inman and Joan Kerr. And once again, the illustration was found in Old Book Illustrations, and is by Leonard Leslie Brooke.
Reviews and sniffer dogs
November 18, 2024
The Thirty-One Legs of Vladimir Putin has attracted some thoughtful and positive reviews.
Firstly at Compulsive Reader, where Magdalena Ball wrote the first review of the book. She calls it ‘quirky and strangely haunting’. Secondly, at The Australian. This one is behind a paywall, but the reviewer, Jack Marx, uses phrases like ‘so unusually brilliant’ and states that ‘There is not a bad chapter in The Thirty-One Legs of Vladimir Putin, and a delight of some sort – usually many – on every page.’ It’s enough to make an author blush! Seriously.
In other news, a poem I entered in The Thunderbolt Prize for Crime Writing was commended, which is great. I am working on a short manuscript about dogs, and the poem was about sniffer dogs. You can read the winners here. And here is my poem. And a dog.
Ardent nose
We sniff our way through violence,
the dropped hat or jeans removed,
splatters on grass, the blood-crumbs,
we call them among ourselves.
Some of us disinter computers containing
hidden quests for poisonous feasts.
Here a soupçon of arsenic, there
a sprinkle of fentanyl, adding spice,
designed to remove a troublesome life.
Recipes rarely handed down.
Others detect stashes of drugs,
or cash converted from same,
secreted behind hasty plaster walls.
Our indications cause such a havoc
of mattocks, a stucco snowstorm.
We are taken outside, in case we eat
those attractive disentombed baggies
neatly counted into incriminating piles,
photographed and fussed over.
We’d rather be out after truffles,
chase sticks and toys, roll in dung,
but we sense delight when we unearth
what your dodgy senses cannot catch.
Your poor excuses for olfaction
are unable to detect screams of scent
slapping the face of the air.
My friend, the springer spaniel,
trained from a floppy ball of pup,
all long hair, tongue and wag,
tastes the cadaver air, helps reveal
the buried answer to a search —
for don’t all dogs love bones?
Long before your Poirots or Bosches,
your Holmes after that fog-bound hound,
we sleuths found what you could not find,
found the worst of humankind.
We barked, or sat, and simply waited
for you to finally catch us up.
PS Cottier
Note: The word sleuth derives from slough dog or sleuth-hound, a bloodhound once found in Scotland.
PS Cottier 