Theatre Tuesday

October 9, 2017

Sedation group happy

So you’ve been feeling a bit past your use-by date, and a little tarnished by time.  Perhaps you are terrified that you are losing your way, and becoming the type of writer who repeats themselves, not to work and rework ideas like an artisan kneading bread, but because they can’t do anything else.  You meet that type, and they piss around the corners of conversations, lest new ideas insinuate and undermine their certainties.

And then someone* finds one of your poems, tucked away on this very blog, and includes it in a theatre work, and it is given a new voice and body by an actor**.  And you listen to it take its place in the work, and feel glad that someone felt its energy and its humour; a humour wedged between despair and hysteria.

Because you’re a total dag, you adopt a horizontal position in a photo amongst some of the other poets, and the actors.  You*** would underline how much the production meant to you in some alien form of punctuation.  You really need to discover decorum, rather than dwell in a cellar of rum.

*Adele Chynoweth, who directed the work Under Sedation, currently showing at The Street Theatre, as well as selecting/arranging the poems

**Ruth Pieloor (The other actor is Ben Drysdale and you can probably spot him in the photo above.)  The photo below shows Ruth adopting a Polonius stance, after the production.

r as p

***You obviously doesn’t mean you, dear reader.

 

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