My life in crime, or a Thunderbolt from the New (England)
October 12, 2015
I had some exciting news recently. My poem ‘Criminals who are no longer criminals’ was awarded first place in the Thunderbolt Prize for Crime Writing, run by the New England Writers Centre. The poetry judge, Les Murray, liked the clarity of the poem’s descriptions, which is particularly cool given that the poem deals with a group of ghosts. These are the ghosts of people convicted of crimes now repealed, including homosexuality and witchcraft, and I wrote of them meeting outside courts.
Chair of the New England Writers Centre, Sophie Masson, interviewed me and the interview can be read at her blog. I talk about the inspiration for the poem, which was the way we (meaning Australia) deal with asylum seekers. Also about what sort of poetry I like, and further details of my life of poetic crime. There is a link to the actual poem, at the Armidale Express.
As usual, Old Book Illustrations provided the perfect image, seemingly dealing with the process of composition.
I am now off to buy a budgie with the winnings. No Tuesday Poem from me. Unless you chase the link above, that is.
UPDATE:
The poem can now be read here.
Tuesday poems: Via link
August 10, 2015
http://www.eurekastreet.com.au/article.aspx?aeid=45121#.VcgdN2thiK0
No, there is not a poem called ‘Via link’ at that link, but there is one called ‘The laws of cricket rewritten for the fairy world’ and one called ‘All the ships of the world’. I am obviously overwhelmingly worldly. The publication is Eureka Street.
I am very happy with the cricket poem, as it combines a couple of interests, namely, weird imaginary creatures and sport.
It was written a couple of months back, and is therefore not a feeble attempt to escape the true hideousness of the Ashes* by an escape into fantasy. But please, if you wish to read it that way, be my guest. Leave a comment at Eureka Street, if you feel that way inclined.
Magic!
The ships of the world poem is far angrier and political, although it does contain several puns. You have been warned.
Other Tuesday Poets may or may not be celebrating England’s victory in the Ashes. Some may not even follow cricket. Read the works of the other Tuesday Poets around the world by pressing here.
I’m going to watch some netball.
*That means the Ashes series for men in this post.
I am so very nice
April 21, 2015
Why that self praise? I am about to share the details of a wonderful poetry prize currently on offer with all readers:
http://www.canberra.edu.au/about-uc/competitions-and-awards/vcpoetryprize
First prize is $15,000 for one poem of up to 50 lines, and entry is $20. It is open to everyone in the world who writes English and has a credit card with at least $20 left on it. That may exclude quite a number of poets, admittedly, but a few may qualify. There’s a bit over a month before the prize closes. Obviously, there will be quite a few entries!
Pick up pen, tablet or crayon and write. Or enter a poem that you have been too lazy to send in to a journal. Do it or be beaten by this rabbit:
I am hoarding a poem for the competition like Gollum with the Ring. It just requires a bit more polishing.
Good luck!
Tuesday poem: A timely monster
March 9, 2015
A timely monster
And if I could drink youth in
through my eyes — a vampire
of glance, lapping it from
perfect blush of skin —
would it be possible not to
drink and rise, leaving years
like a phone lost in cushions?
And yet, and yet…
before my eyes suck, remember
the self-consciousness,
the rash redness of life
before it wrapped itself in time?
To take, and lose a burden,
is to lift another,
cutting into hands or mind,
like an overloaded bag.
So let them pass, and let me yearn
and learn to stop, just here.
I’ll sit, and plait kind memory
through this smoked nostalgia of hair.
P.S. Cottier
Very traditional matter there, about the passing of time, given a sprinkle of Polidori. I like ‘my eyes suck’. Certainly not over-poetic! Monday was a public holiday in Canberra, so I did a little revision of this poem, and decided to post it.
More and more I find myself unable to wait the months that some journals take to say yes or no to a piece. I pity the editors, but I value my own work more! This blog now has many readers (hello to you all, from France to India to the Americas to Binalong) so why not self-publish?
Of course, I am foregoing the huge piles of pelf that poetry usually attracts, and there are some journals and anthologies that I really want to be part of, but I do like the immediacy of this medium. Particularly when I can find such cool pictures for free at Old Book Illustrations!
Other poets enjoy that too, whether they are posting their own poems, or those of others. Read the works of the other Tuesday Poets. They are definitely worth the clicks.
Tuesday poem: Better than a facelift
January 19, 2015
Better than a facelift
(Inspired by the rejection of a prose work I wrote about poetry for possibly supporting the view that poetry is an ‘adolescent’ activity.)
Damn those adolescents,
with their playful texts
their unruly emotions
and their weird conceits.
The world is as it seems.
Damn them for their quirky fashions
and their belief in signs and dreams.
Settle down, you freaky teens,
and develop a CV.
It is never too early to be half-dead!
There is nothing like
advanced middle age
for teaching what one should see,
and how to take things solemnly
like the sensible me-he
who patrols this moat, and keeps it pure;
ejecting the splashy-squeaky.
Exeunt, stage right, and take
your selfies with you,
and those peculiar devices. Go!
And pick up those rappers!
I like things neat as a plastic lawn,
without a single blush of flamingo,
where no emoji dares to grin
and poetry conjures forth
a proper sense of dread.
P.S. Cottier
World’s Oldest Adolescent
‘Nuff said, really. Except that when one is my age, being called potentially adolescent causes an undeniable frisson.
Of course, a view that the ‘adolescent’ is a thing to be avoided reinforces the belief that poetry is a very dated interest. Ironic that, given that some poets of the nineteenth and twentieth centuries tended to act like adolescents are reputed to act. Shelley (PB) for example, would now just about qualify for the modern category of ‘adolescent’; if one is oddly interested in such uneccessary categories.
There is a view, of course, that seriousness equates with solemnity. That is, like totes sad. (Rising inflection, please. For am I not an honorary adolescent?)
It did make me think though, that rejection, and swear that I would continue writing what I want. Which sometimes tends toward the playful and humorous, like this cathartic little slap of a poem. Being light, or stompingly satiric, has its place, in both prose and poetry.
I have some more poetry to write, and must break out the shocking puns and the unlikely meatphors*. I promise not to mention flamingos again for a while, as I realise that they are becoming a trope in my writing. A pink trope, which isn’t only adolescent, but ‘feminine’ as well. Shudder. That’s so flippant it’s an ornithological handbag.
*A genuine typo, but let’s let it stand.
If you would like more poetry, defying all easy categorisation, press this link.
PS Cottier 