Prose poem: The compleat cake
March 12, 2025
The compleat cake
1. Acland Street, Victoria, 1980s
Licking the windows, the cake-shop windows, with their peppermint swirls of galaxies, their new-born stars of strawberry creme; their slices of half-forgotten history lingering on the mind’s tongue. See that poppy seed twist, curled like a strand of DNA? Is it a memory of a 1960s dance, sister of the hula-hoop, or does the warming bite of the seeds take us back past wars to an older Europe, wrapped snug in coats against a so-long winter coming in? My mouth’s history stretched to pink-jammy-rolls and vanilla slices, sunny and seemingly vacant, or simply stuffed with more white. Here I first tasted a sweet warmed with a spicy aftertaste, and sensed that sadness and joy often walk hand in hand, supporting each other like an elderly couple, out for a weekend stroll. My tram-caught Newfoundland, my Acland Street, where abundance somehow whispered of loss to my thought-shy ears. Past the strawberry tarts, open and brazen, calling for business; past the rum baba that tingled like a taste-bell for the dead; past the endless tales of one thousand and one cakes; I rumbled, ate, and paused.
PS Cottier
This is the first section of a three part prose poem first published in a wee collection called “Selection criteria for death”. This was part of Issue Three of Triptych Poets, published by Blemish Books, who sadly, are no longer in business. The other sections of this poem are 2. Politician’s birthday cake, Florida, 1965 and 3. Royal Easter Show, Sydney 2011. I may post them over the next little while. I think I chose the archaic ‘compleat’ as I’d just seen a copy of The Compleat Angler, by Izaak Walton, but I really can’t remember back thirteen years or so! (That’s when I wrote the poem, which refers back to the 1980s.) Acland Street is in St Kilda, Melbourne, for those who have never visited.
The other poets in the collection were J.C. Inman and Joan Kerr. And once again, the illustration was found in Old Book Illustrations, and is by Leonard Leslie Brooke.
Tuesday poem: Faith took a holiday
November 16, 2016
Faith took a holiday
He hitched down the Hume, or up;
he didn’t tell me. Faith has no fear
of murder, or everyday sleazes
and their boring imprecations.
It’s the ones left behind
who tend to fret. What if,
we say, and perhaps…
as if perhaps isn’t Faith
flipped like a decisive coin,
standing on his head.
As if as if isn’t
closer to for sure
than some might like it to be.
Faith rang me from Melbourne,
(so it was down the Hume)
and said he wanted to look around
a bit longer; catch the trams.
He too remembers
the excellent days of conductors,
with their magical brown bags.
Even Faith feels regret
at the passing of old days;
the spinning of so much
towards the expansive sun
of interconnected drivel.
There is a grace
in not knowing too much,
he said, though Faith would say that,
I suppose. That’s his job.
A kind of conductor
unseen in any tram,
on any route, whatsoever.
Faith will return soon;
I can hear the jingling
just at the edge of thought
and the tune is one
I almost remember.
The brown bag of my
restless, overloaded brain
awaits his presence,
and will sling itself, eager,
over his patient arm.
P.S. Cottier
Like a lot of the world, I’m suffering the post-US election blues, and almost didn’t post this week. The clever amongst you will have noticed that it is Wednesday, not Tuesday, and the weekly schedule has been disrupted. But poetry is fairly unstoppable!
For my overseas readers, the Hume is the major highway linking Melbourne and Sydney. Canberra is just a wee drive from it.
I have no idea why Faith is male in the poem. Perhaps it was some association with Christ? And my phone has just died, which has me longing for the ‘interconnected drivel’ which I decry in the poem, even if I’m avoiding news sites at the moment.
Tuesday poem: Between smug and shocked
September 6, 2016
Between smug and shocked
she clutched at anthologies —
straws in a cocktail
The anthology being clutched by the poet, drunk on literature and (mostly) wine was launched in Melbourne last week. I read at the launch in the Athenaeum Library, and Melbourne Books arranged a really cool event. I had a great champagne beforehand at the sort of bar Melbourne does so well, also in Collins Street, as I hate to read totally sober.
Good to meet the editor/mixologist of Award Winning Australian Writing, Chloe Brien, and some fellow ingredients. (I am usually an olive, although lemon twist or even crème de something unspeakable is not unknown.)
I also attended the Australian Catholic University’s Poetry Awards, and you can read the results here. They also produced a book of the short-listed entries, but I am unsure if that is available for sale.
AWAW would make a really good gift, as everyone will like at least some of the work included. I’ve just started reading the anthology, and there’s a lot to appreciate. Particularly the poem that starts on page 203, she said modestly. Everyone will love the taste of that.
I was also just short-listed and published in the Hunter Writers Centre Grieve anthology, and look forward to reading that one as well. I won’t probably use so many alcohol metaphors about that anthology.
Too busy Toosday
August 22, 2016
I apologise profusely for no original poem today. I am a tad busy at the moment.
Thursday 25th at 7.30, I am reading poetry at Manning Clark House, Tasmania Circle, Griffith. Many of the poems will have first been published on this very blog, or at Project 365 + 1. I will be reading for about 30 minutes, as will Hazel Hall, the other reader. There is an entry fee of $10, I think, which covers wine, some small items of food and the wee literary stuff.
On 27th August (Saturday) I’ll be moderating a discussion on The Poetics of Politics, at the National Library of Australia (a big building by the lake). The immoderators/speakers are Lizz Murphy and Susan Hawthorne, and it happens at 12pm, just after a launch of novelist Kaaron Warren’s new book, The Grief Hole, at the very same library at 11am.
On the 31st August I’ll be going to the launch of Award Winning Australian Writing in Melbourne, and reading a poem, and then attending the announcement of the Australian Catholic University Poetry Competition results the next day. I am short-listed for that, but I don’t think I won a prize this year, for various reasons. Still, they produce a really nice collection of poems short-listed in the competition.
Then I will hopefully get some writing done. Plus I’ll soon be proofreading a new chapbook of poems. More about that later.
Belated Tuesday Poem: Missing Melbourne
September 2, 2015
Missing Melbourne
Alleys don’t exist here. Canberra has no use
for backways streets, for furtive lanes.
Lies are a different matter, but those
architectural commas, those cobbled
night-cart ways have no place amongst
paradise refined into
quintessence of tedium.
I love my new home’s cockatoos,
their hats of lairy scorn, their satire;
sound-beakers of heavy metal
poured into pure blue air.
But I dip my memory’s lid
to the Brunswick park
with forty tail-flagged dogs,
smaller than some Canberra backyards.
So much oomph, so much poo,
and bocce, like a kiss thrown
against the deeper green,
speaking of a bigger world
of coincidence and trust.
P.S. Cottier
Not Canberra
I have changed. I no longer miss Melbourne in the way I did when I wrote that poem, about 10 years ago. When I visit Melbourne now, it does not feel like a return home, but a trip to ‘somewhere else’. Even the maps in my mind of how to find things are fading.
When I first came to Canberra I searched for a centre in vain. Now I am enamoured of the space and sky here; a change just beginning in the poem, I think. If I had stayed in Melbourne, I don’t think I would be writing so much poetry, as I had more Things to Do; more distractions. Of course, I have now become more involved in Canberra’s cultural life, but I think the move from Melbourne drove me into my own head a little more than staying would have.
Please don’t misunderstand me. Poetry can be written in a truly urban environment as much as in Canberra’s semi-whateverness. I get truly sick of the fervent rural trend in much contemporary poetry, what I call the Misty Cow School. And last week I felt a retrospective sense of pride to see how many Melburnians ralled against the Border Force* stopping random people to ‘check their papers’. (If they were carrying The Australian, presumably they’d be acceptable…)
But Canberra is my home now, and I feel glad to get off the plane or bus or train here. Zireaux was kind enough to feature a series of my Canberra poems here, with his commentary.
And for further poetry, get on the Poetry Tram. Read the works of the other Tuesday Poets around the world by pressing here.
*Who designed the black uniforms? Or did they just visit a museum of WWII and copy the Nazi uniforms?
PS Cottier 