smug

Between smug and shocked
she clutched at anthologies —
straws in a cocktail

shocked

The anthology being clutched by the poet, drunk on literature and (mostly) wine was launched in Melbourne last week.  I read at the launch in the Athenaeum Library, and Melbourne Books arranged a really cool event.  I had a great champagne beforehand at the sort of bar Melbourne does so well, also in Collins Street, as I hate to read totally sober.

Good to meet the editor/mixologist of Award Winning Australian Writing, Chloe Brien, and some fellow ingredients.  (I am usually an olive, although lemon twist or even crème de something unspeakable is not unknown.)

I also attended the Australian Catholic University’s Poetry Awards, and you can read the results here.  They also produced a book of the short-listed entries, but I am unsure if that is available for sale.

AWAW would make a really good gift, as everyone will like at least some of the work included.  I’ve just started reading the anthology, and there’s a lot to appreciate. Particularly the poem that starts on page 203, she said modestly.  Everyone will love the taste of that.

I was also just short-listed and published in the Hunter Writers Centre Grieve anthology, and look forward to reading that one as well.  I won’t probably use so many alcohol metaphors about that anthology.

 

Perfect words

Sometimes they reach out
caress with syllable fingers —
egregious is my long term love
half egret feathers with the jus
noise saucing the end,
despite the meaning
or because it’s such a better way
to say doubleplusbad.

Gnarly enchants, with that
drowning g, wiping out
in the endless surf of the ee.
What wetsuit could protect,
what board shorts deserve
the sweet yet egregious sea,
with the tincture of shark grin
and the promise of release?

P.S. Cottier

grandville-hospital

That illustration is most egregiously gnarly, and not AMA approved.

***

Here’s a photo in a different key, of Susan Hawthorne and Lizz Murphy who were participants in a discussion on The Poetics of Politics which was part of The Canberra Writers Festival.  I moderated the session on Saturday, and it went well, I think. We covered quite a lot of ground, and read several poems.  Later I thought about the event, and I realised that all the speakers and questioners had been women, which was a first, in my experience, at a mixed gender event.

Here are Lizz and Susan at Tilley’s après the panel.  They both ate.  I drank, and had a quiet evening watching horrendous Swedish murders being solved Nordically.

Lizz and Susan

And here’s another one before the wine at the end of the event itself; thank you Gina Dow.

CWfest1

Too busy Toosday

August 22, 2016

I apologise profusely for no original poem today. I am a tad busy at the moment.

Thursday 25th at 7.30, I am reading poetry at Manning Clark House, Tasmania Circle, Griffith. Many of the poems will have first been published on this very blog, or at Project 365 + 1. I will be reading for about 30 minutes, as will Hazel Hall, the other reader.  There is an entry fee of $10, I think, which covers wine, some small items of food and the wee literary stuff.

On 27th August (Saturday) I’ll be moderating a discussion on The Poetics of Politics, at the National Library of Australia (a big building by the lake). The immoderators/speakers are Lizz Murphy and Susan Hawthorne, and it happens at 12pm, just after a launch of novelist Kaaron Warren’s new book, The Grief Hole, at the very same library at 11am.

On the 31st August I’ll be going to the launch of Award Winning Australian Writing in Melbourne, and reading a poem, and then attending the announcement of the Australian Catholic University Poetry Competition results the next day. I am short-listed for that, but I don’t think I won a prize this year, for various reasons.  Still, they produce a really nice collection of poems short-listed in the competition.

 

life-hair

Then I will hopefully get some writing done.  Plus I’ll soon be proofreading a new chapbook of poems.  More about that later.

A short wander through the head of a poet

‘I am finding a lot of this poeting business is learning how to hack your own thinking.’ (SB Wright)

Axing myself near every day
with nouns like blades
or is that the verbs,
sneaking and executing
behind my weary back?
Adverbs are the worst,
obviously, and I try
to expel them from thought.
Does a bear? Does a bear?
It doesn’t work, naturally.
My head is a jungle
of the old Tarzan sort,
and even a cunning machete
won’t clear a way,
despite avid hacking,
and the sticky tape I use
to reattach feckless fingers.

I will staple a handy volume
to my brow, perhaps
one that tells how
to write truth slant,
like Dickinson E,
and to be picaresque,
and appropriately Byronic.
A coupling that, of itself,
will cause sparks to leap
as if one were to jump start
an elderly ute gone bad.
Now, where are my cables?
Is this an Allen key
I see before me?
Statbadgers of the world unite!
Pick up your tongues like sticks,
and lick the befuddlement of brains
from cracked and gnarly windows.

P.S. Cottier

howling

SB Wright is a poet who, this year, is detailing the process of writing and learning more about poetry at his blog.   It is well worth a look.  He is far more honest about the struggle involved in writing than many of us, particularly when it comes to how he manages a ‘real job’ (my words) while trying to write. He posts actual numbers, written by helpful Statbadgers for those who like that type of thing.

Occasionally he also posts one of the results of these struggles, aka a poem, and he frequently directs you to poems by others, or books and talks about poetics. (Poetics is like choreography, but involves people who are a lot more clumsy.)

SB Wright is not plagued by adverbs in his poetry, incidentally.  That was poetic licence.

Review at Verity La

August 13, 2016

I just had a long review posted at Verity La, of a book called Backlash: Australia’s Conflict of Values over Live Exports by Bidda Jones and Julian Davies.  I love writing for Verity La, as it published both great poetry (modesty doesn’t prevent me…) and long form reviews.  Check it out.

bigstock_Sheep_And_Cow_3197770