Faith, hope, love
September 9, 2014
Sometimes amongst the flow of evil events that we call ‘news’ you read something so beautiful that it seems to come from a different, kinder planet.
Or Iowa, in this case, where a lesbian couple who have been in a relationship for over 70 years were just married:
http://www.theguardian.com/world/2014/sep/08/ninety-year-old-gay-couple-marries-in-iowa
This story emphasises that the lives of ninety year olds can be as full of meaning and even excitement as those of people in their twenties. It also reminds people who tend to write off the United States just how diverse that country is. And how diverse Christianity is, too.
I hope that some day we will see such marriages in Australia. Civil marriages and religious marriages, for those who want them. If only most relationships lasted 70 years! To quote Corinthians:
‘But now abideth faith, hope, love, these three; and the greatest of these is love.’
(For once that is not the King James version, as that translates the last term as ‘charity’, which sounds a little odd to modern ears.)
This story is definitely the poem of the week. And I hope my complete lack of sarcasm may be forgiven by regular readers, for this week only!
Women: More Dead than Men. (And less so.)
August 8, 2014
Poems read at the Dead Poets’ Dinner in Canberra, July 22, 2014
Colin Campbell / Thomas Blackburn ‘A Smell of Burning’ and ‘Hospital for Defectives’
Marion Halligan / Yeats ‘Sailing to Byzantium’
Joyce Freedman / Siegfriend Sassoon ‘Everyone Sang’
Hazel Hall / Hilaire Belloc ‘Tarantella’
Chris Dorman / William Baine ‘The Archery of William Tell’
Kathy Kituai / Muso Susaki ‘Sun in Midnight’
Nicola Bowery / Sarah Broom ‘About Me’ and ‘That Moon’
Wendy McMahon Bell / Seamus Heaney ‘Digging’
P.S. Cottier / Catherine Martin ‘The Mouse Tower’
Geoff Page / Seamus Heaney ‘From the Republic of Conscience’
Laurie McDonald / David Meyers ‘Fencing in the Dark’
Carmel Summers / Janice Bostok ‘Amongst the Graffiti’
Moya Pacey / Elizabeth Bishop ‘One Art’ and Louis MacNeice ‘Wolves’
Rosa O’Kae / Seamus Heaney ‘Skunk’
Sue Edgar / J.L. Borges ‘Mirror’ and Sylvia Plath ‘Mirror’
Adrienne Johns / Hugh McDiarmid ‘Vanitas’ and ‘Balmorality’
John Stokes / R.F. Brissenden ‘The Whale in Darkness’
Mary Besemeres / Wizlawa Szymborska ‘View With a Grain of Sand’
Sarah Rice / T.S. Eliot excerpts from ‘Little Gidding’
Emily Rice / Ted Hughes ‘Tractor’
Annie Didcott / Keats ‘Ode to a Nightingale’
Tony Williams / Neruda ‘The Dead Woman’
Arlene Williams / J.J. Bray ‘Address to Pigeons in Hurtle Square’ and William Carlos Williams ‘This is just to say’
John Van de Graaff / Seamus Heaney ‘Follower’ and D.H. Lawrence ‘Piano’
Adrian Caesar / R.S. Thomas ‘The Owl’
Michael Thorley / Thomas Hardy ‘Channel Firing’ and ‘They’
Andrew McDonald / poems by two Scottish poets (Norman McCaig?)
Lesley Lebkowicz / poems by Soseki
Alan Gould / a song by Hamish Henderson
Alinta Leaver / Kenneth Koch ‘Variations on a Theme by William Carlos Williams’
Richard Scutter / Auden ‘Musée des Beaux Arts’ and Hopkins ‘Inversnaid’
Martin Dolan / Dylan Thomas ‘Prologue’
Marlene Hall / Thomas Wyatt ‘Whoso list upon the slipper top’
Melinda Smith / Francis Webb ‘Cap and Bells’ and ‘The Bells of St Peter Mancroft’
Ruth Pieloor / C.J. Dennis ‘The Austra—laise’
Janette Pieloor /Gwen Harwood ‘The Secret Life of Frogs’
37 readers chose poems to read by dead poets. 7 women’s poems were chosen. Please check and see if I got that right, as numbers and I rarely speak. I can’t work out the percentage, not being at all like the remarkable Ada Lovelace pictured below.
We continue to shape the world with the words of men only.
Poetry is an art form where many women work, and have done so for centuries. There are lots of works by ‘dead women poets’.
Are our aesthetic judgements so very narrow? Does thought spoil poetry?
I did get a giggle out of ‘The Dead Woman’ by Pablo Neruda. In one sense women are more dead than men, in that their/our poetry seems more easily buried. In another, it seems that they are not dead enough to qualify as Dead Poets, that is, those who are part of the pantheon.
I just don’t understand.
Apart from the retrospective silencing of women, it was a very enjoyable night.
Tuesday poem: iPsalm
July 24, 2014
Sweet god of Twitter
keep me succinct
but not too avid.
Deliver your goat
from all foul trolls’
machinations.
May the words of
my blogs,
the firstworldproblems
of my speech
be acceptable
to your on-line policies.
O great moderator
#amen
So here’s a poem partly about Twitter and Facebook by a person who resolutely refuses to do either. Twitter seems to bring out the inner thug in too many people, and Facebook, with its voluntary marketing of each person by each person as a commodity, is just sad. Although one of the books I have been involved in has its own Facebook page, admittedly. But that is a commodity, albeit a poetic one.
Blogs, of course, are inevitably saintly…
The following feather, dropped by a visiting angel, will take you to New Zealand and you can contemplate the wonders of technology as you fly there. Or not. That is entirely up to you.
This poem is appearing on Thursday, rather than Tuesday. Sorry for that.
By rights I should be in Sydney, recovering from the launch of The Stars Like Sand, but I was too sick to go. Rest is what I need right now.
I hope those who attended enjoyed the launch.
The joy and sadness of finished things
June 15, 2014
Last Thursday the second launch of The Stars Like Sand occurred in Canberra. Novelist Kaaron Warren, pictured here, did the honours, and spoke of her love of poetry, despite not writing it herself. She compared it to those without the skill watching someone crochet or knit, and distributed woollen bookmarks. Another ten poets read, and they read beautifully.
This is a photograph of Philip Salom, who launched the book in Melbourne. He spoke of play and ‘pataphysics, that is,”the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments.”(Jarry)*

Alternative pedigrees. Different ways of being. Garments we put on. The sinuous muscles of poetry. Lines of knitting. Each launcher took a different direction to describing a book that tries on different worlds.
I am in a state of mild grief now as the book that was once a near endless possibility, is now a thing; a physical object that has its own place in the world. It is what it is (subject to interpretation) and it is no longer mine. What once existed into multifarious complexity is now rendered actual. That’s always a bit of a bummer, even if it’s also a delight. It’s a bit like the difference between hearing a joke told for the first time, and hearing the same joke again. Something is lost, isn’t it. Something that leaps in the mind and the body at exactly the same moment.
But what a misery guts I am being; mulling over mental gruel rather than Pantagruelling! I should be revelling in the joy and enjoying myself! It is, I think, in many ways, a wonderful book. But it seems that some of us are more attuned to loss than achievement…even if we like funny poems.
I certainly enjoyed meeting my co-editor Tim Jones for the second time, as opposed through working through the aerial guts of Skype, with its weekly digital farts. Here is a photograph of Tim listening. He is much better at that than I am. He is listening to the wonderful Joe Dolce read his poem at the Melbourne launch. Tim has a new post about the Canberra launch too, at his blog.
We have forwarded the list of poets’ addresses to the publisher, so all contributors should receive their copy soon. Thank you to all the poets who contributed, and also to our two wonderful launchers.
And because I am vain, here is a photograph of me; on a high, reading my poem from the book at the Melbourne launch. My hair was much better at the Canberra one, though…

Now I am going to revel in The World Cup for a month. In another universe, Australia will be winning.
*Spellcheck kept trying to render ‘pataphysics as pasta physics, by the way. Love those alimentary lineaments.
Vain? Me? Never! Also You Are Here.
March 11, 2014
Usually when I have a photo taken, I freeze up into an iceberg of Titanic proportions. It is to the credit of Geoffrey Dunn that he managed to take quite a few photographs where I look thawed. In this one I look literate, for example. He has posted more on his site, at:
http://blog.lushpupimages.com/ps-cottier-poet
The one he has chosen of me with a parasol on the street is my favourite. The purpose of the session was to get a better photo for The Stars Like Sand, and we did, but I do like the more adventurous photos.
***
I have a busy few weeks ahead of me. On Saturday 15th, I am reading at Word Coop, at the ANU Food Coop, in Kingsley Street Acton, at 7.30 to 9.30pm. No, I will not be reading all that time. Other poets are Rochelle Fong, Good Ghost Bill and Ma Ya Ga Ng Re Ne. I may be wrong, but I suspect that some of these persons may be slam artists…Hosted and curated by the indefatigable Andrew Galan (who looked fairly fatigued last time I saw him) and by Amelia Filmer-Sankey.
Speaking of performance, on 22nd March, at 4pm, I am appearing at Smiths Alternative, with CJ Bowerbird, who has been crowned the National Poetry Slam champion. We will be reading some poems and discussing poetry, and responding to one of each other’s works. Andrew Galan will be in charge of that one too, fatiguing himself yet further.
These two events are part of the YOU ARE HERE Festival, which runs in Canberra between the 13th and 23rd. Many many events, so if you are lucky enough to live in the area, do check it out.
In between those two, I will be going out to Yass, as one of my poems has been short-listed in the open section of the Yass Show Poetry Competition. Should be fun. It was last year.

That is Lizz Murphy, on the left of this definitely not professional snap taken at the Yass Show last year. Lizz will be reading tonight at The Gods, with John Stokes. Omar Musa was to be the third poet, but he will now read later in the year, and a super-sub will be taken from the bench.
No poem today, I’m afraid, as I have been caught up in egregiously demanding Things. If you feel like poems, click this link, and see what other Tuesday Poets have been doing:
UPDATE: 10.22pm
Unfortunately, Lizz Murphy was unable to read for serious personal reasons. Very best wishes to you and yours, Lizz.
Harry Laing was the third reader, and Charlotte Clutterbuck stepped in at the last moment to take Lizz’s spot.
A successful evening, but I did miss Ms Murphy.





