Seconds?
November 17, 2009
I’ve just had a second book published by Ginninderra Press (see blogroll), a collection of short stories called A Quiet Day. To be launched in December by Peter Frankis.
Launching books
atmosphere pulls
pages flutter
Really, perhaps I should leave haiku alone and stick to quirky free verse, which seems to be my forté. And super-short stories with twisty possum tails. Have you noticed that no-one says that anything is their piano, let alone pianissimo, as in something they’re hopeless at?
Novels were her pianissimo,
Crushing her in bulk,
smalling her to modesty.
She slams the covers on her fingers.
Enough. Blogging is the new nicotine.
Dear NASA
October 22, 2009
Ths poem recently won first prize in the C.J. Dennis Literary Awards (Auburn, South Australia) on the theme The Universe: Yours to Explore. Such an overwhelming topic seemed to call out for a little humour:
Dear NASA,
When we reach Mars, kicking up red dust,
walking against gusts like Marcel Marceau,
let’s not do what we did on the Moon,
forty leap and leap-less years ago.
Let us not plant any one nation’s flag,
like a toothpick through a lump of party cheese.
Might a woman set her feet first on the planet
so often connected with war? And please,
please, no one takes golf clubs, whether niblicks
putters, drivers or irons. Let Mars stay a place
untouched by sprees of futility, no heady sticks
to launch tiny white balls into circles of space.
Leave no junk; let the plains spread clearly.
Just a few thoughts from
yours, sincerely.
P.S. Cottier
Loss of a pet
June 29, 2009
No obituary
Presented to us in a terrier’s mouth,
he squirmed his way back into being
through a tight vice of punctures.
Dinny (the dog’s near dinner).
An experimental dish who charmed
with his monomania for grass.
Grass in and grass out,
pelleted, my weed and feed,
my murmuring mower of lawn.
Tonight we return him to grass
and precious green will sprout
from pink, once eager mouth.
No obituary for a guinea pig
that simple vegetarian of soul.
None, that it, save this.
Madness and punctuation
May 29, 2009
Am I mad? Sometimes I think that I have a particular disease that makes my eyes see things that others don’t: the misplaced apostrophes with their little bracketed eyelids smiling as if to say ‘Yes, we’re here, it’s true’ or more accurately, ‘Yes, were here, its’ true’. (Insert long scream of Munchian proportions. I actually saw an its’ the other day. Them’s true words.)
Am I the only person still to wince,
to feel as if she had been pinched
by the claws of these evil crabs
with their crooked apostrophes?
Scuttlers’ of near illiteracy
I drown in your misplaced seas’.
(Of course that won’t work unless I used a font with nice curved apostrophes like claws. Please just use your imaginations…)
As for me, I think vodka is the only answer. It’s a nice blank canvas of a drink, punctuated by a neat, oval full-stop of a single olive, with no apostrophes in sight.
Cheers’ (Scream…)
Had we but world enough and time
April 3, 2009
How long to wait before assuming a piece has been rejected? When do bad manners or sloppy practices or simple overwork slide over into the world of too long, allowing a conscientious writer or poet to submit her work elsewhere? How do we decide where to send our poetry?
As to the latter, well, I went through a stage of deciding merely by name. I thought that if a journal had an imaginative title, it was probably likely to publish interesting work. Sometimes I did this sight unseen, and have been very pleased. Shakespeare’s Monkey Revue, for example, attracted just because of that title, and the journal didn’t disappoint when I saw it.
I have been advised to take a more sensible approach to where I try and place work. I am grateful for that advice, from a very well-respected and, more importantly, accomplished poet. There is a definite hierarchy of literary journals in my homeland Australia (and elsewhere of course). But I am not a poet because I want to build a career, or because I want a sparkling CV. On the contrary; poetry should be an escape from that type of world. I love the idea of people who like poetry reading my work, rather than worrying about status.
A similar question is: how much time should one put into trying to receive funding for one’s artistic endeavours? Some poets seem to spend as much time writing applications as sonnets. They might as well get ‘a real job’ and write in their spare time, so relentlessly do they work at chasing the Government dollar. And the whingeing! It’s as if they think they’re Shostakovich and the funding body is run directly by Uncle Joe, when they lack both talent and any real cause for grievance. (For my mythical foreign reader, most funding in Oz is public, not philanthropic.)
One would be mad to ignore the possibility of assistance in pursuing one’s art, but equally insane to sacrifice art for the pursuit of money.
But here’s a funny little one about the way poets often work for free:
Will work for print
I can do sarcastic.
I can do elegaic,
but controlled, you know,
no red hearts or roses
strewing graves.
I am indeed bereft
of the word bereft.
I’ve dabbled in spiritual.
I do a very good dog:
snuffling, truffling, worshipping
at a scented shrine, one leg cocked.
I can even do decent rhymes
if pushed. And if there were time
I’m sure I could run to a novel
in verse. (But that might be cheating.)
So for all your poetic needs
call the number on the little
paper tags fringing the bottom
of this hula page. And ask for me.
P.S. Cottier
Joy (or at least a certain satisfaction) should be the poet’s main reward. If one is lucky enough to have enough, why complain? People write poetry in jails and where there is virtually no hope of publication. This, surely, is what any art should be about? Something that even the sloppiest journal editor can never steal? (Let’s end where we started, with a bracing question mark.)
PS Cottier 