Tuesday poem: Written Off by Tim Jones
September 12, 2016
Written Off
They had insured
and re-insured,
still it was not enough.
They hunched over maps,
consulted climate science.
Beachfront property
went with the stroke of a pen:
no possible premium
could insure that level of risk.
And floodplains:
why do people choose to build on them?
Bigger floods, more often: gone.
East Coast farmers, eyeball-deep
in debt, haunted by drought,
desperate to irrigate:
you backed the wrong horse.
Low-lying suburbs, factories
built next to streams:
there is no mercy
in insurance. The numbers speak,
and then there is no mercy.
Tim Jones
This poem is from Tim Jones’s new book New Sea Land, and deals with the effects of climate change in a particularly effective way, using deliberately simple language to describe a practical effect of rising sea levels. It will become impossible to insure all those ‘desirable beachfront properties’, which may soon require scuba gear for inspection.
Tim’s book envisages the further changes that we may see (alongside those that we are already seeing) due to the global experiment that humanity is performing, without a control world to see if it’s a good idea. The effects on the environment and people, both in his own country of Aotearoa/New Zealand, and worldwide, are the subjects of the book. The changes are envisaged in the very title of the book, with the shift from the words New Zealand to something recognisable, but quite different.
If the book’s topic sounds a little overwhelming, the poems themselves are witty, controlled and moving. As someone who is trying to write on the same issues, without breaking into long and unseemly rants, I recommend this timely book to anyone who is concerned with climate change. (Which is a bit like saying anyone who thinks, really.) Personal history is a concern in New Sea Land as well, notably in poems such as ‘The map’, but this is inextricably linked with questions of the treatment, control and ownership of land.
I have had the pleasure of editing a book with Tim, and is intriguing to see how he has moved his political concerns to the centre of his creative practice with New Sea Land. And what a cover by Claire Beynon, showing a person teetering on a thin rope. Tim’s poems are also attempts to find a way of walking the new landscapes we are creating, where loss and uncertainty surround us all.
New Sea Land is available from the publisher, Mākaro Press, who are producing great books. Here are the details:
Title: New Sea Land
Author: Tim Jones
Publisher: Mākaro Press
ISBN: 978-0-9941299-6-3
$25 (NZ).
Best launch ever?
July 22, 2016
The delayed launch of Suddenly Curving Space Time was held at Smiths late last night, and it was a memorable one. Gerald Kearney was there, and performers included a band called Shoe or Shoo! (or possibly Choux? says the Francophile), a shakuhachi performance by Barbara, and of course poetry. UPDATE: I see from Bandcamp that the correct spelling is S.H.U.! How’s a person supposed to guess that?
I didn’t get everyone’s full name, but here are some photos of performers, including Brian, who has a really great voice. And Gerald, one of the editors of the book (above and below) also gave a memorable performance.
In honour of the weather that delayed the launch I read a few poems with a climate change and/or weather focus. Despite a few people being unable to make the rescheduled launch (notably the co-editor Hal Judge, though Gerald read one of his poems), it was an event that left me feeling inspired and intoxicated, in a good way.
Loud man pissing round the reading
with irrelevant comments,
dribbling self, reflected in a deep pool
of his own stewed past, steaming.
He is a true Narcissus,
but not so drop-dead gorgeous;
fungus mated with dead cat.
He smells of yesterday and loss.
He shouts his irrelevance
with every tedious joke,
every punch line a squib,
tarnishing the grey sky.
P.S. Cottier
Not the subject of the poem
A nasty wee poem indeed, based on a couple of True Incidents.
***
On a couple of more positive notes, I’ll be reading a poem or two at Tuesday night’s launch of Suddenly Curving Space Time and meeting Gerald Keaney, one of the editors for the first time. That’s at Smith’s Alternative (aka Smith’s non-Euclidean?), Alinga Street, Civic, at 5pm. There is a bar. I’m not sure if Hal Judge, the other editor, is in the country at the moment, but I will certainly find out.
UPDATE: This launch has been postponed as Gerald is stuck in Brisbane due to ‘freak weather conditions’. I think that means fog! I’ll give new details when I can.
FURTHER UPDATE: The rescheduled time of the Canberra Launch of the Suddenly Curving Space Time anthology of experimental poetry is 9.30pm – 11.30 pm on Thursday 21st July.
Secondly, the usually totally impeccable Kaaron Warren has inexplicably featured me as a guest blogger, chatting about how I refresh my wells. That is what they call a metaphor, I believe. Kaaron is seemingly aiming for a Guinness world record in having quite a few people write on this topic. Seriously, there will be enough material for a Real Book based on these jottings, some of which are very informative and detailed. Some of the contributions One of the contributions is, however, a tad frivolous and involves violence towards naiads.
Anthologies
June 24, 2016
This week I received two anthologies in which I have poems. They are First refuge: Poems on social justice (Ginninderra Press) edited by Ann Nadge, and Suddenly Curving Space Time: Australian Experimental Poetry 1995-2015 (non-Euclidean Press) edited by Gerald Keaney and Hal Judge.
Switching between the two is an interesting experience. I have just started to read them both.
I especially like the ‘non-Euclidean spine’ of the experimental book, which is working its way through the binding like a space-worm. Well, what do you think makes wormholes?
Tuesday poem: This poem is a birdbath
January 18, 2016
This poem is a birdbath
and it fills itself with bird,
the quick splash of silvereye
the suspicious sip of currawong,
unable to believe in non-carnivorous gift —
looking out for bigger beaks behind the bush.
This poem features no sudden cat, lurking,
a sonnet’s volta, waiting to rewrite the tone
from mild celebration to whiskered doom.
The water slops over the rim of
the poem.
The mess feeds the grass below, as do the birds.
Birds draw no firm distinctions between bath
and toilet. They revel, quietly, and the poem
expresses gratitude, for being, for being merely.
P.S. Cottier
Muse with beak
That one doesn’t really need much exegesis! Annoyingly, a wee glitch (as opposed to an enormous GLITCH) is preventing me doing a broken line…’the poem’ is supposed to appear under the rest of the line. But I’ll try and stay positive rather than cursing my computer or the platform which allows for these posts!
See which Tuesday Poets are still posting poems by checking out the sidebar here: http://tuesdaypoem.blogspot.com.au
***
In other poetry doings, Michele Seminara has recently had four poems featured at Rochford Street Review, and it was a delight to find that one was dedicated to a certain P.S. Cottier. Michele’s first book, Engraft, in which these poems appear, will soon be launched in Sydney, Wagga Wagga and Melbourne. You can read the poems here, and also find details of the launches there. I am thinking of going to Wagga.
Apart from being a fine poet and editor, Michele is also a blogger.
PS Cottier 