Abbott’s booby
December 3, 2011
Sorry if the word ‘booby’ misdirected you here.
This is another poem about Tony Abbott, leader of the Liberal Party in Australia, which is similar to the Conservative Party in England, in many ways. (Here’s the first one published on this blog, relating to climate change.) I recently had a poem about Australia’s attitude to refugees who arrive uninvited published on Eureka Street, remembering the dozens of people who died last year, smashed on the rocks of Christmas Island, an Australian island that is no longer part of Australia for immigration purposes. That poem featured the Christmas Island crab. This one draws links between another native of Christmas Island, Abbott’s booby, and the Leader of the Opposition.
Abbott’s booby
This poem regurgitated itself into my mouth —
a sardine of ill repute, silver little slug.
Abbott’s booby is a native of Christmas Island,
flying around and around.
Its cry is unmelodious,
unfit for any proper idyll.
It picks up stray ideas
and smashes them onto rocks.
(It is in league with the crabs.)
It is a member of the Gannett family.
And there, the useful metaphors run out,
like a big country’s generosity.
For this is a large, graceful bird,
once it has struggled into flight,
and it only troubles the wind.
It is unrelated to the budgie.
It is endangered.
Others, though, are entering their prime.
Oh silver, stinking poem,
shoved down a gagging throat.
P.S.Cottier
Hip hop before hip hop
November 22, 2011
Australia’s loss of frog species is, I believe, the worst in the world. We have lost the gastric brooding frog. The corroboree frog, a species that lives in the few really cold parts of the country, is the subject of directed conservation efforts, yet one wonders how it will cope with climate change. Here is a flyer (hopper?) for a US frog poetry competition, because the problem isn’t confined to Australia. Click to enlarge. Here’s their web-site. I have no connection with this group, but it seems like a good way of encouraging people to think about conservation; I’m putting the poster up at my daughter’s school.
Following below is a poem about a wonderful night when I saw a road covered with frogs in a jumping carpet. It is biologically inaccurate, but I tried to capture the sense of wonder that came with what seemed like a million frogs. I wonder how long we will continue to see this type of natural phenomenon?
Frogs at Durras
We bought a house, feeble fibro shack,
walls thin as a yacht’s, teetering near the sea.
The second time we drove there, slowly,
tentatively, nosing towards ownership,
a rough jagged rain sawed through twilight.
We wondered if the house could survive.
Turning the corner, our eyes jumped,
jerked at a million tiny frogs revelling in rain,
the black streaming street a foaming river.
Each raindrop a watery egg, containing
tadpole, exploding into perfect frog
as it hit the tarmac, transmogrified.
I ran ahead of inching car, scooping throbbing fistfuls,
placing them on nature strip, dividing green from black.
And still they splashed and clung to sodden tar,
each splayed finger reading braille on the rough road;
indecipherable invitation to party, or to climb, perversely,
the dark warm curves of the sudden crushing car.
Three years later, we sit in heat, and await the frogs
never seen since the Walpurgis abandon, that abundant night.
Sometimes we have heard them, piping, tinkling, muted bells,
signalling to each other, chirruping reminders
as they wait beneath rocks, huddled in just damp dark
that all droughts must break. Our house still stands.
P.S.Cottier
Cicadas and tortoises. And poetry?
October 21, 2011
This is the cover of my third book, with a somewhat pensive sheep under a very blank sky. (It’s a poetry collection.)
Hal Judge launched The Cancellation of Clouds at 6pm, Thursday 20th October 2011 at Smiths Alternative Bookstore, Alinga Street, Civic. (Civic is another name for Canberra’s ‘city’ centre – a non-existent thing, really – and the name is intended to contrast with political, governmental, national Canberra.) Hal gave a very thoughtful speech, and I read a few poems, and drank a poetic amount of wine. Senator Nick Xenophon, an independent Senator from South Australia, also read a poem, after he launched the bookstore’s new bar.
Senator Xenophon takes a gamble
(Thanks Lily Mulholland for this photo.)
If you would like to order the book, please go to this page, within the Ginninderra Press site. The first review of the book, by Professor Peter Pierce in The Canberra Times, describes it as ‘droll, intelligent and varied’, which was a very positive thing to read. And totally right, too! Another reviewer, Michael Byrne, states that ‘It is…love for (and embracing of) the different that seems to define Cottier as a poet.’
And in the book’s first international recognition, New Zealand poet and man of letters Tim Jones describes The Cancellation of Clouds as an ‘Australian poetry collection with a distinctively wry yet dark tone and very effective use of long stanzas and densely packed lines.’. All very gratifying, especially hearing I’m more dark wry than white bread…
***
Now I return you to the real piece that bears the title given above. I originally wrote what follows below back on January 22, 2009, and it still seems a good introduction to my blog, although I notice a recent trend to write a little more often here than I did originally. Blogging really is addictive, it seems. But its very accessibility and transience make it less lovely, to me, than that strange little thing made from dead trees.
Cicadas and tortoises. And poetry?
In my case, cicadas and tortoises seem apt metaphors for the process of writing. My first book, The Glass Violin, a poetry collection, has just been published by Ginninderra Press. Some of the works in the collection go back twenty years, so the easy option of comparing myself with a tortoise comes to mind. There’s nothing like a good old shell of cliché in which to hide an idea.
Yet I actually write quite quickly. I’ve just been a shocker about trying to have my work published. About a year ago I decided to put an emphasis on seeking publication, and I have been quite fortunate in finding places that liked my work.
Cicadas spend most of their life underground, only emerging after years and years to produce an ear-splitting cacophony. They only live a short while after emergence. As a practising poet, I feel a lot like one of these insects, pushing through editorial mud, but hopefully the process of publication has just begun. I wrote this poem about the vocabulary used for referring to poets as emerging, developing and established:
Emerging poets
White, shovel-shaped finger-nails,
rotten smell, the world’s worst bulbs.
Like durian fruit mushrooming,
zombie poets emerge, pushing
through editorial soil, groaning,
after a decade’s slushy stew.
Perhaps some emerge politely,
quaint chicks toothing oval eggs.
Others make neat papier mâché
cocoons from rejections, wait,
then one day, poof! Harlequin
wings, trembly antennae. Most
are born bogongs, banging on
bright lit windows. Any more sir?
(I like to think that my poetry is a little more melodic than the noise of a cicada, although this example is admittedly a little less than elegiac. Incidentally, all poems on this site are by me, unless otherwise indicated.)
This will be a very occasional blog, as this cicada prefers to work on her poetry. It’s always a temptation to bury yourself away, once the soil has been so very comfortable for so long…
I was very happy to read this review. And this one, too.
And since then, a second book, this time a short collection of short stories:
Both can be ordered from Ginninderra Press, under poetry and fiction respectively.
About whales
September 6, 2011
Stranded
Huge rubber torpedoes loose themselves onto shore;
a giant’s speed-humps beached. Incomprehensible,
these commas in a language no-one knows to speak.
Like sheep they follow each other, but no canny dog
can turn them, head them back to deep supporting sea.
Victims of gravity, bulk weighs them down,
and spread of sand becomes a massy grave.
That short word why grows in watchers’ minds,
pressing like the bodies on that fatal beach.
No answer comes. We water them like giant bulbs,
and strain to plant them back in bed of ocean.
But sometimes there can be just too much coast.
Unseen sirens called them, and some turned back
to dire, heavy death. Lapped by waves,
gentle as a fading memory, what do whales see
in that final surge, before their spirits swim away?
P.S. Cottier
Trail of disinformation
August 18, 2011
Must find accent key...
Trail of disinformation
P.S. Cottier
‘Does it really matter, love? After all, we’re talking about a snail, aren’t we? I put down bait for them. Or squash them. It’s them or my veggies.’ Bill smiled, ate a peanut, and drank a little more beer.
‘It’s a special snail. A green one. Tiny.’ I sounded vaguely desperate, and I knew it.
‘But it’s still a snail, green, orange or purple. Rainbow even. I just don’t see the point, worrying about an ugly little bugger like that.’
Bill had hit the nail, or the snail shell, on the head. We were just talking about ‘ugly little buggers’. We wanted to prevent the development of a proposed mine because of the presence of rare miniature green snails, only found in one small pocket of rain-forest. If it were koalas, once the subject of a bounty, we would have been national heroes. A rare species of bird would be understandable. Everyone can see beauty in a bird. But a mollusc is quite a different kettle of fish. Too far beneath our eyes to count. Too near our feet.
It was Jennifer, my best friend and fellow conservationist, who came up with the idea to give our campaign to save the habitat of the endangered snail a certain indefinable…je ne sais quoi.
I knew we were onto a winner the next time I ran into Bill at the pub. He was reading the newspaper, the one that Jennifer had just leaked her ‘secret information’ to. It trembled in his hands. I noticed that he wasn’t smiling, or cracking jokes like errant carapaces amongst the beans. Indeed, he seemed a little angry, a little red in the face.
Bill turned the paper over so I could read the article he had just read. I had to cover my nascent smile as I read:
‘French offer to take Aussie snails
This paper has heard that an offer has been made, through official channels, for all the endangered miniature green snails in the area currently being considered for the development of a new mine to be removed and relocated to France, at the expense of the French Government. It is hoped that the species may prove edible.’
‘Bloody cheek’, said Bill, as he took a long drink of beer. ‘They’ve got their own snails. Poor little buggers. Why do they want to steal ours?’
He’d forgotten his previous comments about pellets and gardening. We had wrapped the miniature green snail in the flag, rendered it as Australian as the kangaroo. We eat them, but that’s different, apparently.
Despite vigorous denials from the French embassy, the story stuck. The public was outraged. Next week, the Government officially declared the snail habitat protected.
And deep in the bush, the tiny snails act out their slimy lives, safe from the development of a new tin mine. And of course, safe from any forced repatriation to the restaurant rich and risky boulevards of Paris.
