Answered by reptile

So the knives are getting
too sharply attractive,
your interest in wrist as whetstone
perhaps a little too keen.
Not even puns will save you,
those tight little refuges of spin.
So you get on your bike and go,
two wheels set towards infinity.
You even try this new cycle of prayer
as you sit beside the muddy pond.
but asking for strength is too clichéd.
Christ, it seems, has heard too much,
and won’t suffer that sort of shit,
(at least from the middle classes).

You look up, and see a tortoise,
neck out, a hyphen joining shell to air.
He suns himself on log island,
quiet, content; most of him tucked away
like a whispered promise.
And you know, that for today,
you will no more think to
carve a manic smile in wrist
than shuck him from his shell
and leave him wriggling on ground,
a discarded lively gob of snot.
His grey oval is an iris, glancing
at you, from pond’s centre;
winking you back into light.

P.S. Cottier

This poem is dedicated to anyone who has ever felt suicidal. Not just down with a hangover, or upset when they split up with a lover, or lost a job, but really suicidal. (And no, that’s not me.) May you find your own tortoise!

Tuesday Poem If you click this feather, you will go to New Zealand, where they may or may not have tortoises, turtles or inferior snakes, but where poems can certainly be found. Start with the middle poem, and then check out the bits on the side. Or read it however you want, you anarchist you.

Pages like football fields

People try to bring home
what is happening in the Amazon
and they reach for metaphors, like tools.
They hope to find the metaphor
to push reluctant minds into consciousness.
A metaphor as useful as a chainsaw
that fells a thousand-year-old tree.

Some people turn to mother
and speak of the earth’s bosom.
Or of a thick green girdle
(Mother is an unfashionable dame)
of wombs and deep forest fecundity.
When they really work themselves up,
they speak of raping the earth,
which must equate to removing a girdle
In such people’s minds.

Still others take a sporting approach,
calculating the number of football fields
lost to the dozer each minute.
Suggesting that if we only blew a magic whistle,
the infringement would cease, fair play break out.
Such people tackle issues head on,
so long as the goals are clear, and the weather fine,
they’ll take a punt at converting you.

And of course the difficulty is that what happens
Is no metaphor at all, nor a smiling simile.
What is lost, can not be substituted.
It is this process of substitution
which allows some to think money
when they see that thousand year tree.
Just as others call starvation, debt.
These things stand in for each other,
support each other.
That is the problem with minting too many metaphors.
They prop up things that should be brought down.

However, let me present one more.

If this page were the rainforest,
the letters its constituent parts:
jaguar, fungus, creeper, human,
then in ten fleet years (or fewer)
the man who borrowed this book from the library
would have ripped it out, jaggedly.
By doing so, he has caused
all the book to unravel.
Slothfully it started,
leaves dropped daily,
the spine collapsed.
Now it is not a book.
punctuation is gone
pages and w rds have g

P.S. Cottier


From my first poetry book, The Glass Violin.

For further poems, please visit the Tuesday Poem site by clicking the feather:
Tuesday Poem

Sorry to disappoint

March 15, 2012

These are the search terms used by people to access this blog on 15th March (today, as of about 9.30 p.m.):

the cappuccino kid

japan mangoes

clancy of the overflow

tortoises’ picnic

australian beach girls nude

i believe poems

*

That’s almost a poem in itself.

where's the froth on that?

Tuesday poem: Sand

March 12, 2012

Sand

Because it creeps into crevices like tiny crabs,
making a clutching claw of your buttocks,
and because these small private incursions
allow souvenir confetti to sprinkle for days,
as if the tacky beach had followed you home,
an over-friendly guest at the wedding reception
hoping to come on the honeymoon, sticking, and
because, unllke house dust and garden dirt
it seems clean, despite ten million dead things
crunching under your hot splayed feet,
fragmented into this smiling pointilist
carpet, into which you sink, wallowing;
you welcome it. You are the beached seal
on the long yellow towel spread out between
restlessness and mundanity, between sea
chopping, mouthing, swallowing, spitting,
and the inland everyday, shaping you,
trowelling you, like that avid child, eagerly
out-turning a bucket of wet,
inverted,
sand.

P.S. Cottier

The photo is of the place I like best in the world, on the south coast of New South Wales. I’m not going to give the exact location, as I am profoundly selfish. The tiny village there is surrounded by National Park so it can’t be extended. Locals (some of them) don’t want sewage or town water put on, to ensure no more development. You know you’re in the first world where people are campaigning against running water.

Everyone in Canberra treks to the coast whenever they can. Yesterday (Monday) was a public holiday in the ACT for Canberra Day, so nearly everyone left Canberra for the long weekend. Next year is the 100th anniversary of Canberra, so it will be interesting to see if more people stay for the festivities.

Personally, I’ll take the sand every time, and the milder weather. Everyone was still wearing just bathers and thongs, and we’re into Autumn. Kangaroos frolic in backyards. Black cockatoos swirl around, particularly before rain. So. very. nice.

This poem is from my first poetry collection, The Glass Violin.  For more poems from a variety of climates, please click on the feather, which I suspect is not that of a black cockatoo:

Tuesday Poem

Its’ a beautifull

thing to see proper grammar like what beerded Oxford dons’ would write but in the stile of Australia, all sun-bronzed and layed-back and life-savery. I love to see apostrophes’ swimming like little pods’ of dolphins’, near sees’ of expectation points and colons’ semi-twisted like lickety-licorishes’, all hang on; lets’ go and sea. Expectation marks are natures little wake up calls never use one when seven is possible!!! Or three. If you are unsure, its’ a good rule of thumbs’ to use apostrophes’. They pinch the reader, little crabby claws’ at the end of words’ to wake him up. Or her two. Spellings’ important, but apostrophes’ maketh the prose zing; unzip it’s full potenshal almost a Brazilian wax all nice and neat and proprietry like Auntie Sadies’ famous unsean special scones’ with cream.

P.S. Cottier

I wrote this for the ACT Writers Centre magazine ACTWrite, for a special edition on editing and grammar. So successful was my effort that the Centre was approached by a person who teaches editing at the Canberra Insitute of Technology for use in her course as an example of something that really needs editing. Of course I gave permission to use it, with the proviso that students be told that I am in fact literate.

Honestly, I am. Im a Docter of Filosofy.

It is so hard to write that badly. I notice that I still spelt Australia correctly. And grammar. And cream. Sigh.

Now, for properly punctuated poems of awl sorts’, please click on this feather:Tuesday Poem